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C Quotes

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All C Quotes

“Claudia knew that she could never pull off the old-fashioned kind of running away. That is, running away in the heat of anger with a knapsack on her pack. She didn't like discomfort; even picnics were untidy and inconvenient: all those insects and the sun melting the icing on the cupcakes. Therefore, she decided that her leaving home would not be just running from somewhere but would be running to somewhere.”

“Claudia Rankine's Citizen comes at you like doom. It's the best note in the wrong song that is America. Its various realities-'mistaken' identity, social racism, the whole fabric of urban and suburban life-are almost too much to bear, but you bear them, because it's the truth. Citizen is Rankine's Spoon River Anthology, an epic as large and frightening and beautiful as the country and various emotional states that produced it.”

“Claudia was either unaware of her expression, or didn't care that he knew of her interest in his nakedness. Once he had hoped to find a mistress who would look at him with such undisguised longing. He had never dared hope to find lust in a wife. The perfect woman sat before him, and she was his. Life was very good indeed. He propped his hands behind his head. "I am at your mercy, my lady. Do with me as you will." "You wish to be ravished, Baron?" "‘Tis my fondest desire.”

“Clay can be a metaphor for many things. I made it a metaphor for flesh and earth, and these are two kinds of generic givens of life, if you look at it poetically, biblically, the idea of the life of beings, of man, being transitory, the earth abides-ashes to ashes, dust to dust-man returns to earth, grows out of earth like a flower, wilts, goes back to the earth... We are frail, transitory creatures with aspirations of immortality, conscious of our inevitable death, and we have to deal with it somehow.”

“Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.”

“Clay smashed the butt of his revolver into the werewolf’s snout. It laughed again, only it wasn’t the sound of an animal trying to form human words, but a familiar cackle that chilled Clay to his bones. Intelligence cooled in black eyes, snuffing out the feral rage that had once burned brightly. Jaw muscles moved mechanically, strings pulled from an unseen place. “Hello, McNab,” the voice of a woman crooned. “It’s good to see you. Everything has become so much more interesting. Who will you fail this time, I wonder?” The werewolf dropped with a thud, wisps of gun smoke rising from its head. Clay stood over it and drove his boot into the face again and again. He didn’t stop until the body was mangled beyond recognition, a sponge to soak up the fury flaring inside his heart.”

“Clayton," she said softly, her voice threaded with tears, "when Vanessa asked about my accomplishments tonight, I forgot to mention that I do have one. And it's--it's so splendid that it compensates for my lack of all the others." Stephen and Clayton grinned at each other, neither of them hearing the emotion that clogged her voice. "What splendid accomplishments is that, little one?" Clayton asked. Her shoulders hunched forward and began to shake. "I made you love me," she whispered brokenly. "Somehow, some way, I actually made you love me.”