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All T Quotes

“There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?”

“There were choices that we've made as a Little Dragon, that we had to make at the time because we needed the money. I think everything has its context. It is way easier to say no to things now then it was five years ago, for sure. Back then we were grabbing at every opportunity we could just to sustain a name and let people know, "Hello, hello! We're here! Look at us!" It's really sort of taken its time and grown, and it's been a very step-by-step process.”

“There were colored and white waiting rooms everywhere, from doctor's offices to the bus stations, as people may already know. But there were actually colored windows at the post office in, for example, Pensacola, Florida. And there were white and colored telephone booths in Oklahoma. And there were separate windows where white people and black people would go to get their license plates in Indianola, Mississippi. And there were even separate tellers to make your deposits at the First National Bank in Atlanta.”

“There were continual, background regrets, which repeated on multiple pages, 'I regret not staying in The Labyrinths, because I let down my brother.' 'I regret not staying in the Labyrinths, because I let down myself.' 'I regret not doing more for the environment.' 'I regret the time I spent on social media.' 'I regret not going to Australia with Izzy.' 'I regret not having more fun when I was younger.' 'I regret all those arguments with Dad.' 'I regret not working with animals.' 'I regret not doing Geology at University instead of Philosophy.' 'I regret not learning how to be a happier person.' 'I regret feeling so much guilt.' 'I regret not sticking at Spanish.' 'I regret not choosing science subjects in my A-levels.' 'I regret not becoming a glaciologist.' 'I regret not getting married.' 'I regret not applying to do a Master's degree in Philosophy at Cambridge.' 'I regret not keeping healthy.' 'I regret moving to London.' 'I regret not going to Paris to teach English.' 'I regret not finishing the novel I started at university.' 'I regret moving out of London.' 'I regret having a job with no prospects.' 'I regret not being a better sister.' 'I regret not having a gap year after university.' 'I regret disappointing my father.' 'I regret that I teach piano more than I play it.' 'I regret my financial mismanagement.' 'I regret not living in the countryside.”

“There were corporeal, psychic, and spiritual people. Somatics, psychics, and pneumatics, they called them, from the Greek. Equality goes against nature, however rightly one might strive toward it. Some are made of more earthly elements, and those people are thick, sensual, and non-creative. They are only good for listening. Others live with their hearts, their emotions, in bursts of the soul, and others still have contact with the highest spirit, distant from the body, free from affects, spacious inside. It is to this final group that God has access.”

“There were crooked photos on the wall of Della Lee as a child, with dark hair and eyes. Josey wondered when she started dyeing her hair blond. In one photo she was standing on top of a jungle gym. In another she was diving into the public pool from the high dive. She looked like she was daring the world to hurt her. Della Lee's bedroom at the end of the hall looked like something out of Josey's teenage dreams. Back then Josey had politely asked her mother if she could hang a poster or two, if she could have some colorful curtains or a bedspread with hearts on it. Her mother had responded with disappointment. Why would Josey ask for something else, as if what she had wasn't good enough? The heavy oak bed, the antique desk and the sueded chaise in Josey's room were all Very Nice Things. Josey obviously did not appreciate Very Nice Things. The walls in Della Lee's room were painted purple and there were sheet lavender curtains on the single window. A poster of a white Himalayan cat was taped on one wall, along with some pages torn out of fashion magazines. There was a white mirrored dresser that had makeup tubes and bottles littered across the surface. Some tote bags with names of cosmetic companies, like department store gifts with purchase, were stashed in the corner near the dresser.”

“There were days - she could remember this - when Henry would hold her hand as they walked home, middle-aged people, in their prime. Had they known at these moments to be quietly joyful? Most likely not. People mostly did not know enough when they were living life that they were living it. But she had that memory now, of something healthy and pure.”

“There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground. It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up. She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground. She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone. She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself. She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face. To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.”

“There were days when I still put on make up in case you’d come back, but I wear the same clothes and shower in the rain and eat when I can and sleep when I can, which is rare and not often, so if you’d see me now on these streets where I once imagined walking with you you’d have a hard time recognising me. I takes a lot to run away.”

“There were days when the saturation of death, and the realities of life, became too great. Days where I felt suffocated, heavy. I’d try to gasp for a breath, and I’d fail. Yet, just in the nick of time, I would somehow, once again, be resuscitated. The world grew dark, cold. A black cloud looming over everything that I saw. People evolved into monsters–caricatures, and EVERYTHING was frightening, everybody was a predator! The world transformed, and I would choke. Plumes of dust representing reality, as they sought an exit from my mouth, as I wheezed, and I gasped. Reality was choking me, saturating me with its heaviness. Control? None whatsoever. Not over things, not over people. No, that was Life’s illusion; control was the magic trick. The lack of control, I was truly speaking of, was the inevitable–death. The one thing that tied into everything, everyone. Every neurotic thought, every impulse. It was Death. The Random Act.”

“There were days when you peered into yourself, into the secret places of your heart, and what you saw there made you faint with horror. And then, next day, you didn't know what to make of it,you couldn't interpret the horror you had glimpsed the day before. Yes, you know what evil costs.”

“There were days, rainy gray days, when the streets of Brooklyn were worthy of a photograph, every window the lens of a Leica, the view grainy and immobile. We gathered our colored pencils and sheets of paper and drew like wild, feral children into the night, until, exhausted, we fell into bed. We lay in each other's arms, still awkward but happy, exchanging breathless kisses into sleep.”

“There were definitely scenes I struggled with more than others: the car accident and the thunderstorm are two that come to mind. It's difficult to write about a thunderstorm. There are only so many ways to describe it and our vocabulary is so limited. And the car accident scene required a tense, manic quality that had to be conveyed in the language, as well as the character's dialogue and actions. I was editing these scenes long after I thought I was finished with them.”

“There were details like clothing, hair styles and the fragile objects that hardly ever survive for the archaeologist-musical instruments, bows and arrows, and body ornaments depicted as they were worn... No amounts of stone and bone could yield the kinds of information that the paintings gave so freely”