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Nat Hentoff

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“When [Bill Clinton] was running for president. I'll never forget this one. He was running in New Hampshire. He was not doing well. And he suddenly, over a weekend, rushed back to Little Rock to execute a guy who had killed a cop, but in the process, the policeman had shot him in the head and he was out of it. He didn't know today from tomorrow, good, evil, whatever. His lawyer begged - his lawyer was an old friend of Clinton.”

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“[Bill Clinton] was the man, as a matter of fact, who, in terms of the Communications Decency Act, which would have made the Internet, the whole concept of cyberspace, vulnerable to rampant censorship - he pushed that bill, and I know the man in the Justice Department whom he persuaded - the guy didn't want to lose his job - to write the bill.”

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“[I have ] two boys. One, Nicholas, is a criminal defense attorney in Phoenix in which he - gets into - a lot of very controversial cases. He has sued Sheriff Arpaio, the famous sheriff who keeps people in tents, gives them green bologna and the like. My other son Tom is with Williams & Connolly in Washington, where he does intellectual property defamation cases.”

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“Tom [Hentoff] - it started when he was the editor of the paper at Wesleyan and the - members of the staff. This was the first wave of political correctness. The editors of the staff members came and said he must - he must, from now on, stop using `freshmen' and - in-as part of the policy of the paper. It had to be `freshperson.' Therefore, you don't - you're not discriminating against males or females. They were very fervent about that, and he was equally fervent about not politicizing language. So until he left, `freshmen' stayed.”

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“[Miranda Hentoff] was teaching once at Lincoln Center, and the hall was full of other professionals - musicians, professors, teachers. And she was explaining how [Béla] Bartok composed his second piano concerto. And she explained how the music was interwoven with the rhythms and what he had in his mind. And I was just stunned. This is a kid who used to work - on a piano with a cracked keyboard.”

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“[A.J. Muste] was from Michigan and he grew up in the Dutch Reform Church there, which is a fairly strict church. He later came to New York. He was the minister of a labor temple in the - on the East Side. Then he founded, to my knowledge, the first, maybe the only, labor school; that is, Cornell has a labor department and other schools. But this was a school for - entirely for labor organizers, and he was the - the chairman.”

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“I found out - the paper used to go to bed on Tues - on Monday. I found out that on Monday nights, the editors would cut out - literally cut out passages, sometimes whole paragraphs, of some of the writers that might possibly offend blacks, lesbians, gays, radicals. And I wrote a couple of columns about that. And they're - of course, they were annoyed that I had written about it, but, I mean, it - another example - and [my wife Margot] always also conjured that.”

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“I got a letter one day from somebody saying, `You're always criticizing the press. Why don't you talk about what Clay Felker is doing to your own paper [The Voice]?' And my 10-year-old son Tom, now with Williams & Connelly, put in a legal opinion, not - an opinion from the back of the car saying, `You know why? What are you, afraid?' So I wrote the column. I - you know, - the column simply said that Felker is destroying this paper.”

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“Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.”

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“The most recent example and the most, I think, appalling example was when Martin Peretz, the owner - and I stress owner - of The New Republic fired a journalist who I think was uncommonly skilled and full of integrity and passion and all that stuff. But he had criticized regularly the former pupil and friend of Martin Peretz, Al Gore, so he was fired. That's contrarianist that went around - that did - that was not rewarded.”

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