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I Quotes

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All I Quotes

“I needed out. The Jeep wasn’t fast enough. I shut it down, grabbed the keys and started running like a bear was at my heels. I couldn’t even see Henry anymore through my tears so it surprised me when he caught me in his arms halfway. The first thing I did was pound on his chest and ask him why he hadn’t called. The second thing I did was kiss him so hard he couldn’t answer me.”

“I needed something to distract me-anything far away from my parents’ drama-just for a second. And when I saw my chance I didn’t stop to think about how much I’d regret it later. An opportunity sat on the bar stool beside me, and I lunged at it. Literally. I kissed Wesley Rush. One second his hand lay on my shoulder, and his gray eyes rested, for once, on my face, and the next my mouth was on his. My lips were fierce with bottled emotion, and he seemed to tense, his body frozen in shock. That didn’t last very long. An instant later, he returned the aggression, his hands flying to my sides and pulling me toward him. It felt like a battle between our mouths. My hands clawed into his curly hair, tugging it way harder than necessary, and his fingertips dug into my waist. It worked better than punching someone would have. Not only did it help me release the agonizing pressure, but it definitely distracted me. I mean, it’s hard to think about your dad when you’re making out with somebody. And as disturbing as it sounds, Wesley was a really good kisser. He leaned into me, and I tugged at him so hard that he nearly fell off his bar stool. In that moment, we just couldn’t get close enough to each other. Our separate seats seemed like they were miles apart. All of my thoughts vanished, and I became a sort of physical being. Emotions disappeared. Nothing existed but our bodies, and our warring lips were at the center of everything. It was bliss! It was amazing not to think. Nothing! Nothing… until he screwed it up.”

“I needed the puppy. More to the point, I needed that puppy. Willow kept me connected to the world when I was tempted to give up on it. She seemed to know what I was thinking or was about to think. She followed me everywhere, her tail eager to wag, her pink tongue quick to loll with doggy laughter. If I went out without her, she knew the moment I turned for home, and waited by the door for me to appear. She filled the empty spaces of my life with her bright spirit and lively presence. I came to feel that she reflected me, in an uncanny way, as if she were the canine version of myself.”

“I needed them, sure, and we can all argue about the moment when the balance tipped and I needed them so much that I would hurt. But you can't pretend they didn't need me too, each in his or her way. They wouldn't necessarily have admitted it - except Reza - but you can't tell me they didn't love me. The heart knows. The body knows. When I was with Sirena, or Reza, or Skandar, the air moved differently between us; time passed differently; words or gestures meant more than themselves. If you've never had this experience-but who has not been visited by love, laughing?-then you can't understand. And if you have, you don't need me to say another word.”

“I needed this cold shower for more than one reason; the sexy male from my dream this morning returned during my little siesta. His sultry baritone was still fresh in my mind as I waited for the water to heat up. My Gaelic may have been a bit rusty, but from what I could understand, he had planned quite the erotic encounter under a sacred willow tree. I wasn’t sure I understood the reason for the tree, but he was quite adamant about it. Hey – tree or no tree, when he spoke and kissed my neck, I would have found a way to steal the Eiffel Tower if he had asked.”

“I needed to create some dramatic tension to sustain the interest of the audience. For instance, the boy in the film is not in the play, so this relationship that he had with the former teacher, and his guilt, this is not at all in the play. I thought it would be interesting to look at in the film, and I added stuff like that around the main character. For me, it was not more difficult or less difficult.”

“I needed to do a lot of saying no. I had a lot of [interest] from people who I just didn't think were quite right for it. And I didn't want a bad film to be made of the book, either a sentimental one or a creepy one, so I did a lot of, "No thank you." Then when the right filmmaker came along, yes, I suppose I presented myself very much as wanting to be the writer.”

“I needed to enhance the outward threat to Rachel.In the book [Girl on the Train], her inner threat is so strong; the fear of herself and her inability to remember and the false memories. In the film [Girl on the Train]I wanted to increase the exterior threat. So that's why Allison's part was bigger and was an important part of the climax of the film.”

“I needed to escape my loneliness. I needed comfort and companionship. I needed certainty and faith and stability. But the truth is that I can’t fix that all now. Instead, I made a commitment to noticing. I made it my job to seek the beauty around me; to witness the little magic shows of nature unveiling in hedgerows and verges and the changing of the seasons. By turning my attention outward and finding places and creatures to love, I found beauty to focus on. I had reasons to stay.”