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Famous Kilroy J. Oldster Quotes

“I wish to create a piece of work that produces a permanent mark in the record book of human existence. I also write to insulate myself from leading a meaningless life. Awareness of an inescapable mortality urges me to write at a frantic pace, in a hysterical attempt to assign a purpose to my life by creating something external that endures.”

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“Awareness and knowledge of what occurs in the present, which we call reality, is imperfect and vague. While we can never comprehend all aspects of reality, a person enhances personal comprehension by placing the seed of their existence under strict scrutiny. Acting as an impartial judge of our own deeds and by reviewing the lives of other people whom underwent similar experiences, we enhance our level of self-awareness. Reviewing other people’s stories increases our understanding of humanity and provides insight into our own personal struggles.”

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“I seek to create an artistic statement of my being by producing a unified voice that speaks for me and to me. I will attempt to capture the pulsation of my mind and harness its incessant rush into a telling format that is revelatory and self-healing. Confessing my sins is the first steps of communing with the self by focusing the light of consciousness upon the darkness of the unconsciousness in an attempt to comprehend what I am for the very first time. I endeavor to open my heart and mind, be an indomitable witness to the paradoxes that bedevil humanity, and serve as an unrepentant admirer of the irrepressible splendor of living in a natural manner undisturbed by the behavior of other people or the inevitable changes in the world that we occupy.”

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“Scholars laud personal essay writing for its ability to explore the past, present, and the future, and assist people gain a better understanding of life, people, and oneself. A growing trend is for both famous and non-famous people to write their memoirs as a means of documenting their personal history and exploring their quest for identity.”

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“As a prose mode of expository writing, the narrative approach, more than any other, offers writers a chance to think and write about their personal history and cultural identity. A personal narrative process that constructs memories in thematic sequences represents the fundamental nature of the self.”

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“It has been suggested that each person lives hermetically sealed within his or her self-perpetuated myths. Scholars postulate that we tell ourselves stories to make sense of our lives. We begin exploration of the self with the experience of failed transcendence. Philosophy originates from the experience of disappointment. Our failures lead us to discoveries. At birth, we know very little, almost nothing; all knowledge instigate from the experience and recognition of our limitations. With the uncertainty that surrounds our existence in the universe, perhaps we must create ourselves. Perchance we seek self-exploration when the myths that we once operated under no longer work. Perhaps we undergo self-analysis only when a coalescence of the past, the present, and the future betrays our current myth-making. Perhaps at such times when failure reigns center court, our survival instinct urges us to create a new story-line.”

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“Philosophic thoughts allow people to use human reason and imagination to consider eternal matters and explore the ramifications of their own transience. American author Joan Didion postulated that we tell ourselves stories in order to live. Conceivably a personal crisis propels a person to delve into creating a guiding philosophy for living with reduced mental and emotional turmoil. Alternatively, perhaps we tell stories to examine, explain, and justify our failures.”

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“Reflecting on the past while living in the present, we make decisions that will reverberate in the future. Our daily actions, thought patterns, and the concepts we choose to cherish will create the paradigmatic structure of our life story; our collective decision-making determines our final manifestation.”

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“Storytelling is an imperfect methodology to provide a true accounting to a multiplicity of bilateral and three-dimensional interactions. Language cannot reach every recess of the mind, it cannot document every emotional chord, and it cannot splice the discordant pieces within us. Each story by a writer represents the sanitized accounting of the mind’s depictions. Try as one might, employing a panoply of traditional technique or other slick tools of modernist stage craft, it is impossible to separate the teller from the telling any more than one can distinguish the author from their doppelganger writer’s voice.”

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“A good story is both one hundred percent true and one hundred percent false. A good story uses small lies to take a stab at piercing larger truths. An overstatement and understatement are part of writer’s craft; each standing alone is an untruth. An understatement might be used as an attempt at humor, just as an overstatement might be used to probe a truth that lies beyond the exact retelling of who, what, when, and where style employed in police report writing. Even writing biography, autobiography, memoir, and personal essays that studiously and relentless adheres to established facts can distort the truth. Faithful adherence to stringing rote facts together omits many aspects of both the subject and the operable social, cultural, and political environment that stages human interaction, contest, conflict, drama, and strife.”

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“Storytelling is one means to entertain, share knowledge, and transmit cultural ideology. Through the universal lens of storytelling, do we become familiar with the life altering dilemmas and moral challenges that fuselage provides the linkage to mode the character patterns essential to leading a principled life? By shuffling through scores of loose leafed stories, can we glean the clarity of thought and the lucidity of perception needed successfully to tackle our own life with gusto? Is reading stories of struggle and redemption one way that we become acquainted with the chemistry of pain and suffering that permeates the arteries of all thinking human beings? Does appreciation for other people’s hardbound stories assist us place the vertebrae of our own experiences into a telling template? Can we draw upon the accumulated experiences of other people’s lives as well as our own hands-on experiences when we see our lives folded into a comprehensible scabbard depicting what it means to be human and, therefore, fallible?”

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“Self-knowledge enables a person to grasp what future decisions will define their final formation. The human mind habitually hits the rewind button and replays past events. Can looking back over the rim of time and engaging in thoughtful criticism of the precursor events of my formative years be of any possible assistance to expose the indurate truth of factual reality? Can I employ the tools of memory and imagination along with the techniques of logos – reasoned discourse – to escape strife and pathos? Does it make sense to write the story of my life so that I can ascertain who I am? With these unsettling thoughts and these maieutic questions in mind, I began writing an enantiomorphism-like scroll. The crystal molecules that comprise this text construct a mirror that replicates the multiple dimensions of a risky adventure into self-psychology. I harbor no expectation regarding the outcome of this reflective venture. Regardless of the consequences, all I can do is follow the psychic flow generated by this writing enterprise. I do not know where this positional analysis will take me or how this psychodynamic field study will end. I am simply dedicating all remaining personal energy reserves to capitulating to a tornado-like process of self-study, a turbulent procedure with an unpredictable outcome. Perhaps something sensible will result from deploying a series of narrative personal essays to deconstruct the parasitic evolution of an egocentric self.”

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“This narrative scroll is my story. It represents a peep show into a self-prescribed, ceremonial quest to stare myself down, mutilate myself, slice myself into minuscule pieces, exam and innervate my paralytic soul. Writing this manuscript documenting disenchantment with my selfhood’s unsatisfactory interactions with significant life defining experiences constitutes a calculated surgical disembodiment of my former egoistical self. The act of writing my life story serves as a spiritual dismemberment undertaken to reconfigure and reconstitute my essential being. Perhaps this anatomical deconstruction of a delusional self represents a talisman-like step in attempted self-healing. Alternatively, perhaps this megalomaniac manuscript, which amplifies my psychopathic condition characterized by narcissistic fantasies of power and greatness, and chorusing ring of self-doubt, is nothing more than the sound and fury of an idiot’s paranoid rant. Is my self-induced schizophrenia running rampant, writing page after page of pure drivel, descending me deeper into a private hell? Perchance writing this oscillating scroll is a well-intended personal attempt to escape my mortality, an effort to cheat death by entering into the web of eternity, immerse my voice into the collective consciousness of humankind by creating an immortality vessel. Conversely, mayhap the illogical rant that demarks this scroll proves that the devil does take the hindmost.”

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“We learn about ourselves by taking one footstep at a time along a road of discovery. Greek philosopher Heraclitus who lived around 500 BCE proffered cogent advice about how to acquire wisdom and achieve a proper perspective on all worldly events. ‘Whosoever wishes to know about the world must learn about it in its particular details. Knowledge is not intelligence. In searching for truth, be ready for the unexpected. The same road goes both up and down. The beginning of a circle is also its end. Not I, but the world says it: all is one.’ This script tells of one man’s journeying a full circle in an effort to become one with all that exists.”

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“Unable to face the paltriness of our lives, it is simpler to bask in a fleeting pleasure dome than labor endlessly to create worthy secular testimonies demonstrating that a life well lived does in fact have intrinsic value. Regardless of what providence has in store, dense men such as me fritter away their lives hoping to capture eroticism’s delights. It is less taxing to rummage through the garbage dump picking amidst the trash heap of life’s inglorious scandals than it is to delve into penetrating our defensive shells.”

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“Life is a collection of memories and feelings. Mawkish sentimentally urges us to engage in artistic overtures, we yearn to share with other people a melody of rudimentary experiences and respond to a stabilizing tune strung together with a shared ethos. We walk in parallel strides with our brethren seeking out equivalent affirmations of our being. We long to shout out to the world that we once walked this earth; we seek to leave in our wake traces of our pithy habitation. Our unfilled longing propels us into committing senseless acts of self-sabotage and then we desperately seek redemption from our slippery selves by building monuments to the human spirit. We employ a bewildering blend of conscious and unconscious materials to construct synoptic testaments to our temporal existence. We labor on the canvas of our choosing to scrawl our inimitable mark, fanatically toiling to escape a sentence of total obliteration along with our impending mortality.”

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“The whole of eternity is present now. We apprehend eternity through our senses and mental imagination. We can never recapture lost time. Memory allows us to taste the scintillating experience of living by recollecting our past in a series of sequential personal events and an orderly arrangement of a linked series of cultural happenings. Writing our personal story calls for us to remember the sensation of what it entails to live tactilely before losing lucidity of the mind.”

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“The metaphysical poetry of our innovative life springs from the aesthetic, scenic, and systematic processes of inventiveness, the creative impulse of an active mind generating aesthetical intuition.”

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“The story of what it means to be human is never complete. Every generation will produce its own share of comedies and tragedies, fools and geniuses. What the Greeks started the rest of the world will continue to build upon. The old stories will continue to explicate where we came from, while the new stories will illuminate in what direction humankind trends. The collection of future stories of humanity will add to the cumulative library of stories that past writers told, an anthology of collaborative stories will shed light upon the singleness of the human spirit in its aspirations, powers, vicissitudes, and wisdom.”

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“Storytelling is an ancient art. The lucent vibes of stories express what we cannot articulate directly. When we hear someone’s story, we respond to the spark of humanness within ourselves that seeks to come out in the light and greet the world. When we tell the stories of our lives, we give voice to people bereft of speech, we make the persons whom we love or loved immortal, and we pass along our familiarity with the natural and physical world.”

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“Each of us, along with our ancestors, inhabits the same cosmos. When we tell stories, we enter the stream of human consciousness; we take with us into the Ring of Time the people whom we crossed paths with in our earthly sojourn.”

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“The principal advantage of narrative writing is that it assists us place our life experiences in a storytelling template. The act of strict examination forces us to select and organize our past. Narration provides an explanatory framework. Human beings often claim to understand events when they manage to formulate a coherent story or narrative explaining what factors caused a specific incident to occur. Stories assist the human mind to remember and make decisions based on informative stories. Narrative writing also prompts periods of intense reflection that leads to more writing that is ruminative. Contemplative actions call for us to track the conscious mind at work rendering an accounting of our weaknesses and our strengths, folly and wisdom.”

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“A person can cultivate a new persona from a pâté of earthy personal experiences. How do I reconcile all my faults and propagate all my innate gifts to create the type of self that I am happy to claim responsibility for authorship? How do I go about turning over the peat moss that lines the feldspar of my rocky existence? How do I plow under the seedlings of my youth and grow a protective bed of winter clover to shield my adulthood? How do I mulch the clippings from variegated personal experiences, ferment the rot, harrow new rows, and plant hardy spring wheat to take root in the enriched chocolate loam of a fertile mind? Is all this laborious plow pulling work of creating a fresh and authentic self-identify worth the backbreaking effort? How does one go about revamping their personal storyline? How do I cast myself into a robust image that does not appall other people? My continued existence entails industriously giving seed to the lush myths that I live by, amassing dwindling personal willpower, and resolving to impose upon my weathered soul the missing character traits that wait forging in the glowering inferno fed by a rising mountain of ignited personal anxiety.”

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“Metaphysical anxiety of knowing that I am nothing standing in the crux of infinity haunts me. Self-centered mind chatter is a symptom of the illness of my soul. I instigated this banal writing excursion attempting to escape the monotony of the self, the tedium of living an exclusively external life of sensation and acquisition. I lived a vain, materialist, and empty life seeking pleasurable diversions from thinking and perceiving. I stupidly asked what I can take from life and measured the value of existence by repeatedly assessing what I received from living and ignored what I illiberally refused to give.”

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“Literature supplements the lives of people and enables us to feel connected with the world. Shared stories blunt a sense of tragic aloneness, and endow us with the tools to understand our humanness. Reading about the lives of other people acquaints us with the hardships of other people. The authorial voices of narrative prose express our shared feelings of deprivation”

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“An act of consciousness always adopts a point of view by classifying world happenings into favorable, unfavorable, or neutral categories. The consciousness is an observer, reporter, and responder to world events. Writers are perhaps the most conscious observers; they are constantly examining a continuous sequence of events transpiring in the temporal world and partitioning these occurrences into distinct cerebral units. When we read the works of an author, we ask ourselves what is the author’s pathos. When we tell our personal stories, we also adopt a point of view, and reveal our own melody of mental thoughts that describe the gravitonic center of the psyche.”

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“Good stories are thematic and thought provoking. Every story has a meaning to the teller; sometimes the actual meaning of the story is latent. Is storytelling evidence of how we go about taking measure of our action-filled lives? Do stories tell how we hunker down in a foxhole in an all-out effort to survive? Does storytelling also pay homage to how the mind is predisposed to roam about in a cloudbank while we are belly crawling on the battlefield of time? Does the sprawl of our stories delve into what cinematic themes we find worthy of living for and risk death chasing? What does the synecdoche of our stories tell us about people and how does this knowledge assist us fit into this diverse world as individuals? Do self-selected stories guide us in choosing how to go about life? Does the hard kernel of our personal story allow us to reconcile how we actually live with how other well-meaning people coached us to live? Do poignant stories of our generation tell us whether we should aim for a life of leisure, aspire to acquire wealth, pine to take pleasurable junkets, maneuver to climb the ladder of social prestige, altruistically give to charity, or stoically sacrifice personal delight in order to mollify a religious deity? What does the sanctified marrow of cherished stories tell us about life?”

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“Personal storytelling is akin to taking a detailed accounting of our actions, deeds, thoughts, and impulses, a comprehensive listing of our acts of depravity and kindness, an exhaustive statement of being. Scrolling backward through our muddling, taking an incisive look inside our hard case craniums, we gather a vision of the desired future course of action for ourselves and simultaneously send out a glimmer of morning light for people who witness our life force stammering its series of dashed, interlinear lines across the infinite galaxies of time and space. Analogous to the impulsive death dance of a shooting star, our final spasmodic rattle illumines the unrelenting darkness of unbounded space for other stargazing voyagers to witnesses. By being a dash of light in a wash of darkness, we inspire other intrepid explorers.”

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“Unlike uplifting light fiction, narrative nonfiction’s trammeled territory provides no safe room where an unnerved writer can banish their unpleasant memories. Narrative nonfiction must make use of our sour feelings, pungent memories, gloomy thoughts, and other indigestible nougats of a black disposition. Given a choice between experiencing nothing and inconsolable grief, the writer will always take the epic grief that composes the grandeur of human tragedy. Without a mask of consolation to shunt the unseemly undercurrent that disturbs them, writers whom dabble in memoir or personal essay writing must swallow hard and make use of the entire range of their toxic temperament. The tonicity of narrative nonfiction need not be bleak, but it must be true to the full panoply of both positive and negative emotions that heave through the writer’s torrid veins.”

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“Art is not just a display of beauty. Art also reflects what is ugly, and it celebrates the grotesque. An artist frequently creates what we describe as beautiful by depicting what is at first glance unpleasing, peculiar, or abnormal and casting the unpleasant, strange, or outlandish images into a more agreeable light that reaches deeper truths.”

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“Humankind’s pathetic life supplies the poetry of our existence. Just as without tragedy comedy would lose its magical qualities, life without pain and absent knowledge of the inevitability of our death would result in our brief existence devoid of any note of sincerity and our lives ending without an apt punctuation mark.”

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“Critical personal writing enables the author to penetrate mental falsities that imprison him or her in fearfulness, bitterness, and jealously and encompass the reverential awe for the transcendental pathos of life, the small moments of happiness interspersed between stints of loneliness, sorrow, and hardship imbued in human life.”

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“Each act of writing represents a separate lock of the author’s tissue and all serious piecework folds into an ongoing anthology. A writer’s portfolio is comprised of interlocking ideas that are in a constant state of change. A writer’s ideas gradually reflect their current mental and spiritual composition and a writer’s way of living reflects the progression of their ideas. Each written version of a person’s life stands as mental testament of who the author was at a given moment in time. Just as we cannot sum up a person’s life with an isolated snapshot, truly to understand who a writer was we must read his or her entire body of work. No single work of writing tells us who the writer was. The compilation of a writer’s scripts defines the shady author, even if some of these works overtake, correct, or contradict previous efforts. Who we are is the summation of who we were as a child, teenager, young adult, in middle age, and as an elder. Only by viewing a person in successive stages do we truly comprehend them. Only by reading the oeuvre of an author, do we appreciate the writer’s ultimate act of creation. Only by reading a person’s obituary do we come to know what their living Magnus opus stood for.”

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“Confucius advised his disciples, ‘Wherever you go, go with all your heart.’ Giving all of oneself to an artistic effort is particularly apropos because even the most talented writer, poet, singer, painter, musician, or philosopher will tear a tatter from their soul in order to produce anything that will stand the test of time and affect the minds of other people. While I admittedly lack the talent, skill, poise, grace, intelligence, creativity, and persistence of esteemed writers, I share what every writer must, an awful craving to know what previously escaped me, to know thy self and my place in the world. An irrepressible hunger to know, searching for the truth that governs our being, is what makes us human.”

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“When writing a comprehensive self-investigatory scroll, the writer attempts to weave a network of strands capable of enmeshing all sizes of ideas including those with no obvious interconnection. The writer must also trace all lingering thoughts to their original source in personal experiences, and revaluate each exquisite nuance notched into a person’s conscious mind including acts of depravity, violence, and the almost imperceptible intrusions of grace.”

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“A community of writers forges civilization. Future writers hold at their fingertips the psychic energy needed to propel us forward in the pursuit of universal justice. Writers’ meticulous observation of their surroundings spurs us to appreciate the impelling bouquets of beauty that rally us to declare the crispness of each day. Writers’ studious contemplation of their place in the world allows us to join them in admitting to the stochastic whimsy of a fateful life.”

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