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A Quotes

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All A Quotes

“A manager’s emotional commitment is the ultimate trigger for their discretionary effort, worth more than financial, intellectual & physical commitment combined.”

“A manager’s emotional commitment is worth more than their financial, intellectual and physical commitment combined.”

“A manager's most important work is helping the people doing the work. Give them a goal and let them work. Remove any impediments that get in their way. Do anything that make them more effective or productive. Then the organization can capitalize on the fruits of their work.”

“A manera de resumen, cuando digo «carácter revolucionario» no me refiero a un concepto conductal sino a un concepto dinámico. Uno no es un «revolucionario» en este sentido caracterológico porque profiera frases revolucionarias o porque participe en una revolución. En este sentido es revolucionario el hombre que se haya emancipado de los lazos de sangre y suelo, de su madre y su padre, de fidelidades especiales al Estado, clase, raza, partido o religión. El carácter revolucionario es un humanista en el sentido en que siente en sí mismo a toda la humanidad, y en que nada humano le es ajeno. Ama y respeta la vida. Es un escéptico y un hombre de fe. Es escéptico, pues sospecha que las ideologías encubren realidades indeseables. Es un hombre de fe, pues cree en aquello que existe potencialmente, aunque todavía no haya nacido. Puede decir «no» y ser desobediente precisamente porque puede decir «sí» y obedecer a aquellos principios que le son genuinamente propios. No está semidormido sino plenamente despierto ante las realidades personales y sociales que lo rodean. Es independiente; lo que es lo debe a su propio esfuerzo; es libre y no es sirviente de nadie. Este resumen puede sugerir que lo que acabo de describir es bienestar y salud mental antes que el concepto de un carácter revolucionario. No hay duda de que la descripción hecha corresponde a la de una persona sana, viva, cuerda. Mi afirmación es que la persona sana en un mundo insano, el ser humano plenamente desarrollado en un mundo tullido, la persona completamente despierta en un mundo semidormido, es precisamente el carácter revolucionario. Una vez que todo estén despiertos ya no habrá necesidad de profetas o caracteres revolucionarios: sólo habrá seres humanos plenamente desarrollados.”

“A Manhattan lawyer who describes himself as "America`s leading expert on the militia movement" writes that he hugged his three-year-old kid the night of the Oklahoma City bombing. He told junior that it happened "because they hated too much" For now, let`s accept the premise that one hundred sixty-eight humans died in Oklahoma City because people "hated too much" Now answer these questions if you would be so kind: did a federal sniper shoot Vicki Weaver in the face because he hated too much? Did our government conduct the Tuskegee with syphilis on black soldiers because it hated too much?”

“A Manifesto for Introverts 1. There's a word for 'people who are in their heads too much': thinkers. 2. Solitude is a catalyst for innovation. 3. The next generation of quiet kids can and must be raised to know their own strengths. 4. Sometimes it helps to be a pretend extrovert. There will always be time to be quiet later. 5. But in the long run, staying true to your temperament is key to finding work you love and work that matters. 6. One genuine new relationship is worth a fistful of business cards. 7. It's OK to cross the street to avoid making small talk. 8. 'Quiet leadership' is not an oxymoron. 9. Love is essential; gregariousness is optional. 10. 'In a gentle way, you can shake the world.' -Mahatma Gandhi”

“A Manuela dissonava ao abraçar os antagonismos longe da frente. Enamorava-se sem estorvos por um E Tudo o Vento Levou, com as senhoras apresadas nos estilhaços das escaramuças dos homens. Abalava-se com um Casablanca, em que a subordinação face a outro povo traz um fantasma nostálgico que lamuria o hino da França. Cantarolava, de olhos gotejados, todo o Música No Coração, onde a perfídia nazi desalojava o núcleo central do filme. Tudo isto açucaradamente envolto em histórias de amor intemporais (simplórias), traziam-lhe distensões aos lábios, aparições de dentes alvos, clap clap, prantos de comoção. Para a Manuela a guerra não era mestiere de tecnologia, estratégia, tanques, carnificina, estropiados, tripas e sangue. Para a Manuela, também a guerra era um assunto de mulheres – cartas, lágrimas, saudade. A guerra era o reflexo no semblante da enfermeira, sombrio, inconfessado, a nuvem nos seus olhos, as vigílias de cotovelos no parapeito a aguardar o regresso do soldado. Às vezes a tua mãe resultava-me bastante obtusa. Então fi-la implodir e, como consequência, quase me vi sem ela. Não me tinha dado conta de que a sua força fosse tão marcescível.”

“A map has no vocabulary, no lexicon of precise meanings. It communicates in lines, hues, tones, coded symbols, and empty spaces, much like music. Nor does a map have its own voice. It is many-tongued, a chorus reciting centuries of accumulated knowledge in echoed chants. A map provides no answers. It only suggests where to look: Discover this, reexamine that, put one thing in relation to another, orient yourself, begin here... Sometimes a map speaks in terms of physical geography, but just as often it muses on the jagged terrain of the heart, the distant vistas of memory, or the fantastic landscapes of dreams.”

“A map in the hands of a pilot is a testimony of a man's faith in other men; it is a symbol of confidence and trust. It is not like a printed page that bears mere words, ambiguous and artful, and whose most believing reader - even whose author, perhaps - must allow in his mind a recess for doubt. A map says to you, 'Read me carefully, follow me closely, doubt me not.' It says, 'I am the earth in the palm of your hand. Without me, you are alone and lost.”