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Steve Almond

Steve Almond Books

Writer

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“Eventually, I headed to the bathroom, and I mention this only because I saw in that bathroom the most quintessentially American artifact I have ever encountered: a bright blue rubber mat resting in the bottom of the urinal emblazoned with the following legend: Epply World's Cleanest Airport Omaha, NE God bless our relentless idiotic optimism.”

“The connection being that in my head all language began in song and that the best stories inevitably reutrn to song, to a state of rapture. For years, I had assumed that throwing beautiful words at the page would make my prose feel true. But I had the process exactly backward. It was truth that lifted the language into beauty and toward song. It was a matter of doing what Joe Henry did, of pursuing characters into moments of emotional truth and slowing down. The result was a compression of sensual and psychological detail that released the rhythm and melody in language itself, what Longfellow called "the happy accidents of language.”

“Music has become more pervasive and portable than ever. But it feels less previous in the bargain. I don't want to confuse artistic and commercial value, but it's just a fact that some kid who rips an album for free isn't going to give it the same attention he would if it cost him ten bucks. At what point does convenience become spiritual indolence? I realize this makes me sound like an old fart, but sometimes I get nostalgic for the days when the universe of recorded sound wasn't at our fingertips, when we had to hunt and wait and - horror of horrors - do without, when our longing for a particular record or song made it feel sacred.”

“But the real life of a writer resides in showing up at the keyboard every day, with the necessary patience and mercy, and making the best decisions you can on behalf of your people. It’s a slow process. It often feels hopeless, more like an affliction than an art form. Most of us will have to find our readers one by one, in other words, and against considerable resistance. If anything qualifies us as heroic, it’s that private perpetual struggle. Put down the magazine, soldier. Forget about the other guy. Remember who you are.”

“Something is funny, most of all, because it's true, and because the velocity of insight into this truth exceeds our normal standards. Something is funny because it's outside our accepted boundary of decorum. Something is funny because it defies our expectations. Something is funny because it offers a temporary reprieve from the hardship of seeing the world as it actually is. Something is funny because it is able to suggest gently that even the worst of our circumstances and sins is subject to eventual mercy.”

“Even a hundred and fifty years ago, football was popular because it provided a manly spectacle that lots of men needed, after the industrial revolution. We went from a culture that lived out doors and expanded the frontier and fought the Indians to a bunch of guys in offices. So football provided this jolt, a kind of exalted cult of masculinity. And it still does that. Perhaps even more so today.”

“Obama said, basically, "I wouldn't let any son of mine play football, though I do watch." And that struck me as remarkable! It's like he's saying, yeah, let some other set of parents or guardians put their boys up for that kind of punishment (and for my amusement). But not mine! It's just abject hypocrisy from a guy who should know better.”

“Just imagine what would happen if Obama grew a pair and in his last year in office just said, "Forget it. Football is just too violent and too damaging to the economically vulnerable communities in this country. And it normalizes violence and fosters intolerance, etc." I mean: that would be awesome.”

“Football is the kind of game where you have to really segregate kids from the general population and kind of colonize their minds. It's more intense and demands more than other sports. And this is why the folks who are involved (as players, coaches, boosters, fans) are so much more devoted to it. It's really a cult, when you think about it.”

“I want to view my own efforts to write a novel as a function of my own artistic aspirations rather than a good career move. And I need to learn how to commit to characters for a longer time, to confront the limits of my own capacities for attention and compassion. That's what a writing career does, in the best instance: it allows you to keep after what you can't do.”

“I really believe that art has to play a role in changing the moral direction. Mean, selfish people are in charge of the government and we're letting them make us into a much meaner culture. It reminds me of McCarthyism, to be honest, and to the early stages of fascism. There are people out there cheering for war, treating those deaths like some kind of athletic event. How sick do we have to be that this is not only acceptable, but virtually unchallenged by other politicians or clergy or anyone? And it's artists who have to stand up and be counted. Right now.”

“I don't really think of my narrator in terms of gender. I think of them much more in basic emotional terms. As an author, you either love yer peeps or you don't. There's no such thing as a "masculine voice" or a "feminine voice". Men and women think and speak and act in, like, a zillion different ways. Also, as a gross generalization: women tend to live closer to their feelings than men.”

“But something occurred to me as I sped through that dirty shroud of fog, something Vonnegut has been trying to explain to the rest of us for most of his life. And that is this: Despair is a form of hope. It is an acknowledgment of the distance between ourselves and our appointed happiness. At certain moments, it is reason enough to live.”

“It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.”

“But I can think of nothing on earth so beautiful as the final haul on Halloween night, which, for me, was ten to fifteen pounds of candy, a riot of colored wrappers and hopeful fonts,snub-nosed chocolate bars and SweeTARTS, the seductive rattle of Jujyfruits and Good & Plenty and lollipopsticks all akimbo, the foli ends of mini LifeSavers packs twinkling like dimes, and a thick sugary perfume rising up from the pillowcase.”