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Famous Kilroy J. Oldster Quotes

“I seek more than diminishing pain. I want to experience a splendid life, a life full of gaiety, charming people, beautiful panoramas, outstanding adventures, and sublime interpersonal experiences. In place of squandering personal resources and wasting valuable time, yearning to satisfying these improbable goals, I wish to learn from gross errors. I desire to cease castigating myself for prior mistakes. A realistic personal goal is striving to achieve presence of mind, demonstrate consistent attentiveness to the present, rather than continually worry about the past or the future.”

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Book:Dead Toad Scrolls
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“Memory is the essential cornerstone of humanity. There would be no spiritual platform for enactment of public policy directed at uplifting the poor without remembrance of our munificent traditions and customs. Without the ability to recollect the why and wherefores, there would be no tolerance or wondrous love. Without oral memories of the instructions issued by our prophets and patriarchs, there would be no reminder of their charitable calling. Memories prompt us magnanimously to provide for and protect our family, love our neighbors and enemies, and pray for unsavory souls whom persecute us. Without memories of our prior actions and omissions, there would be no confession, and no repentance. Without memories of our personal transgressions, there would be no tolerance for other people. Without memories of heroic action of our predecessors, there would be no sterling examples to exemplify and guide honorable human behavior. Memories are what we rely upon to understand what it means to be human. Shared memories of affection and kindness and recollections of selfless acts fuse the ties of families. Collective memories establish community culture.”

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“Deprived of all forms of memory, people would act only to satiate the immediacy of their base cravings. Without past memories acting as guidepost, humankind’s dynamics diminish to the entropy of commission and reaction. The desire to achieve lastingness would be frivolous without appreciation of our joint history. In absence of historical awareness, there could be no culture dialogue or community inwardness. Absent historical awareness, there would be no evolving community consciousness and there would be no social engine capable of generating any communities’ battery of self-determinacy. Self-improvement would be frivolous without forging an intimate relationship with our historiology as well as familiarity with the account of select people’s exhibited character traits that we might wish to emulate. Notions of personal pliancy and individual lability would lose its root structure without the prongs of memory to provide the necessary griddle and supporting trusses to configure and provide cohesion for our developing sense of selfhood.”

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Book:Dead Toad Scrolls
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“Without the aid of memory, human cognition would be nil. Without memory, there can be no thinking, no learning, no accumulation of shared knowledge, and no philosophy. Thinking requires the capacity to recall. Thinking is what enables human beings the ability to understand cause and effect, recognize patterns of significance, comprehend the unique context of experience, measure personal activities, and respond to the world in a meaningful way. Knowledge is memory based. Learning demands the acquisition of studious observations and learned information, the ability to recall a slew of previously held factoids on command, and logically and intuitively to extrapolate from such objective facts. Without memory, there could be no morality. Awareness of humankind’s ineluctable sense of impermanence requires the ability to comprehend times passage through use of stored memories. Without the epic sense of being that memory supplies us, there would be no understanding of eternity, we would remain ignorant of the unremitting thump of time, and therefore, we would be forever unaware of humankind’s wretched transience.”

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“I wish to create a piece of work that produces a permanent mark in the record book of human existence. I also write to insulate myself from leading a meaningless life. Awareness of an inescapable mortality urges me to write at a frantic pace, in a hysterical attempt to assign a purpose to my life by creating something external that endures.”

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“Awareness and knowledge of what occurs in the present, which we call reality, is imperfect and vague. While we can never comprehend all aspects of reality, a person enhances personal comprehension by placing the seed of their existence under strict scrutiny. Acting as an impartial judge of our own deeds and by reviewing the lives of other people whom underwent similar experiences, we enhance our level of self-awareness. Reviewing other people’s stories increases our understanding of humanity and provides insight into our own personal struggles.”

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“I seek to create an artistic statement of my being by producing a unified voice that speaks for me and to me. I will attempt to capture the pulsation of my mind and harness its incessant rush into a telling format that is revelatory and self-healing. Confessing my sins is the first steps of communing with the self by focusing the light of consciousness upon the darkness of the unconsciousness in an attempt to comprehend what I am for the very first time. I endeavor to open my heart and mind, be an indomitable witness to the paradoxes that bedevil humanity, and serve as an unrepentant admirer of the irrepressible splendor of living in a natural manner undisturbed by the behavior of other people or the inevitable changes in the world that we occupy.”

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“Scholars laud personal essay writing for its ability to explore the past, present, and the future, and assist people gain a better understanding of life, people, and oneself. A growing trend is for both famous and non-famous people to write their memoirs as a means of documenting their personal history and exploring their quest for identity.”

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“As a prose mode of expository writing, the narrative approach, more than any other, offers writers a chance to think and write about their personal history and cultural identity. A personal narrative process that constructs memories in thematic sequences represents the fundamental nature of the self.”

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“It has been suggested that each person lives hermetically sealed within his or her self-perpetuated myths. Scholars postulate that we tell ourselves stories to make sense of our lives. We begin exploration of the self with the experience of failed transcendence. Philosophy originates from the experience of disappointment. Our failures lead us to discoveries. At birth, we know very little, almost nothing; all knowledge instigate from the experience and recognition of our limitations. With the uncertainty that surrounds our existence in the universe, perhaps we must create ourselves. Perchance we seek self-exploration when the myths that we once operated under no longer work. Perhaps we undergo self-analysis only when a coalescence of the past, the present, and the future betrays our current myth-making. Perhaps at such times when failure reigns center court, our survival instinct urges us to create a new story-line.”

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“Philosophic thoughts allow people to use human reason and imagination to consider eternal matters and explore the ramifications of their own transience. American author Joan Didion postulated that we tell ourselves stories in order to live. Conceivably a personal crisis propels a person to delve into creating a guiding philosophy for living with reduced mental and emotional turmoil. Alternatively, perhaps we tell stories to examine, explain, and justify our failures.”

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“Reflecting on the past while living in the present, we make decisions that will reverberate in the future. Our daily actions, thought patterns, and the concepts we choose to cherish will create the paradigmatic structure of our life story; our collective decision-making determines our final manifestation.”

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“Storytelling is an imperfect methodology to provide a true accounting to a multiplicity of bilateral and three-dimensional interactions. Language cannot reach every recess of the mind, it cannot document every emotional chord, and it cannot splice the discordant pieces within us. Each story by a writer represents the sanitized accounting of the mind’s depictions. Try as one might, employing a panoply of traditional technique or other slick tools of modernist stage craft, it is impossible to separate the teller from the telling any more than one can distinguish the author from their doppelganger writer’s voice.”

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“A good story is both one hundred percent true and one hundred percent false. A good story uses small lies to take a stab at piercing larger truths. An overstatement and understatement are part of writer’s craft; each standing alone is an untruth. An understatement might be used as an attempt at humor, just as an overstatement might be used to probe a truth that lies beyond the exact retelling of who, what, when, and where style employed in police report writing. Even writing biography, autobiography, memoir, and personal essays that studiously and relentless adheres to established facts can distort the truth. Faithful adherence to stringing rote facts together omits many aspects of both the subject and the operable social, cultural, and political environment that stages human interaction, contest, conflict, drama, and strife.”

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“Storytelling is one means to entertain, share knowledge, and transmit cultural ideology. Through the universal lens of storytelling, do we become familiar with the life altering dilemmas and moral challenges that fuselage provides the linkage to mode the character patterns essential to leading a principled life? By shuffling through scores of loose leafed stories, can we glean the clarity of thought and the lucidity of perception needed successfully to tackle our own life with gusto? Is reading stories of struggle and redemption one way that we become acquainted with the chemistry of pain and suffering that permeates the arteries of all thinking human beings? Does appreciation for other people’s hardbound stories assist us place the vertebrae of our own experiences into a telling template? Can we draw upon the accumulated experiences of other people’s lives as well as our own hands-on experiences when we see our lives folded into a comprehensible scabbard depicting what it means to be human and, therefore, fallible?”

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“Self-knowledge enables a person to grasp what future decisions will define their final formation. The human mind habitually hits the rewind button and replays past events. Can looking back over the rim of time and engaging in thoughtful criticism of the precursor events of my formative years be of any possible assistance to expose the indurate truth of factual reality? Can I employ the tools of memory and imagination along with the techniques of logos – reasoned discourse – to escape strife and pathos? Does it make sense to write the story of my life so that I can ascertain who I am? With these unsettling thoughts and these maieutic questions in mind, I began writing an enantiomorphism-like scroll. The crystal molecules that comprise this text construct a mirror that replicates the multiple dimensions of a risky adventure into self-psychology. I harbor no expectation regarding the outcome of this reflective venture. Regardless of the consequences, all I can do is follow the psychic flow generated by this writing enterprise. I do not know where this positional analysis will take me or how this psychodynamic field study will end. I am simply dedicating all remaining personal energy reserves to capitulating to a tornado-like process of self-study, a turbulent procedure with an unpredictable outcome. Perhaps something sensible will result from deploying a series of narrative personal essays to deconstruct the parasitic evolution of an egocentric self.”

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Book:Dead Toad Scrolls
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“This narrative scroll is my story. It represents a peep show into a self-prescribed, ceremonial quest to stare myself down, mutilate myself, slice myself into minuscule pieces, exam and innervate my paralytic soul. Writing this manuscript documenting disenchantment with my selfhood’s unsatisfactory interactions with significant life defining experiences constitutes a calculated surgical disembodiment of my former egoistical self. The act of writing my life story serves as a spiritual dismemberment undertaken to reconfigure and reconstitute my essential being. Perhaps this anatomical deconstruction of a delusional self represents a talisman-like step in attempted self-healing. Alternatively, perhaps this megalomaniac manuscript, which amplifies my psychopathic condition characterized by narcissistic fantasies of power and greatness, and chorusing ring of self-doubt, is nothing more than the sound and fury of an idiot’s paranoid rant. Is my self-induced schizophrenia running rampant, writing page after page of pure drivel, descending me deeper into a private hell? Perchance writing this oscillating scroll is a well-intended personal attempt to escape my mortality, an effort to cheat death by entering into the web of eternity, immerse my voice into the collective consciousness of humankind by creating an immortality vessel. Conversely, mayhap the illogical rant that demarks this scroll proves that the devil does take the hindmost.”

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“We learn about ourselves by taking one footstep at a time along a road of discovery. Greek philosopher Heraclitus who lived around 500 BCE proffered cogent advice about how to acquire wisdom and achieve a proper perspective on all worldly events. ‘Whosoever wishes to know about the world must learn about it in its particular details. Knowledge is not intelligence. In searching for truth, be ready for the unexpected. The same road goes both up and down. The beginning of a circle is also its end. Not I, but the world says it: all is one.’ This script tells of one man’s journeying a full circle in an effort to become one with all that exists.”

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“Unable to face the paltriness of our lives, it is simpler to bask in a fleeting pleasure dome than labor endlessly to create worthy secular testimonies demonstrating that a life well lived does in fact have intrinsic value. Regardless of what providence has in store, dense men such as me fritter away their lives hoping to capture eroticism’s delights. It is less taxing to rummage through the garbage dump picking amidst the trash heap of life’s inglorious scandals than it is to delve into penetrating our defensive shells.”

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“Storytelling is ultimately the only way that we know besides song, dance, painting, and music to share with our tribesmen what it means to be human, express the indefinable feelings that unite humankind.”

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“Life is a collection of memories and feelings. Mawkish sentimentally urges us to engage in artistic overtures, we yearn to share with other people a melody of rudimentary experiences and respond to a stabilizing tune strung together with a shared ethos. We walk in parallel strides with our brethren seeking out equivalent affirmations of our being. We long to shout out to the world that we once walked this earth; we seek to leave in our wake traces of our pithy habitation. Our unfilled longing propels us into committing senseless acts of self-sabotage and then we desperately seek redemption from our slippery selves by building monuments to the human spirit. We employ a bewildering blend of conscious and unconscious materials to construct synoptic testaments to our temporal existence. We labor on the canvas of our choosing to scrawl our inimitable mark, fanatically toiling to escape a sentence of total obliteration along with our impending mortality.”

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“The metaphysical poetry of our innovative life springs from the aesthetic, scenic, and systematic processes of inventiveness, the creative impulse of an active mind generating aesthetical intuition.”

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“Storytelling is an ancient art. The lucent vibes of stories express what we cannot articulate directly. When we hear someone’s story, we respond to the spark of humanness within ourselves that seeks to come out in the light and greet the world. When we tell the stories of our lives, we give voice to people bereft of speech, we make the persons whom we love or loved immortal, and we pass along our familiarity with the natural and physical world.”

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“Each of us, along with our ancestors, inhabits the same cosmos. When we tell stories, we enter the stream of human consciousness; we take with us into the Ring of Time the people whom we crossed paths with in our earthly sojourn.”

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“The principal advantage of narrative writing is that it assists us place our life experiences in a storytelling template. The act of strict examination forces us to select and organize our past. Narration provides an explanatory framework. Human beings often claim to understand events when they manage to formulate a coherent story or narrative explaining what factors caused a specific incident to occur. Stories assist the human mind to remember and make decisions based on informative stories. Narrative writing also prompts periods of intense reflection that leads to more writing that is ruminative. Contemplative actions call for us to track the conscious mind at work rendering an accounting of our weaknesses and our strengths, folly and wisdom.”

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“A person can cultivate a new persona from a pâté of earthy personal experiences. How do I reconcile all my faults and propagate all my innate gifts to create the type of self that I am happy to claim responsibility for authorship? How do I go about turning over the peat moss that lines the feldspar of my rocky existence? How do I plow under the seedlings of my youth and grow a protective bed of winter clover to shield my adulthood? How do I mulch the clippings from variegated personal experiences, ferment the rot, harrow new rows, and plant hardy spring wheat to take root in the enriched chocolate loam of a fertile mind? Is all this laborious plow pulling work of creating a fresh and authentic self-identify worth the backbreaking effort? How does one go about revamping their personal storyline? How do I cast myself into a robust image that does not appall other people? My continued existence entails industriously giving seed to the lush myths that I live by, amassing dwindling personal willpower, and resolving to impose upon my weathered soul the missing character traits that wait forging in the glowering inferno fed by a rising mountain of ignited personal anxiety.”

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“The agony of infinite despair and self-destructive emotions consumed my egocentric flesh and bones, while the furious flame of selfless love for the entire world purifies my sooty soul of all its grievous sins. I can now connect with the great silence of created beings and live in a peaceful manner that is impervious to external commotion of an inherently chaotic world.”

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“Most of us suffer from the pangs of self-doubt; yet, the courage to tread forward must originate from within. I seek to articulate a definitive purpose behind my effort and then resolve to devote all interpersonal resources to achieve established goals. I need to be mindful of personal talents and imperfections, boldly face all fears, bravely straddle the unknown, and unerringly establish high-minded objectives. I must exhibit determination, resilience, and courage to give my best effort and never slacken a resolute pace. A seeker is obligated to be truthful; I cannot engage in self-deception if I hope to develop the integrity of my spirit. Comparable to all worthwhile tests of character, a person seeking growth must ultimately conquer his or her insecurities and discover a means to muster flagging personal fortitude. Can I throttle back from the black lagoon or did I travel too far as a chainless soul up the river of insanity to turn back now? Can I reintegrate myself in a normative world where self-preservation and reasonableness reigns? Can I conduct a Black Ops reconnaissance operation by reconfiguring the organs of a dismembered self with reawakened astuteness, and exhibit the determined stoicism indicative of my ancestor lineage?”

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“Metaphysical anxiety of knowing that I am nothing standing in the crux of infinity haunts me. Self-centered mind chatter is a symptom of the illness of my soul. I instigated this banal writing excursion attempting to escape the monotony of the self, the tedium of living an exclusively external life of sensation and acquisition. I lived a vain, materialist, and empty life seeking pleasurable diversions from thinking and perceiving. I stupidly asked what I can take from life and measured the value of existence by repeatedly assessing what I received from living and ignored what I illiberally refused to give.”

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“An act of consciousness always adopts a point of view by classifying world happenings into favorable, unfavorable, or neutral categories. The consciousness is an observer, reporter, and responder to world events. Writers are perhaps the most conscious observers; they are constantly examining a continuous sequence of events transpiring in the temporal world and partitioning these occurrences into distinct cerebral units. When we read the works of an author, we ask ourselves what is the author’s pathos. When we tell our personal stories, we also adopt a point of view, and reveal our own melody of mental thoughts that describe the gravitonic center of the psyche.”

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“Good stories are thematic and thought provoking. Every story has a meaning to the teller; sometimes the actual meaning of the story is latent. Is storytelling evidence of how we go about taking measure of our action-filled lives? Do stories tell how we hunker down in a foxhole in an all-out effort to survive? Does storytelling also pay homage to how the mind is predisposed to roam about in a cloudbank while we are belly crawling on the battlefield of time? Does the sprawl of our stories delve into what cinematic themes we find worthy of living for and risk death chasing? What does the synecdoche of our stories tell us about people and how does this knowledge assist us fit into this diverse world as individuals? Do self-selected stories guide us in choosing how to go about life? Does the hard kernel of our personal story allow us to reconcile how we actually live with how other well-meaning people coached us to live? Do poignant stories of our generation tell us whether we should aim for a life of leisure, aspire to acquire wealth, pine to take pleasurable junkets, maneuver to climb the ladder of social prestige, altruistically give to charity, or stoically sacrifice personal delight in order to mollify a religious deity? What does the sanctified marrow of cherished stories tell us about life?”

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“Personal storytelling is akin to taking a detailed accounting of our actions, deeds, thoughts, and impulses, a comprehensive listing of our acts of depravity and kindness, an exhaustive statement of being. Scrolling backward through our muddling, taking an incisive look inside our hard case craniums, we gather a vision of the desired future course of action for ourselves and simultaneously send out a glimmer of morning light for people who witness our life force stammering its series of dashed, interlinear lines across the infinite galaxies of time and space. Analogous to the impulsive death dance of a shooting star, our final spasmodic rattle illumines the unrelenting darkness of unbounded space for other stargazing voyagers to witnesses. By being a dash of light in a wash of darkness, we inspire other intrepid explorers.”

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“Language is our identity tool and by using experience, observation, and imagination, we each discover the words that give voice to our lives. To tell our stories is the human method of perforating our isolation tanks, the means to encapsulate what we previously learned, and the mechanism that allows us to enter the universal dialogue of compassion. Sharing the pandemonium of our life’s stories full of grime, love, noise, and steeped in emotional chaos is the act that ultimately binds us to our family, friends, and community. All lovers know each other stories. Farmers, villagers, big city hobnobs, and the citizens from all nations share a conjoined thread through storytelling that seriously investigates the collective human condition.”

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