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Quote by J.D. Salinger

“I’m not too sure what the name of the song was that he was playing when I came in, but whatever it was, he was really stinking it up. He was putting all these dumb, show-offy ripples in the high notes, and a lot of other very tricky stuff that gives me a pain in the ass. You should’ve heard the crowd, though, when he was finished. You would’ve puked. They went mad. They were exactly the same morons that laugh like hyenas in the movies at stuff that isn’t funny. I swear to God, if I were a piano player or an actor or something and all those dopes though I was terrific, I’d hate it. I wouldn’t even want them to clap for me. People always clap for the wrong things. If I were a piano player, I’d play it in the goddam closet. Anyway, when he was finished, and everybody was clapping their heads off, old Ernie turned around on his stool and gave this very phony, humble bow. Like as if he was a helluva humble guy, besides being a terrific piano player. It was very phony—I mean him being such a big snob and all. In a funny way, though, I felt sort of sorry for him when he was finished. I don’t even think he knows any more when he’s playing right or not. It isn’t all his fault. I partly blame all those dopes that clap their heads off—they’d foul up anybody, if you gave them a chance.”

Quote by J.D. Salinger

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THE CATCHER IN THE RYE

This classic novel delves into the psyche of Holden Caulfield, a young man who has been expelled from prep school and is navigating the complexities of adolescence. The narrative is a first-person account of Holden's experiences and interactions with various characters, including his younger sister Phoebe, his former teachers, and the other students he encounters. The story is set in the backdrop of post-war New York and is characterized by Holden's cynical and often humorous perspective on the adult world. more

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J.D. Salinger

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“The ovation roared around him. He felt nothing in particular, hardly even the embarrassment he had feared. He had to go up again—this time without Fräulein Gasteiner, and it was a little peculiar to him to hear the noise of clapping hands and the loud shouts of "Bravo". He bowed several times, turned to the door and then, just as the clapping was getting weaker, he heard a voice from slightly behind him, or to the side—he couldn't quite tell—but the words were perfectly distinct, no matter how quietly they had been said: "Poor devil!" He wanted to look around, but he felt that that would seem absurd.”

“Olivier took a deep breath, then turned and bowed in farewell. Gersonides nodded in return, then thought of something. "The manuscript you brought me, by that bishop. It argues that understanding is more important than movement. That action is virtuous only if it reflects pure comprehension, and that virtue comes from the comprehension, not the action." Olivier frowned. "So?" "Dear boy, I must tell you a secret." "What?" "I do believe it is wrong.”

“But one has to ask: why do the big things at such a high cost? I chose the quiet life. I like the idea of being recognized by my field and no one else. This way I have a purpose, one I believe in, but I'm not burdened by the constant idea of putting on a public image, a view of myself the masses can accept. Nobody cares whether I'm fat or cheat on my taxes. It is not the only right kind of life, of course, but it is the honest life for me. What I'm saying is, I make the right choices for myself.”

“Do what you have to do as you must do it, and exert all your noble strength in doing it in so far as it pleases God, and give less attention to the approval or disapproval of men, though put their thoughts into consideration and take the lessons from their thoughts seriously. Factor the thoughts of the masses into changing the face of your vision as you journey to it and be happy and more confident about where you want to get to. Seek not for fame but let it inspire you to the top. Mind your real aim notwithstanding the obstacles and failure you shall meet. Do your best to present your best to God for from Him comes your daily breath!”

“There comes a moment when the image of our life parts company with the life itself, stands free, and, little by little, begins to rule us. Already in The Joke: “I came to realize that there was no power capable of changing the image of my person lodged somewhere in the supreme court of human destinies; that this image (even though it bore no resemblance to me) was much more real than my actual self; that I was its shadow and not it mine; that I had no right to accuse it of bearing no resemblance to me, but rather that it was I who was guilty of the nonresemblance; and that the nonresemblance was my cross, which I could not unload on anyone else, which was mine alone to bear.” And in The Book of Laughter and Forgetting: “Destiny has no intention of lifting a finger for Mirek (for his happiness, his security, his good spirits, his health), whereas Mirek is ready to do everything for his destiny (for its grandeur, its clarity, its beauty, its style, its intelligible meaning). He felt responsible for his destiny, but his destiny did not feel responsible for him.”