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T Quotes

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All T Quotes

“The word itself has another color. It’s not a word with any resonance, although the e was once pronounced. There is only the bump now between b and l, the relief at the end, the whew. It hasn’t the sly turn which crimson takes halfway through, yellow’s deceptive jelly, or the rolled-down sound in brown. It hasn’t violet’s rapid sexual shudder or like a rough road the irregularity of ultramarine, the low puddle in mauve like a pancake covered in cream, the disapproving purse to pink, the assertive brevity of red, the whine of green.”

“The word landed with a stony thud Onto my still-beating breast. Nevermind, I was prepared, I will manage with the rest. I have a lot of work to do today; I need to slaughter memory, Turn my living soul to stone Then teach myself to live again. . . But how. The hot summer rustles Like a carnival outside my window; I have long had this premonition Of a bright day and a deserted house.”

“The word "lesson" came back to Pooh as one he had heard before somewhere. "There's a thing called Twy-stymes," he said. "Christopher Robin tried to teach it to me once, but it didn't." "What didn't?" said Rabbit. "Didn't what?" said Piglet. Pooh shook his head. "I don't know," he said. "It just didn't. What are we talking about?" "Pooh," said Piglet reproachfully, "haven't you been listening to what Rabbit was saying?" "I listened, but I had a small piece of fluff in my ear. Could you say it again, please, Rabbit?”

“The word "love" in its broadest sense embraces all that is good in this world: kindness, empathy, caring, compassion, generosity, cooperation, forgiveness, understanding, respect, appreciation, gratitude and sacrifice. Love is the great healing power in the world. When you make your life all about love, you will also find peace and contentment.”

“The word mantra comes from two Sanskrit words man, ("to think") and tra ("tool'). So the literal translation is "a tool of thought." And that's how mantras are used in Buddhist and Hindu practices, as tools that clear your mind of distractions. Because when you focus on repeating that mantra over and over again, soon the noise will die down and all you will hear is your inner voice.”

“The word "metaphor" means carrying something from one place to another . . . and it is when you describe something by using a word for something that it isn't. This means that the word "metaphor" is a metaphor. I think it should be called a lie because a pig is not like a day and people do not have skeletons in their cupboards. And when I try and make a picture of the phrase in my head it just confuses me because imagining and apple in someone's eye doesn't have anything to do with liking someone a lot and it makes you forget what the person was talking about.”

“The word "moral" must be repeated—not as rhetoric to match the claims of reaction but as the felt spiritual underpinnings of a new social vision. It must be repeated not as part of a patronizing sermon but as a living practice that people incorporate into their personal lives and their communities. The vacuity and triviality of life today must be filled precisely by those visionary ideals that sustain the human side of life as well as its material side, or else the coordinates by which the future should be guided will totally disappear in that commodity-oriented world we call the "marketplace of ideas." The more serious indecency of this "marketplace" is that these ideals will be turned into objects—mere commodities—that will lack even the value of things we need to sustain us. They will become the mere ornaments needed to garnish an inherently anti-human and anti-ecological society that threatens to undermine moral integrity as such and the simple social amenities that foster human intercourse.”

“The word "myth" can be most appropriately and simply defined as a story intended to convey some kind of timeless, sacred truth. Why use a story, instead of some other means, to convey what are perceived to be timeless, sacred truths? Stories engage more - and arguably deeper - parts of ourselves than bare, conceptual discourse usually does. They're more entertaining, and they can be more emotionally moving. They're not necessarily irrational - especially when one understands the basic assumptions of the worldview out of which they spring - but they are generally nonrational. They don't necessarily contradict a particular rational understanding of the world, but they're not concerned with the rational validity or lack thereof in what they purport to describe. They bypass reason altogether, for better or for worse. Rather than stating an idea and then arguing for why that is an accurate reflection of reality, stories go straight to the example, depicting the cosmos as seen through the lens of the idea. They show rather than tell. These factors make stories more persuasive than rational argument, for most people and as a general rule, which is most if not all societies have entrusted their core beliefs to myth more often than to rational argument.”

“The word nature has many senses; but if we preserve the one which etymology justifies, and which is the most philosophical as well, nature should mean the principle of birth or genesis, the universal mother, the great cause, or system of causes, that brings phenomena to light. If we take the word nature in this sense, it may be said that Lucretius, more than any other man, is the poet of nature. Of course, being an ancient, he is not particularly a poet of landscape. He runs deeper than that; he is a poet of the source of landscape, a poet of matter. A poet of landscape might try to suggest, by well-chosen words, the sensations of light, movement, and form which nature arouses in us; but in this attempt he would encounter the insuperable difficulty which Lessing long ago pointed out, and warned poets of: I mean the unfitness of language to render what is spatial and material; its fitness to render only what, like language itself, is bodiless and flowing,—action, feeling, and thought. It is noticeable, accordingly, that poets who are fascinated by pure sense and seek to write poems about it are called not impressionists, but symbolists; for in trying to render some absolute sensation they render rather the field of association in which that sensation lies, or the emotions and half-thoughts that shoot and play about it in their fancy. They become—against their will, perhaps—psychological poets, ringers of mental chimes, and listeners for the chance overtones of consciousness. Hence we call them symbolists, mixing perhaps some shade of disparagement in the term, as if they were symbolists of an empty, super-subtle, or fatuous sort. For they play with things luxuriously, making them symbols for their thoughts, instead of mending their thoughts intelligently, to render them symbols for things. A poet might be a symbolist in another sense,—if he broke up nature, the object suggested by landscape to the mind, and reverted to the elements of landscape, not in order to associate these sensations lazily together, but in order to build out of them in fancy a different nature, a better world, than that which they reveal to reason. The elements of landscape, chosen, emphasized, and recombined for this purpose, would then be symbols for the ideal world they were made to suggest, and for the ideal life that might be led in that paradise. Shelley is a symbolic landscape poet in this sense. To Shelley, as Francis Thompson has said, nature was a toy-shop; his fancy took the materials of the landscape and wove them into a gossamer world, a bright ethereal habitation for new-born irresponsible spirits. Shelley was the musician of landscape; he traced out its unrealized suggestions; transformed the things he saw into the things he would fain have seen. In this idealization it was spirit that guided him, the bent of his wild and exquisite imagination, and he fancied sometimes that the grosser landscapes of earth were likewise the work of some half-spiritual stress, of some restlessly dreaming power. In this sense, earthly landscape seemed to him the symbol of the earth spirit, as the starlit crystal landscapes of his verse, with their pensive flowers, were symbols in which his own fevered spirit was expressed, images in which his passion rested.”

“The word no is like an asset in a metaphorical bank account where our life’s energy is the holding. Use it to save, and use it to earn a greater sense of yourself, what’s important to you, and where you want to spend your time and energy.”

“The word normal would lose all of its meaning if it didn't have an opposite. And if there were no normal people, the world would probably fall apart - because it's normal people who take care of all the normal things like making sure there is food at the grocery store and delivering the mail and putting up traffic lights and making sure our toilets work properly and growing food on farms and flying airplanes safely and making sure the president of the United States has clean suits to wear.”

“The word NOTHING lacks comparison when there’s an absence of action. Nothing from nothing leaves nothing, as said by Billy Preston. Yet, the decision to do nothing can differ. Indicating that, once before in time, a decision was made in a similar scenario of some sort. Can we trust without comparison? A response from a friend suggested that because trust is debatably a natural instinct [similar to love] and comparison is not of the like, you can trust without comparison.”

“The Word of God and the doctrinal teaching of the Church are still heard, but souls that desire to turn toward God and to offer him the true sacrifice of praise and adoration are no longer impressed by liturgies that are too horizontal, anthropocentric, and festive, often resembling noisy, popular cultural events. The media have totally invaded the Mass and transformed it into a spectacle, when actually it is the Holy Sacrifice, the memorial of the death of Jesus on the Cross for the salvation of our souls. The sense of mystery disappears through changes, permanent adaptations that are decided on autonomously and individually so as to seduce our modern, profane mentalities that are marked by sin, secularism, relativism, and the rejection of God.”