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T Quotes

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All T Quotes

“Tom, don't let anybody kid you. It's all personal, every bit of business. Every piece of shit every man has to eat every day of his life is personal. They call it business. OK. But it's personal as hell. You know where I learned that from? The Don. My old man. The Godfather. If a bolt of lightning hit a friend of his the old man would take it personal. He took my going into the Marines personal. That's what makes him great. The Great Don. He takes everything personal Like God. He knows every feather that falls from the tail of a sparrow or however the hell it goes? Right? And you know something? Accidents don't happen to people who take accidents as a personal insult.”

“Tom Durrie (b. 1931) is a school critic, a nonagenarian giant, and a poster boy for longevity and vitality of a happy brain. His biography is rich beyond description, and reflects Durrie's infinite passion for life. His CV would suffice to fill in a few lifetimes, and is the best testimony that a rich and productive life is a self-sustaining process. Inspired by A.S. Neill (Summerhill 1960), Durrie found his own formula for free learning. Durrie has tried teaching in traditional and in alternative schools (for a sum total of over a decade). He was also a headmaster of a free school for a while. In 1966, the analysis of his teaching experience provides a unique insight into the impact of freedom on behavior and mental health of students. His text, published 54 years late (2020), can be found here: "Free learning in a public school". Durrie's three successful children received minimal schooling. None attended high school. Over decades of his analysis and interests, Durrie noticed cyclical processes, in which the school system tightens its grip on children and then enters a period of rebellion, and seeking new solutions only to fall back again into its hungry propensity for limiting child freedoms.”

“Tom felt his darkness. His father was beautiful and clever, his mother was short and mathematically sure. Each of his brothers and sisters had looks or gifts or fortune. Tom loved all of them passionately, but he felt heavy and earth-bound. He climbed ecstatic mountains and floundered in the rocky darkness between the peaks. He had spurts of bravery but they were bracketed in battens of cowardice.”

“Tom followed her gaze. Above them, the narrow ribbon of sky was starting to show the first signs of dawn. Out of the London smoke, it came-- blush pink, absinthe green, ice blue, lemon yellow--- 'That isn't the dawn,' said Tom. And now through the colors, Tom thought he could see figures and patterns against the sky: patterns like magic lantern shapes against a screen of vibrant silk. The Daylight Folk.”

“Tom grabbed his arm and pointed gasping, at the dime-store window. They stood there, unable to move because of the things from another world displayed so neatly, so innocently, so frighteningly, there. ‘Pencils, Doug, ten thousand pencils!‘ ‘Oh, my gosh!‘ ‘Nickel tablets, dime tablets, notebooks, erasers, water colors, rulers, compasses, a hundred thousand of them!‘ ‘Don‘t look. Maybe it‘s just a mirage.”

“Tom Hanks was really great [the 'Burbs']. The director, Joe Dante, was wonderful. We filmed it here during the summer, every day at Universal. Even the food was good - I mean it was junk but it was really good. The whole thing was like some ideal summer-school experience. It may not have been the best movie ever, but it was certainly the most fun.”

“Tom Hart, David Lasky, Ed Brubaker, Megan Kelso, Julie Doucet. These people lived comics. The people in Seattle got together every week to draw and critique each other's work. Outside of art school, I never did that. When I came back from that trip, I had a physical, palpable sense of being self-conscious. It was the first time I'd drawn where I was like, "Holy cow, people are going to read this. They're going to like it, or they might not like it. Maybe I really should make my drawings a little more solid, or really think about what I'm doing. Maybe this shouldn't be so sloppy."”

“Tom has been having a difficult patch, and we meet at the church of IKEA as often as possible, because it is equidistant from our houses and always cheers us up. Yesterday I asked, 'In your depression, and with so many people having such a hard time, where is Advent?' He tried to wiggle out of it by saying, 'You Protestants and your little questions!' Then, when pushed, he said: 'Faith is a decision. Do we believe we are ultimately doomed and fucked and there's no way out? Or that God and goodness make a difference? There is heaven, community, and hope - and hope that there is life beyond the grave.' 'But Tom, at the same time, the grave is very real, dark and cold and lonely.' 'Advent is not for the naive. Because in spite of the dark and cold, we see light - you look up, or you make light, with candles, or with strands of lightbulbs on trees. And you give light. Beauty helps, in art and nature and faces. Friends help. Solidarity helps. If you ask me, when people return phone calls, it's about as good as it gets. And who knows beyond that.”

“Tom hired more female journalists than male ones. Tom was a strange hybrid feminist, behaviorally beyond reproach but conceptually hostile. "I get feminism as an equal-rights issue," he'd said to her once. "What I don't get is the theory. Whether women are supposed to be exactly the same as men, or different and better than men." And he'd laughed the way he did at things he found silly, and Leila had remained angrily silent, because she was a hybrid the other way around: conceptually a feminist but one of those women whose primary relationships had always been with men and who had benefited professionally, all her life, from her intimacy with the. She'd felt attacked by Tom's laughter, and the two of them had been careful never to discuss feminism again.”

“Tom Paine generally took a critical stance when dealing with religion and the church, but in 1775, in an essay entitled, "Thoughts on Defensive War" he wrote as follows: "In the barbarous ages of the world, men in genernal had no liberty. the strong governed the weak a will; till the coming of Christ there was no sucht thing as political freedom in any part of the world... The Romans held the world in slavery and were themselves slaves of their emperors... Wherefore political as well as spiritual freedom is the gift of God through Christ”

“Tom Paine was a great American visionary. His book, Common Sense, sold a couple of hundred thousand copies in a population of four or five million. That means it was a best seller for years. People were thoughtful then. Hope is one thing. But you need to have hope with thought.”

“Tom prilikom Kafka mi reče: "Vi opisujete pesnika kao nekog čudesno velikog čoveka čije noge su na zemlji dok mu glava nestaje u oblacima. To je, prirodno, sasvim uobičajena slika u okviru malograđanskih konvencionalnih predstava. To je iluzija, proizišla iz skrivenih želja, a koja nema ničeg zajedničkog sa stvarnošću. U stvarnosti je pesnik uvek manji i slabiji od društvenog proseka. Otuda on oseća teret zemaljskog postojanja intenzivnije i jače nego drugi ljudi. Njegova pesma je za njega samo krik. Umetnost je za umetnika patnja putem koje on sebe oslobađa za novu patnju. On nije nikakav div, nego je tek više ili manje živopisna ptica u kavezu svoje egzistencije.”

“Tom Pritscher, a Meta-Hermeneutical Master, inventively explains that when you have suffered trauma, you suffer tears in the fabric of your existence. I see these as holes in your subtle bodies, for example in your Etheric or Astral bodies. Music can create a mesh on which can be woven the warp and weft of etheric filaments in order that the holes in the fabric of your subtle bodies can be repaired. Recall too, that as a multi-dimensional being, you must repair tears that exist in all the dimensions of your existence. The Humanity Healing Network advises that you clear and/or remove any extra, hidden, hiding or multiple souls present within the etheric bodies of each parallel life in order to ensure that your One Original Soul Essence resides in each physical body. You must release all merging soul extensions to their proper time and space continuum.”

“Tom Pritscher, a Meta-Hermeneutical Master, inventively explains that when you have suffered trauma, you suffer tears in the fabric of your existence. The author sees these as holes in your subtle bodies, for example in your Etheric or Astral bodies. Music can create a mesh on which can be woven the warp and weft of etheric filaments in order that the holes in the fabric of your subtle bodies can be repaired. Recall too, that as a multidimensional being, you must repair tears that exist in all the dimensions of your existence.”

“Tom Regan’s now classic Case for Animal Rights blends careful argument with intense moral concern. For two decades, where Regan has been taken seriously, animals have been better off and people have become better persons. This new edition is a welcome sign of this influence continuing.”

“Tom said, looking at Cassandra, “I live at Hyde Park Square. We could live in that one if you like it. But it would be an easy matter to move to one of the others, if you would prefer.” Cassandra blinked in confusion. “You have more than one house?” “Four,” Tom replied in a matter-of-fact tone. Seeing her expression, he appeared to realize how odd she found it, and continued more cautiously, “I also have a few undeveloped residential lots in Kensington and Hammersmith, and recently I acquired an estate in Edmonton. But it would be impractical to live that far from my offices. So … I thought I might turn that one into a town.” “You’re going to start a town?” Kathleen asked blankly. “For the love of God,” West said, “don’t name it after yourself.”

“Tom said to himself that it was not such a hollow world, after all. He had discovered a great law of human action, without knowing it -- namely, that in order to make a man or a boy covet a thing, it is only necessary to make the thing difficult to attain. If he had been a great and wise philosopher, like the writer of this book, he would now have comprehended that Work consists of whatever a body is obliged to do, and that Play consists of whatever a body is not obliged to do. And this would help him to understand why constructing artificial flowers or performing on a tread-mill is work, while rolling ten-pins or climbing Mont Blanc is only amusement. There are wealthy gentlemen in England who drive four-horse passenger-coaches twenty or thirty miles on a daily line, in the summer, because the privilege costs them considerable money; but if they were offered wages for the service, that would turn it into work and then they would resign.”

Author:Mark Twain