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I Quotes

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All I Quotes

“I write with two things in mind. I want to be right with my fellow economists. After all, I've made my life as a professional economist, so I'm careful that my economics is as it should be. But I have long felt that there's no economic proposition that can't be stated in clear, accessible language. So I try to be right with my fellow economists, but I try to have an audience of any interested, intelligent person.”

“I write you from a miss A train station and a farewell I write from a seashell The wave, the trace of its kiss I write you from a space A bud, under the light of spring I write you from a ruin This red flower, in my chest I write you to say a silence (The world is just an appearance) I write you from the shadow From oblivion, you remember? I write you from a misty window Your name, of breath and letters I write you from my soul This fire, and this scream I write you to talk about me This emptiness, embraced between your arms -and for all that is missing Another one will be saying.”

“I write, and I feel how the correct and precise use of words is sometimes like a remedy to an illness. Like a contraption for purifying the air, I breathe in and exhale the murkiness and manipulations of linguistic scoundrels and language rapists of all shades and colors. I write and I feel how the tenderness and intimacy I maintain with language, with its different layers, its eroticism and humor and soul, give me back the person I used to be, me, before my self became nationalized and confiscated by the conflict, by governments and armies, by despair and tragedy.”

“I wronged him, Katra. Greatly. I had the entire world in my hand at one time and I didn’t know it. I let stupidity blind me and I lost him because of that. (Artemis) Then tell him you’re sorry. (Kat) As your father would say, there are some things ‘sorry’ can’t repair. Some pains run too deep to ever be healed by something as simple as words, no matter how much you mean them. (Artemis)”

“I wrote "Bootylicious" because, at the time, I’d gained some weight and the pressure that people put you under, the pressure to be thin, is unbelievable. I was just 18 and you shouldn’t be thinking about that. You should be thinking about building up your character and having fun and the song was just telling everyone just forget what people are saying. You’re bootylicious. That’s all. It’s a celebration of curves and a celebration of women’s bodies.”

“I wrote "Win" for people on both sides, legitimately on both sides. If you're a Democrat listening to this right now, you - the whole playbook is in this book. If you're a Republican, and you're frustrated because Barack Obama is a great communicator, the playbook is in this book. And if you're a corporation who wants to satisfy his - their employees, how to do it is in this book. And finally, if you're an employee and you want to get a raise, whether at NPR or anyplace else, it's in this book.”

“I wrote 'Big Yellow Taxi' on my first trip to Hawaii. I took a taxi to the hotel and when I woke up the next morning, I threw back the curtains and saw these beautiful green mountains in the distance. Then, I looked down and there was a parking lot as far as the eye could see, and it broke my heart this blight on paradise. That's when I sat down and wrote the song.”

“I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.”

“I wrote 'Millie's Cafe' driving out of Ft. Worth, Texas one time. I was in a dust storm in my old bus. Beer inside. It was like a sailboat, you know...we couldn't see anything. Some things about Texas are so different than Ontario. I was just thinking about how different it is from where I live and, you know, whatever happens to inspire a song happened.”