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“The Romans have provided a lot of writers with a model for various interstellar empires, of course, and no wonder. The Roman Empire is a really good example of a large empire that, in one form or another, functioned for quite a long time over a very large area. And over all that time, there was all sorts of exciting drama - civil wars and assassinations and revolts and bits breaking off and being forced back in ... But I didn't want my future - however fanciful it was - to be entirely European. The Radchaai aren't meant to be Romans in Space.”

“The Romans may be known for many things, but humor isn't one of them. As usual, this interpretation relies on a prima facie reading of Jesus as a man with no political ambitions whatsoever. That is nonsense. All criminals sentenced to execution received a titulus so that everyone know the crime for which they were being punished and thus be deterred from taking part in similar activity. That the wording on Jesus's titulus was likely genuine is demonstrated by Joseph A. Fitzmeyer, who notes that "if [the titulus] were invented by Christians, they would have used Christos, for early Christians would scarcely have called their Lord 'King of the Jews'."[..] the notion that a no-name Jewish peasant would have received a personal audience with the Roman governor, Pontius Pilate, who had probably signed a dozen execution orders that day alone, is so outlandish that it cannot be taken seriously.”

“The Romans never allowed a trouble spot to remain simply to avoid going to war over it, because they knew that wars don't just go away, they are only postponed to someone else's advantage. Therefore, they made war with Philip and Antiochus in Greece, in order not to have to fight them in Italy... They never went by that saying which you constantly hear from the wiseacres of our day, that time heals all things. They trusted rather their own character and prudence- knowing perfectly well that time contains the seeds of all things, good as well as bad.”

“The Romans, who so coolly and so concisely mention the acts of justice which were exercised by the legions, reserve their compassion and their eloquence for their own sufferings, when the provinces were invaded and desolated by the arms of the successful Barbarians.”

“The Romantic Charter by Stewart Stafford Eyes dazzled by romance's shine, Hostage suitor of Cupid and you, A willing disciple of St Valentine, With pierced heart of rosiest hue. Love is the next world's currency, All wealth we must leave behind, Call it the discarnate treasury, A repository of delicacies dined. Even if adoration sours on the lips, Or toxicity springs from intoxication, Nothing erases the first steps of bliss, Or can demolish memory's foundation. © Stewart Stafford, 2024. All rights reserved.”

“The romantic idealism, the self-conscious ‘sentimental’ heroism of chivalry are idealism and heroism at second hand, and originate primarily in the ambition and the deliberation with which this new nobility set about developing the notions of its own peculiar honour. Its zeal is only a sign of unsureness and weakness which the old nobility does not, or at least did not, suffer from as long as uninfluenced by the new, inwardly unstable, company of the knights. This instability shows itself most strikingly in its equivocal attitude to the conventional forms of noble living. On the one hand, it clings to the superficialities and exaggerates the formalities of the aristocratic manner of life; on the other hand, it sets inward nobility of soul above the outward and purely formal nobility of birth and manners. Conscious of its subordinate position, it exaggerates the value of mere forms, but conscious also of possessing capacities equal to or even greater than those of the old aristocracy, it, at the same time, depreciates the value of such forms and of noble birth as such.”

“The romantic movement, in art, in literature, and in politics, is bond up with this subjective way of judging men, not as members of a community, but as aesthetically delightful objects of contemplation. Tigers are more beautiful than sheep, but we prefer them behind bars. The typical romantic removes the bars and enjoys the magnificent leaps with which the tiger annihilates the sheep. He exhorts men to imagine themselves tigers, and when he succeeds the results are not wholly pleasant.”

“The romantic myth is so strong that it survives the wear and tear of marriage by simply detaching from it and floating up on ahead, and women who are rather fond of the men they married, as well as ones who are not, go through life with a bag packed for the day when the shining knight on a white charger arrives, just in case he does.”

“The romantic notion of "opposites attract" works well in fairy tales. However, science proves that "like attracts like" for healthy communication and successful relationships. Social psychologists have long relied upon the "Similarity Attraction Theory" to explain why we are more positively inclined toward people who are the most like ourselves. Similarity reduces uncertainty and gives us a comforting degree of psychological safety. It is no wonder, then, that "birds of a feather flock together." Our tribe understands our vibe.”

“The romantic temper, so often and so grievously misinterpreted and not more by others than by its own, is an insecure, unsatisfied, and impatient temper which sees no fit abode here for its ideals and chooses therefore to behold them under insensible figures. As a result of this choice it comes to disregard certain limitations. Its figures are blown to wild adventures, lacking the gravity of solid bodies, and the mind that has conceived them ends by disowning them.”

“The romantic view of the natural world as a blissful Eden is only held by people who have no actual experience of nature. People who live in nature are not romantic about it at all. They may hold spiritual beliefs about the world around them, they may have a sense of the unity of nature or the aliveness of all things, but they still kill the animals and uproot the plants in order to eat, to live. If they don't, they will die.”

“The romantics were reacting against a modern culture that divided individuals from themselves (through specialisation in the division of labor), from others (the competitive market place) and from nature, which had been reduced down to a machine through technology. The antidote to such division is unity and wholeness, which means feeling at home again in the world.”