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Richard Matheson

Richard Matheson Books

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I Am Legend

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A Stir of Echoes

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Mad House

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“He kept thinking about Mary. What a fool he'd been to let her go. To think, with the thoughtless assurance of youth, that the world was replete with endless possibilities. He'd thought it a mistake to choose so early in life and embrace the present good. He'd been a great one for looking for greener pastures. He'd kept looking until all his pastures were brown with time. ("Old Haunts")”

“It was a high ceilinged room with tall, large-panes windows. Apart from the doorway was the desk where book had been checked out in days when books were still being checked out. He stood there for a moment looking around the silent room, shaking his head slowly. All these books, he thought, the residue of a planet's intellect, the scrapings of futile minds, the leftovers, the potpourri of artifacts that had no power to save men from perishing.”

“But are his needs any more shocking than the needs of any other animals and men? Are his deeds more outrageous than the deeds of the parent who drained the spirit from his child? The vampire may foster quickened heartbeats and levitated hair. But is he worse than the parent who gave to society a neurotic child who became a politician? Is he worse than the manufacturer who set up belated foundations with the money he made by handing bombs and guns to suicidal nationalists? Is he worse than the distiller who gave bastardized grain juice to stultify further the brains of those who, sober, were incapable of progressive thought? (Nay, I apologize for this calumny; I nip the brew that feeds me.) Is he worse, then, than the publisher who filled ubiquitous racks with lust and death wishes? Really, no, search your soul, lovie--is the vampire so bad?”

“There seemed no answer. He wasn't resigned to anything, he hadn't accepted or adjusted to the life he'd been forced into. Yet here he was, eight months after the plague's last victim, nine since he's spoken to another human being, ten since Virginia had died. Here he was with no future and a virtually hopeless present. Still plodding on. Instinct? Or was he just stupid? Too unimaginative to destroy himself? Why hadn't he done it in the beginning when he was in the very depths? What had impelled him to enclose the house, install a freezer, a generator, an electric stove, a water tank, build a hothouse, a workbench, burn down the houses on each side of his, collect records and books and mountains of canned supplies, even - it was fantastic when you thought about it - even put a fancy mural on the wall? Was the life force something more than words, a tangible, mind-controlling potency? Was nature somehow, in him, maintaining its spark against its own encroachments? He closed his eyes. Why think, why reason? There was no answer. His continuance was an accident and an attendant bovinity. He was just too dumb to end it all, and that was about the size of it.”

“Last lines: Robert Neville looked out over the new people of the earth. He knew he did not belong to them; he knew that, like the vampires, he was anathema and black terror to be destroyed. And, abruptly, the concept came, amusing to him even in his pain. A coughing chuckle filled his throat. He turned and leaned against the wall while he swallowed the pills. Full circle, he thought while the final lethargy crept into his limbs. Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever. I am legend.”

“Una vez, en la noche medieval, el vampiro había sido muy poderoso, y enormemente temido. Se lo había considerado anatema, y todavía lo era. La sociedad lo perseguía sin descanso. ¿Pero son sus necesidades más sorprendentes que las necesidades de otros animales y hombres? Realmente, mira en tu alma, ¿es el vampiro tan malo? Sólo bebe sangre. ¿Porqué entonces ese juicio malévolo, esa condenación insensat? ¿Porqué el vampiro no podía elegir su vivienda? ¿Porqué debía ocultarse? ¿Porqué exterminarlos? Ah, ya ves, has convertido al desamparado inocente en un animal perseguido. El vampiro carece de medios de subsistencia, no puede educarse. Se le niega el derecho al voto. No es raro que deba arrastrar una existencia noctura y pedatoria. Neville dejó escapar un gruñido. Claro, claro, pero no permitiría que mi hermana se casase con uno.”

“Very well then! I'll write, write write. He let the words soak into his mind and displace all else. A man had a choice, after all. He devoted his life to his work or to his wife and children and home. It could not be combined; not in this day and age. In this insane world where God was second to income and goodness to wealth.”

“Poi un giorno il cane non si presentò. Neville entrò in agitazione. Si era talmente abituato a quelle visite da trasformarle nel centro della sua routine quotidiana, che aveva riorganizzato intorno ai pasti dell'animale, tralasciando le indagini, accantonando tutto il resto, preso com'era dal desiderio di averlo in casa. Passò il pomeriggio a setacciare il vicinato con i nervi a fior di pelle, chiamandolo a squarciagola. Ma tutte le ricerche furono vane. Rientrò e consumò un pasto insipido. Il cane non si presentò per la cena e neanche per la colazione il mattino dopo. Neville riprese le ricerche, meno speranzoso. L'hanno catturato, quelle parole gli ossessionavano la mente, gli sporchi bastardi l'hanno catturato. Ma non riusciva a crederci fino in fondo. Si rifiutava di rassegnarsi all'idea. Il pomeriggio del terzo giorno si trovava nel garage quando all'esterno gli arrivò il tintinnio della ciotola di metallo. Trattenendo il fiato uscì alla luce del giorno. «Sei tornato!» gridò. Il cane scartò nervosamente allontanandosi dal piatto, con la bocca gocciolante d'acqua. Il cuore di Neville ebbe un sobbalzo. L'animale aveva gli occhi vitrei e ansimava con la lingua scura penzoloni. «No» disse, con voce rotta. «Oh, no.»”

“It was a fairy tale, no fooling. It was unreality becoming real. This frightened her. Because people don't care for unreality becoming real. It pricks their well-fed minds, you see, with something like a hunger pang. They prefer the logical stuffiness of expectancy. It is only at certain times that they weaken, letting imagination in. That's the time to get them. (“The Disinheritors”)”

“He pretended it was the only thing that kept him from it. But, far back in his mind, he wondered if he could write anything. Often the question threw itself at him when he was least expecting it. You have four hours every morning, the statement would rise like a menacing wraith. You have time to write many thousands of words. Why don't you? And the answer was always lost in a tangle of becauses and wells and endless reasons that he clung to like a drowning man at straws.”

“When I'm writing, especially when I'm writing in first person, I don't think about the characterization, or how they are going to express themselves, I just express my own approach to these things. I think most writers can never divorce themselves from their private lives and personas; they are the ones that are writing. And the more they remove themselves from their own persona, the more, perhaps, mechanical the work becomes.”