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A Quotes

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All A Quotes

“Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.”

MenMindArtImportantHardActorsInspiringActingHe ManDirectorsStudiosProfessionProducersTransformedChekhov
Author:Marilyn Monroe
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“Acting doesn't have anything to do with listening to the words. We never really listen, in general conversation, to what the other person is saying. We listen to what they mean. And what they mean is often quite apart from the words. When you see a scene between two actors that goes really well you can be sure they're not listening to each other - they're feeling what the other person is trying to get at. Know what I mean?”

KnowsTryingWellsMeanPersonsTwoFeelingsActorsActingListeningSceneConversation
Author:Jack Lemmon
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“Acting for me is liberating. It's almost like therapy, because I grew up in a blue-collar environment where you're not supposed to have feelings. So it's freeing to be in a safe place like a TV or film set where you discover feelings, and where you're supposed to be open and honest with everybody while exposing the weakest parts of you. And then when people congratulate you on revealing the weakest part of who you are, then you start realizing that that might not be weakness. It might be a different kind of strength.”

PeopleKindDifferentFeelingsFilmRealizingActingEnvironmentHonestWeaknessWho You AreTherapyDifferent KindsLiberating
Author:Kurt Yaeger
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“Acting for me was an escape and it wasn't until Smoke Signals that made me realize that acting is a personal development and challenge to grow. Smoke Signals really mirrored the way I grew up and how I felt, and that movie was the first time I'd dealt with my parents' death and how I felt that loss and sadness and anger. After that movie I said, "Y'know what, I have to realistically wear my emotions now when I do a job. That's gotta be as real as it gets. It's not just dialogue anymore."”

KnowsWayFirstsMadeSaidRealJobsGrowsFeltParentRealizingChallengesLossActingEmotionSadnessGrewDevelopmentGrew UpFirst TimePersonal DevelopmentDialogueSmokeSignalsSadness And AngerSmoke Signals
Author:Adam Beach
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“Acting from instinct he angled his body so it would shield Lydia's, sweeping her back into the recession of a doorway that, while closed, would give her shelter. Pressing close, he wrapped himself around her so the blows would strike him first. They did. Repeatedly. A clump of mud and small stones that had missed its target struck and shattered on the doorframe and he felt her jump and start to tremble, so he bent his head and murmured words of reassurance, low and calm over the wailing of the injured man, and all the ugly shouts of his tormentors. Fear, he knew, was mostly in the mind, and he would spare her that. He'd long since learned to channel his own fear to action, so it was surprising to him now to feel it twist within his chest- a fear not for himself, his safety, but for hers. It lingered even when the mob had passed them by, the angry tumult growing fainter down the street, and there was no more danger. Stepping back, he gave them both the space to breathe. Her face was pale, and she appeared to still be shaking but she only drew her cloak a little tighter as though wanting him to think it was the cold, and he had seen enough cadets who did not wish to show him weakness that he recognized her brave attempt to seem more strong in front of him, and though he was not fooled by it he understood her need to make the effort. Having satisfied himself she was unharmed, he wanted for her to collect herself sufficiently to leave the sheltered doorway, then he offered her his arm again, and once again she took it, holding tighter to him this time, and they crossed the street in silence. But the feeling, strange and new, stayed firmly lodged beneath his ribs, as though once having taken hold it was now part of him, and he had no idea what to do with it. We always fear what we don't know, he'd told the young de Joncourt boy. And walking now with Lydia's gloved hand upon his arm, her warmth beside him, Jean-Philippe admitted there was truth in what he'd said. Because in all his twenty-seven years, with all that life had dealt him, he had not known anything like this.”

FearBodyguardProtectingBodyguard RomanceLydia And Jean PhilippeJean Philippe De Sabran
Author:Susanna Kearsley
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