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Ouida

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“In the violent scorn of her revolted pride, of her indignant honor, had she forgotten a lowlier yet harder duty left undone? In her contempt and dread of yielding to mere amorous weakness had she stifled and denied the cry of pity, the cry of conscience? To suffer woes which hope thinks infinite. To forgive wrongs darker than death or night. To defy power which seems omnipotent. To love and live to hope till hope creates from it's own wreck the thing it contemplates. Neither to change, nor falter, nor repent. This had been the higher, diviner way which she had missed, this obligation from the passion of the past which she had left unfulfilled, unaccepted. Now the misgiving arose in her whether she had mistaken arrogance for duty; whether, cleaving so closely to honor she had forgotten the obligation of mercy.”

“She was like a queen who beholds the virgin soil of her kingdom invaded and wasted by a traitor. Any other thing she would have pardoned: infidelity, indifference, cruelty, any sins of manhood's caprice or passion, but who should pardon this? The sin was not alone against herself; it was against every law of decency and truth that ever she had been taught to hold sacred; it was against all those great dead, who lay with the cross on their breasts and their swords by their side, from whom she had received and treasured the traditions of honor and purity of race. It was those dead knights whom he had smote upon the mouth and mocked, crying to them: 'Lo! your place is mine; my sons will reign in your stead. I have tainted your race forever; for every my blood flows with yours!' The greatness of a race is a thing far higher than mere pride. Its instincts are noble and supreme. Its obligations are no less than its privileges; it is a great light which streams backward through the darkness of the ages, and if by that light you guide not your footsteps, then are you thrice accursed, holding as you do that lamp of honor in your hands. So she had always thought, and now he had dashed the lamp in the dust. --"Wanda”

“The philosopher stands at his desk in the lecture hall, and demonstrates away the soul of man, and with exact thought measures out his atoms and resolves him back to gas and air. But the revolutionary, below in the crowd, hears, and only translates what he hears thus to his brethren: 'Let us drink while we may; property is robbery; this life is all; let us kill and eat; there is no God.”

“Nature I believe in. True art aims to, represent men and women, not as my little self would have them, but as they appear. My heroes and heroines I want not extreme types, all good or all bad; but human, mortal--partly good, partly bad. Realism I need. Pure mental abstractions have no significance for me.”