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C Quotes

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All C Quotes

“Classic economic theories recognize public goods aspects of one kind or another - the need for economic intervention in, obviously, the supply of infrastructure and of education. We're not supplying that infrastructure at an appropriate rate today. I don't doubt it isn't just money; it's organization and goals and so forth.”

“Classic nineteenth century European imperialists believed they were literally on a mission. I don't believe that the imperialists these days have that same sense of public service. They are simply pirates. Yes, there are fundamentalists, Christian fundamentalists, who appear to be in charge of the White House at the moment, but they are very different from the Christian gentlemen who ran the British Empire and believed they were doing good works around the world. These days it's about naked power.”

“Classic was Jimmy Savile’s use of the cloak of authority and kindness. Savile’s celebrity allowed him to acquire this authority. As we consider the regulation of the media and the legal right to privacy it is worth reflecting on how the Savile scandal happened. It happened because the aura of Sir Jimmy’s celebrity protected him from scrutiny by the press.”

“Classical Greece is perhaps the place in which this tension found for a moment an uncertain, precarious equilibirum. In the course of the subsequent political history of the West, the tendency to depoliticise the city by transforming it into a house or a family, ruled by blood relation or by merely economic operations, will alternate together with other, symmetrically opposed phases in which everything that is unpolitical must be mobilised and politicised. In accordance with the prevailing of one or the other tendency, the function, situation and form of civil war will also change. But so long as the words 'family' and 'city', 'private' and 'public', 'economy' and 'politics' maintain an albeit tenuous meaning, it is unlikely that it can ever be eliminated from the political scene of the West.”

“Classical music and pop are two different universes, each with its own difficulties, peculiarities, depth and artistic dignity. In Italy, I think there is a fairly clear line of demarcation, but the history of music is full of fusion. Popular and classical music have always found points of contact, of crossing, exchange, both drawing mutual profit.”

“Classical music is at odds with contemporary culture precisely because of its insistence on the tension between the bodily and intellectual, the material and the spiritual, the thinglike and its transcendence in thought. A culture that is merely sensuous and that denies the activity of the mind within sensuous materials risks becoming pornographic.”