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S Quotes

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All S Quotes

“She waited for a man who would marvel her with his intellect, wit and physique, all at the same time. Someone who would beguile her, unnerve her, possess her, and claim her and then make her jealous with deceit and accusations. Someone who wouldn’t bore her after a few hours of company. Someone who wouldn’t be distracted by someone younger than her - even at that age, she had her insecurities........ She waited for a man who would be worth a chase and a challenge, who would beguile her and ravage her, and be true to her. She was no fool. She knew the limitations of affectation and ceremonial overtures between husband and wife. She knew the limits of compatibility, being put off by a few of her suitors instantly. She knew that love was not a guarantee to lifetime of happiness. She knew the importance of money and it’s effect on men. She knew the value of having the best in jewelry, clothes and company, for a person was judged accordingly, and if one wished to be a success, one had to look the part. And that required continuity of resources, not affection. But still she waited. She waited for a man who would surprise her beyond her expectations. She waited for a man who would be magical. She waited for a man who would never come.”

“She waited for him to go on, but he simply gaped at her, lost for words. "Doc Grey, do you want me?" she asked before she could stop herself. "Vera, I..." He stopped abruptly. "I..."... "I asked you a question." The words came out breathier than she'd intended. She stepped closer, until their bodies were less than an inch apart, and stared up into his gorgeous, honey-brown eyes. He met her gaze, and she saw a spark behind his irises that could only be described with one word: desire.”

“She waited for him to say something else, suddenly acutely aware, as she'd never been before, that a bed lay directly above them, barely two minutes from where they sat. And, like Strike, she thought, everything I've worked and sacrificed for is in jeopardy if I take this conversation to the wrong place. Our relationship will be forever marred by awkwardness and embarrassment. But worse than that, by far: she was scared of giving herself away. The feelings she'd been denying to Matthew, to her mother, to Ilsa and to herself must remain hidden.”

“She walked away without bothering to look further. She knew he’d be fine. Her specialty was subduing without causing any real damage. He’d lie there for a few minutes. He’d be sore, maybe bruised tomorrow. He’d brush the cobwebs off his imagination to invent a story for his buddies about how three seven-foot, three-hundred-pound male karate black belts attacked him in the park. But she would bet her life on the fact that he would never sneak up on another fragile-looking woman without remembering this night. And that was the point. That was what Gaia lived for.”

“She walked down the basement steps. She saw an imaginary framed photo seep into the wall - a quiet-smiled secret. No more than a few meters, it was a long walk to the drop sheets and the assortment of paint cans that shielded Max Vandenburg. She removed the sheets closest to the wall until there was a small corridor to look through. The first part of him she saw was his shoulder, and through the slender gap, she slowly, painfully, inched her hand in until it rested there. His clothing was cool. He did not wake. She could feel his breathing and his shoulder moving up and down ever so slightly. For a while, she watched him. Then she sat and leaned back. Sleepy air seemed to have followed her. The scrawled words of practice stood magnificently on the wall by the stairs, jagged and childlike and sweet. They looked on as both the hidden Jew and the girl slept, hand to shoulder. They breathed. German and Jewish lungs.”

“She walked down the lawn and surveyed the world as they'd both seen it--the wild limbs of the leaning apple tree, the golden-brown evening sky, the black silhouettes of the mountains. The trunk and the branches of the tree had bent over the years, under the weight of the heavy fruit. One of the biggest branches had grown down from the canopy of the leaves, all the way to the ground and straight along the grass...the end of that same branch had begun growing up again, at a right angle, the wood bending toward the sky.”

“She walked in somber seclusion, unable to connect with women despite her heart's desire to do so while being shadowed by men who hungered for the indefinable; and while she yearned for friendship, they yearned for something more and what she had been in search of remained removed from her, and the more she erected barriers, the more they crossed them and each time they did, she turned from them and hid.”

“She walked quickly around her one-room apartment. After more than four years in this one home she knew all its possibilities, how it could put on a sham appearance of warmth and welcome when she needed a place to hide in, how it stood over her in the night when she woke suddenly, how it could relax itself into a disagreeable unmade, badly-put-together state, mornings like this, anxious to drive her out and go back to sleep.”

“She walked slowly towards him, taking in how he looked so eerily still. “Okay you,” she said, her voice choked. “We have to have a talk. I know you’re a Dardano, but a wedding reception in the ICU? Not so classy.” She lowered her head, her attempt at levity falling flat under the weight of her heartbreak. She blinked back her tears and cupped his face. “You listen to me, okay? You are not leaving me. You’re not allowed. You’re going to fight, understand? Alessandro, I will not bury another husband. Do you hear me? I refuse to grieve for you. That is not even an option because you are my life.” She kissed his forehead, the beeping of the heart monitor and the respirators the only sounds in the room. “Funny huh? I spent so much time pushing you away and here I am begging you to stay. Not just for me, but for our boys. Will’s already lost one father, don’t you leave him too. And Gianni…don’t you dare leave him nothing but stories about some man in a picture frame.” Bree took his hand, rubbing his ring finger. “Please, Alessandro. Fight. I won’t survive without you. I won’t.” She kissed his palm. “We’ve fought too hard for you to just give up when we’re finally going to be happy. Dammit Alessandro, you owe me! You owe me a life, a happy life together. So don’t you dare die on me. Don’t you leave me to deal with that son of a bitch father of yours by myself.” She covered her mouth with her free hand to stifle her sobs. She leaned down and kissed his still mouth. “I love you…I love you so much…” Her tears fell on his face as she rested her forehead against his.”

“She walked to the doorway and looked up at the sky; even with the dust she could see Hormozd, the large red planet, just beginning to sink behind the mountains. On the other side of the sky, the heavens were a shade lighter than they had been just a while ago. The sun was preparing to rise. "I will do what needs to be done." "Of course, Princess. You would... you would make the warriors of old proud.”

“She walked with such grace—never brushing shoulders with anyone or awkwardly squeezing herself through. The world seemed to fall in line with her, and though she was most certainly aware of the power she held, she never became greedy with it. She didn't fade into the background, like I did, but she never demanded to be admired either. That, more than anything, made her impossible to ignore. I'd always thought she was attractive, but now I knew it was more than that, I worshipped her.”

“She walks around the counter but holds Ronan’s gaze. “So Henry Lasko was here this very morning talking about how brave you are, wanting to jump into the water after sharks—and by the way, I hope someone has told you that ain’t brave. That’s just foolishness. But this is what I want to know: Are you brave enough . . . to flip a good crepe?” It startles me that the words brave and crepe are in the same sentence.”

“She walks away, and I am too stunned to follow her. At the end of the hallways she turns and says, "Have a piece of cake for me, all right? The chocolate. It's delicious." She smiles a strange, twisted smile, and adds," I love you, you know." And then she's gone. I stand alone in the blue light coming from the lamp above me, and I understand: She has been to the compound before. She remembered this hallways. She knows about the initiation process. My mother was a dauntless.”

“She walks back, more slowly, the way she came. How odd it feels, to move along the same streets in reverse, like inking over old words, her feet the quill, going back over work, rewriting, erasing. Partings are strange. It seems so simple: one minute ago, four, five, he was here, at her side; now, he is gone. She was with him; she is alone. She feels exposed, chill, peeled like an onion. There is the stall they passed earlier, piled high with tin pots and cedar shavings. There is the woman they saw, still making her decision, holding two pots in her hands, weighing them, and how can she still be there, how can she still be engaged in the same activity, in the choosing of a pot, when such a change, such a transformation has occurred in Agnes's life? Her very world has cloven in two and here is the same dog dozing in a doorway. Here is a young woman, tying up clothing into bundles, just as she was doing when they passed. Here is her neighbour...giving her a grave nod as he walks by. Can he not see, can he not read that life as she knows it is over, that he is gone?” Hamnet, pp214-5”