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I Quotes

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All I Quotes

“I think about how truly interesting and odd it is that when a woman marries, traditionally she loses her name, becoming absorbed by the husband's family name - she is in effect lost, evaporated from all records under her maiden name. I finally understand the anger behind feminism - the idea that as a woman you are property to be conveyed between your father and your husband, but never an individual who exists independently. And on the flip side, it is also one of the few ways one can legitimately get lost - no one questions it.”

“i think about how we give so much credit to the heavy and hard things for how beautiful we are… how we tell others of the darkness we've pushed through and they say things like… “it's why you're so strong.” or they speak of all that depth and texture it's given our character. and i think… it's true. but i also think… of the soft places i've had to fall where i can just be like a flower and made of my wild vulnerability, or of the moments in this life that bring out my glow… and of the ones who are there to witness it, and how they tell me that it's beautiful… and of all the sparks of inspiration like little embers on my pathways that help spark my own fires that i have waiting inside of me. as much as i can see how we grow from the push of darkness… i think we also need that feeling of light to help pull us into our bloom. and maybe it matters more than we know how much a little spark we leave somewhere might be a needed light… the way it could remind someone they are made of flowers… and help pull them into their bloom.”

“I think about Lenaya and Hugh. Will they know how much I've changed this year? Will they have changed too? I'll wait until tomorrow to find out. And then it's possible I won't find out after all. Because some changes happen deep down inside of you. And the truth is, only you know about them. Maybe that's the way it's supposed to be.”

“I think about material that could work in the novel or story as I'm writing. I see if I can get there through what's happening with the character. But it's by inclination. It's not "At this moment this will happen." Usually with my characters you can't tell what has induced them to do anything. That's because, from my understanding of reality - which is always subjective - everything is overdetermined.”

“I think about my education sometimes. I went to the University of Chicago for awhile after the Second World War. I was a student in the Department of Anthropology. At that time they were teaching that there was absolutely no difference between anybody. They may be teaching that still. Another thing they taught was that no one was ridiculous or bad or disgusting. Shortly before my father died, he said to me, ‘You know – you never wrote a story with a villain in it.’ I told him that was one of the things I learned in college after the war.”

“I think about photographs as being full, or empty. You picture something in a frame and it's got lots of accounting going on in it-stones and buildings and trees and air - but that's not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there.”

“I think about something I once heard on the radio. About Abraham and Isaac." "I was afraid you'd say something like that." "You asked." "So what about them? I don't really know much about that kind of stuff." "There was a pastor on the radio who said nobody should ever preach that story. Do you remember how it goes? God tells Abraham that he has to sacrifice his son to prove his faith." "I agree with the pastor. It sounds like a sick story. Ban that shit." "But isn't that exactly what we do? Send young men off to a war in the desert and ask them to sacrifice themselves for a belief?”

“I think about swimming with him into that cave, about the swell of clear water, the way it changed, the swiftness and power it gained as it narrowed through the rocks at the base of the point. The tide had to be just right. We had to be in the water at the very moment the tide was right. We could only have done this a half dozen times at most during the two years we lived there but it is what I remember. Each time we did it I was afraid of missing the swell, hanging back, timing it wrong. He never was. You had to feel the swell change. You had to go with the change. He told me that. No eye is on the sparrow but he did tell me that.”