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T Quotes

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All T Quotes

“The rook is my favorite piece.’ she said. ‘It’s the one you think you don’t have to watch out for. It is straightforward. You keep your eyes on the queen, and the knight and the bishop, because they are the sneaky ones. But is the rook that often gets you. The straightforward is never quite what it seems.”

“The room behind me was dark. "Thief," intoned a lovely voice in the blackness. "You do know," Ianthe tittered from outside the cottage, her steps slowing into a walk, "that we'll have to kill whoever is inside there with you. Selfish of you, Feyre." I panted, holding the door open, making sure they couldn't see me on the other side. "You have seen my twin," the Weaver hissed softly- with a hint of wonder. "I smell him on you." Outside, Ianthe and the guard grew closer. Closer and closer. Somewhere deep in the room, I felt her move. Felt her stand. And take a step toward me. "What are you," the Weaver breathed. "Feyre, you can be quite tedious," Ianthe said. Right outside. I could barely make out her pale robes through the crack between the door and the threshold. "Do you think you can ambush us in there? I saw your shield. You're drained. And I do not think your glowing trick will help." The Weaver's dress rustled as she crept closer in the gloom. "Who did you bring, little wolf? Who did you bring to me?" Ianthe and her two guards stepped over the threshold. Then another step. Past the open door. They didn't see me in the shadows behind it. "Dinner," I said to the Weaver, whirling around the door- to it's outside face. And let go of the handle. Just as the door slammed shut hard enough to rattle the cottage, I saw the ball of faelight that Ianthe lifted to illuminate the room. Saw the horrible face of the Weaver, that mouth of stumped teeth opening wide with delight and unholy hunger. A death-god of old- starved for life. With a beautiful priestess before her. I was already hurtling for the trees when the guards and Ianthe began screaming.”

“The room filled with the smell of warming butter and sugar and lemon and eggs, and at five, the timer buzzed and I pulled out the cake and placed it on the stovetop. The house was quiet. The bowl of icing was right there on the counter, ready to go, and cakes are best when just out of the oven, and I really couldn't possibly wait, so I reached out to the side of the cake pan, to the least obvious part, and pulled off a warm spongy chunk of deep gold. Iced it all over with chocolate. Popped the whole thing into my mouth.”

“The room had been decked with late-blooming roses that cast up a sugary glasshouse scent. Yet amongst the profusion of china and silver, the atmosphere was one of flamboyance, rather than celebration. Mrs. Croxon announced that we should eat 'exactly the Bill of Fare as given by a most genteel Countess at Bath'. I had no appetite for sardines in mustard, creamed oats and kidneys, for I had a stomach full of butterflies, as my mother had called my fits of nerves.”

“The room hushed as Alim introduced the first course, and everyone cooed over their plates---fresh oysters in a pool of black squid ink bouillon, served on stark-white china with a sliver of pickled onion and a bright strip of shaved Scotch bonnet on top. There was a dash of black bouillon inside the oyster shell and a rocket flower on the side, delicate and white. Feyi sipped at the accompanying drink, an expensive champagne with pomegranate seeds in it.”

“The room shall speak, it must catch me up and hold me, I want to feel that I belong here, I want to hearken and know when I go back to the front line that the war will sink down, be drowned utterly in the great home-coming tide, know that it will then be past for ever, and not gnaw us continually, that it will have none but an outward power over us...Nothing stirs; listless and wretched, like a condemned man, I sit there and the past withdraws itself. And at the same time I fear to importune it too much, because I do not know what might happen then. I am a soldier, I must cling to that.”

“The room smelled of lemon wax and the perfume she wore, something delicate and unassuming, not truly mirroring the complex woman she was. She would wear something hinting of roses, or more exotic blooms, a scent that teased the senses. She hated the mirrors, so he had them removed. He found another desk in the attics, one more suited for a study, but she'd been overjoyed when first viewing it. There was enough space in the sitting room, and that's where it rested, beneath the window looking out over Huntly's glen. He wished this view of the lake. She would have liked the sight of the birds soaring over the trees or the pale light of dawn reflected in the water.”

“The room they had reached served as an impromptu drug-lounge in which a hundred naked addicts engaged in communal sex. One of them drew nearer and spontaneously relieved himself all over Aurora’s shoes. ‘You’re welcome,’ the addict said proudly, buttoning up his soiled jeans and walking away like a champ. A nearby woman saw the whole thing and smirked. ‘You’re one lucky lady, you know that?’ she smiled toothlessly. The remnants of today’s orgy were still visible in her mouth. ‘I wouldn’t piss on you if you were on fire.”

“The room was cavernous, divided into varied sections by high Moorish arches of a rusty peach, the ceiling of painted patterns set between strips of light blue wood. Bright colors everywhere, high curved windows bordered in violet, smaller windows inset with yellow and green stones and framed in aqua, banquettes upholstered in red and gold.”

“The room was curved, wide, and empty except for one enormous rock in the center. Easily twice Biddy's height, it glowed with faint green-gold shimmers beneath its smooth surface. She had seen that light before. Flashes of it in the old oak, when Rowan drew magic through the skin of the tree. And once, in the scrying glass, as a glow on the wall illuminating Rowan as he lay in enchanted sleep in an underground room. This was it, the room where Rowan had come to steal magic on the night he had nearly never come home. The vault, he had called it. The place where the Council hoarded its wealth like fairy gold.”

“The room was dark, though weak autumnal light filtered in through arched windows high on the walls, illuminating the room's rich aubergine brocade wallpaper. Its color cast a soft violet haze that floated through the bedroom, twinkling the huge diamond-shaped crystals that dropped from two immense, many-tiered silver chandeliers. They were larger than any I had ever seen, things out of a palace or a fairy tale. An imposing, heavily carved wardrobe, which looked as if it had been in place since the early fifteenth century, faced the bed where I lay. Beside it on the wall hung a large bronze shield with an iron French cross at its center, crowned by a gilded fleur-de-lis with a dazzling gemstone in the middle of the petal. Large portraits of nude ladies, odalisques that looked as if an Italian master- Titian, perhaps?- had painted them graced the adjacent wall. A heavy crystal vase of white long-stemmed roses sat on a table at the bedside, their petals tight, but their sweet perfume filling the air, mingling with the aroma of fresh baked bread. I ran my hands down my body. I was not in my own nightdress but in a pale green gown of fine quality damask silk with a triangular neckline and long, full sleeves that cupped my wrists, draping white lace over my hands to the fingers. I had never seen such a rich garment. I imagined it was something that the queen's daughters would have worn.”

“The room was full of law. Apparently somebody on Younger’s force had invited the state police to attend after all; the pack of technical men, with their cameras and chalk, powders and notebooks and little white envelopes, all seemed to professional, too sleek, too quiet and efficient to be any part of the local law. The local law was three dough-faced farm hands in rumpled blue uniforms, standing around the room looking for traffic to direct.”