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H Quotes

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All H Quotes

“Historians still labor over whether Travis literally drew a line in the sand with his sword. Scholarly sentiment has swayed back and forth over the years, but the truth is that we will never know for sure. I argue that it does not matter because Travis essentially drew a more important, and equally dramatic, metaphorical line in the sand for the men under his command with his triple underscoring of ‘Victory or Death.’” – K. Lee Lerner, "Remember the Alamo and the Texas Revolution: Both the Heroic Sacrifice and Historical Uncertainties." Scholars at Harvard (Open Scholar). Originally published online: March 6, 2012. Last revised: March 6, 2024.”

“Historians, theorists, and critics of contemporary art do not directly study the proliferation of non-art images and things in contemporary society, nor do they examine from a sociological or anthropological point of view the interactions of modern people with art. They do not need to because advertising, fashion, celebrities, television, tattoos, toys, comics, pornography, politics, iPhones, and stuff in general, as well as all the many modes of beholding and possessing are already the content of so much elite contemporary art. The images, thing, and practices have already been filtered and framed by art, absorbed into artworks whose autonomy - unlike the autonomy of the premodern works - remains unchallenged. The main task of the art historian of the modern and the contemporary is to justify the value of those works. The paradoxical result is that the art history of the present has nothing to say about mass culture that art itself doesn't already tell us. So-called mass or popular culture ought to be art history's topic, but it proves too difficult to grasp. The image-surfaces enfolding us will not take on density; they melt or disintegrate too quickly, such that art is everywhere but nowhere. How should art history, with its specialized conceptual toolbox, solve the puzzle of entertainment, when society itself has two or more minds about everything, admiring, for example, Hollywood movies that break box-office records on their first weekend and at the same time revering Vincent van Gogh because he was unappreciated in his own time - and yet not knowing exactly what, if anything, differentiates a painting by van Gogh from a well-crafted movie.”

“Historians toil at the past, but they write for the future. That's the point of them. If I know there are historians still at work, it tells me there will be a future. I think that might strengthen my resolve. The idea of a future, a far future, that will exist and want to remember. It would fortify my purpose and offer me hope. If the historians give up, then we're admitting an end is coming. Go do the work the emperor once gave you and remind me that some future is still a possibility for us.”

“Historians who explore slavery's relationship to capitalism generally focus on the roles that men played in the development of both. But if we considered the very real possibility that some of the enslaved people these men compelled to work in southern cotton fields actually belonged to their wives, the narrative about American slavery and capitalism would be strikingly different. And when we consider that the enslaved people women owned before they married or acquired afterward helped make the nineteenth-century scale of southern cotton cultivation possible, the narrative of slavery, nineteenth-century markets, and capitalism as the domain of men becomes untenable.”

“Historians will come to their own judgments about President Kennedy. Here is how I choose to remember him. He was an heir to wealth who felt the anguish of the poor. He was an orator of excellence who spoke for the voiceless. He was a son of Harvard who reached out to the sons and daughters of Appalachia. He was a man of special grace who had a special care for the retarded and handicapped. He was a hero of war who fought hardest for peace. He said and proved in word and deed that one man can make a difference.”

“Historians will look back on this era and how the Internet changed what we value, what we consider art, the way we think, the way we define what it means to be human. In Sincerity and Authenticity, Lionel Trilling describes the changes that occurred between about 1850 and 1920, due to the Industrial Revolution and the resulting migration of people from small communities to relative anonymity in cities. Because of that paradigm shift, ideas about what it means to be an individual underwent a transformation that leeched into all areas. Art, psychology, history, marriage, gender.”

“Historical and archaeological records also tell us a lot about the past. The universe is expanding and the galaxies are moving away from each other at an ever accelerating speed. Future telescopes would only rely upon historical records to see the universe we are able to see at a special time. Else, the modern telescopes of future taking the latest pictures and filming reality even with increased capability will find and show darkness in space. Qur’an reminded Arabs, Jews and Christians about their history and historical records present with them and which provided them a clear chance to affirm truth and evaluate it. People like King Najashi (also known as Armah, the ruler of the Kingdom of Aksum) and Warqah Ibn Nawfal knowing their historical records and their reference in Qur’an were able to affirm the evidence of Prophet Hood of Muhammad (pbuh) through their own historical scriptures instantly.”

“Historical chronology, human or geological, depends... upon comparable impersonal principles. If one scribes with a stylus on a plate of wet clay two marks, the second crossing the first, another person on examining these marks can tell unambiguously which was made first and which second, because the latter event irreversibly disturbs its predecessor. In virtue of the fact that most of the rocks of the earth contain imprints of a succession of such irreversible events, an unambiguous working out of the chronological sequence of these events becomes possible.”

“Historical criticism and rethinking are never a bad idea. However, the hunt for visible, tangible problems shouldn't become a hunt for invisible, intangible problems. Especially not if they are carried out by dishonest people with the most extreme answers. If we allow malicious critics to misrepresent and hijack our past, then the future they plan off the back of this will not be harmonious. It will be hell.”

“Historical fact: People stopped being people in 1913. That was the year Henry Ford put his cars on rollers and made his workers adopt the speed of the assembly line. At first, workers rebelled. They quit in droves, unable to accustom their bodies to the new pace of the age. Since then, however, the adaptation has been passed down: we've all inherited it to some degree, so that we plug right into joy-sticks and remotes, to repetitive motions of a hundred kinds.”