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Ted Hughes

Ted Hughes Books

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The Iron Man

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Lupercal

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Gaudete

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Poetry is

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Season songs

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Wodwo

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“That’s the paradox: the only time most people feel alive is when they’re suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That’s why the things that are worst to undergo are best to remember. But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster. So when you realise you’ve gone a few weeks and haven’t felt that awful struggle of your childish self — struggling to lift itself out of its inadequacy and incompetence — you’ll know you’ve gone some weeks without meeting new challenge, and without growing, and that you’ve gone some weeks towards losing touch with yourself. The only calibration that counts is how much heart people invest, how much they ignore their fears of being hurt or caught out or humiliated. And the only thing people regret is that they didn’t live boldly enough, that they didn’t invest enough heart, didn’t love enough. Nothing else really counts at all.”

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Book:Letters of Ted Hughes
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“It is not enough to say the crow flies purposefully, or heavily, or rowingly, or whatever. There are no words to capture the infinite depth of crowiness in the crow's flight. All we can do is use a word as an indicator, or a whole bunch of words as a general directive. But the ominous thing in the crow's flight, the bare-faced, bandit thing, the tattered beggarly gipsy thing, the caressing and shaping yet slightly clumsy gesture of the down-stroke, as if the wings were both too heavy and too powerful, and the headlong sort of merriment, the macabre pantomime ghoulishness and the undertaker sleekness - you could go on for a very long time with phrases of that sort and still have completely missed your instant, glimpse knowledge of the world of the crow's wingbeat. And a bookload of such descriptions is immediately rubbish when you look up and see the crow flying.”

NatureDescriptionCrowsDescriptive Writing
Book:Poetry in the Making: An Anthology
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“Right from the start he is dressed in his best - his blacks and his whites Little Fauntleroy - quiffed and glossy, A Sunday suit, a wedding natty get-up, Standing in dunged straw Under cobwebby beams, near the mud wall, Half of him legs, Shining-eyed, requiring nothing more But that mother's milk come back often. Everything else is in order, just as it is. Let the summer skies hold off, for the moment. This is just as he wants it. A little at a time, of each new thing, is best. Too much and too sudden is too frightening - When I block the light, a bulk from space, To let him in to his mother for a suck, He bolts a yard or two, then freezes, Staring from every hair in all directions, Ready for the worst, shut up in his hopeful religion, A little syllogism With a wet blue-reddish muzzle, for God's thumb. You see all his hopes bustling As he reaches between the worn rails towards The topheavy oven of his mother. He trembles to grow, stretching his curl-tip tongue - What did cattle ever find here To make this dear little fellow So eager to prepare himself? He is already in the race, and quivering to win - His new purpled eyeball swivel-jerks In the elbowing push of his plans. Hungry people are getting hungrier, Butchers developing expertise and markets, But he just wobbles his tail - and glistens Within his dapper profile Unaware of how his whole lineage Has been tied up. He shivers for feel of the world licking his side. He is like an ember - one glow Of lighting himself up With the fuel of himself, breathing and brightening. Soon he'll plunge out, to scatter his seething joy, To be present at the grass, To be free on the surface of such a wideness, To find himself. To stand. To moo. - A March Calf”

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Author:Ted Hughes
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“In the beginning was Scream Who begat Blood Who begat Eye Who begat Fear Who begat Wing Who begat Bone Who begat Granite Who begat Violet Who begat Guitar Who begat Sweat Who begat Adam Who begat Mary Who begat God Who begat Nothing Who begat Never Never Never Never Who begat Crow Screaming for Blood Grubs, crusts Anything Trembling featherless elbows in the nest's filth”

CrowLineageTed Hughes
Book:Crow: From the Life and Songs of the Crow
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“CLEOPATRA TO THE ASP The bright mirror I braved: the devil in it Loved me like my soul, my soul: Now that I seek myself in a serpent My smile is fatal. Nile moves in me; my thighs splay Into the squalled Mediterranean; My brain hides in that Abyssinia Lost armies foundered towards. Desert and river unwrinkle again. Seeming to bring them the waters that make drunk Caesar, Pompey, Antony I drank. Now let the snake reign. A half-deity out of Capricorn, This rigid Augustus mounts With his sword virginal indeed; and has shorn Summarily the moon-horned river From my bed. May the moon Ruin him with virginity! Drink me, now, whole With coiled Egypt's past; then from my delta Swim like a fish toward Rome.”

CleopatraTed Hughes
Book:Lupercal
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“The first sorrow of autumn is the slow good-bye of the garden that stands so long in the evening—a brown poppy head, the stalk of a lily, and still cannot go. The second sorrow is the empty feet of a pheasant who hangs from a hook with his brothers. The woodland of gold is folded in feathers with its head in a bag. And the third sorrow is the slow good-bye of the sun who has gathered the birds and who gathers the minutes of evening, the golden and holy ground of the picture. The fourth sorrow is the pond gone black, ruined, and sunken the city of water—the beetle's palace, the catacombs of the dragonfly. And the fifth sorrow is the slow good-bye of the woodland that quietly breaks up its camp. One day it's gone. It has only left litter—firewood, tent poles. And the sixth sorrow is the fox's sorrow, the joy of the huntsman, the joy of the hounds, the hooves that pound; till earth closes her ear to the fox's prayer. And the seventh sorrow is the slow good-bye of the face with its wrinkles that looks through the window as the year packs up like a tatty fairground that came for the children.”

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Author:Ted Hughes
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“This house has been far out at sea all night, The woods crashing through darkness, the booming hills, Winds stampeding the fields under the window Floundering black astride and blinding wet Till day rose; then under an orange sky The hills had new places, and wind wielded Blade-light, luminous black and emerald, Flexing like the lens of a mad eye.”

Has BeensLightEyeNightHouseBlackDarknessSeaSkyFieldsWindWindowMadRoseWoodsHillsWetOrangeLensesBladesAll NightLuminousNew PlacesEmeraldsFlexingFloundering
Book:The Hawk in the Rain
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“One day God felt he ought to give his workshop a spring clean... It was amazing what ragged bits and pieces came from under his workbench as he swept. Beginnings of creatures, bits that looked useful but had seemed wrong, ideas he'd mislaid and forgotten... There was even a tiny lump of sun. He scratched his head. What could be done with all this rubbish?”

GivingIdeasDoneFeltBitsSunPiecesOughtOne DayCreaturesSpringCleanForgottenTinyRubbishWorkshopsLumpsRaggedBits And PiecesWrong Ideas
Author:Ted Hughes
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