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T Quotes

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All T Quotes

“The brightest of all nightscapes is to be found when a full moon shines on winter mountains. Such a landscape offers the maximum reflection, being white, planar, tilted and polished. The only difficulty for the night-walker comes when you move into the moon-shadow of a big outcrop, or through a valley, where moon-shadow falls from all sides and the valley floor receives almost no light at all. The steep-sidedness of the valley is exaggerated: you have the sensation of being at the bottom of a deep gorge, and you long to reach the silver tideline of the moonlight again.”

“The Brightness of her cheek would shame those stars as daylight doth a lamp; her eyes in heaven would through the airy region stream so bright that birds would sing, and think it were not night.”

“The Brightwood Stillness is a novel I could not put down. On the surface, it is the lives of normal people in trying circumstances. Deeper, it is an uncannily perceptive exploration of male psychology… Pomeroy is a brave new voice capable of taking us beyond the clichés of war and its aftermath and into the secret heart of every man. This is simply the best novel I’ve read in a long time.”

“The brilliance here is appropriation: space, form and interface combine to create a Jetsons sound machine. A dream of music access that just hovers, its floating defines a space. The shape seems so obviously sci-fi, but fresh. The function could follow the form. The shape is beautiful and functional-which hits both of the pillars of American Needs right on the head.”

“The brilliance of objectification as a strategy of dominance is that it gets the woman to take the initiative in her own degradation (having less freedom is degrading). The woman herself takes one kind of responsibility absolutely and thus commits herself to her own continuing inferiority: she polices her own body; she internalizes the demands of the dominant class and, in order to be fucked, she constructs her life around meeting those demands. It is the best system of colonialization on earth.”

“The brilliance of objectification as a strategy of dominance is that it gets the woman to take the initiative in her own degradation (having less freedom is degrading). The woman herself takes one kind of responsibility absolutely and thus commits herself to her own continuing inferiority: she polices her own body; she internalizes the demands of the dominant class and, in order to be fucked, she constructs her life around meeting those demands. It is the best system of colonialization on earth: she takes on the burden, the responsibility, of her own submission, her own objectification.”

“The brilliance of this system (creating entire ecosystems of products) is that it often feels entirely organic, like a subliminal hum that vibrates just below the threshold of conscious awareness. Gradually and imperceptibly, our understanding of identity has been subtly rewritten by the invisible hand of the marketplace. Every scroll and click is another lesson in this new language of identity, where being has been replaced by buying. The most innocuous consequence would be simply purchasing a pile of rubbish you don’t actually need. But the effects of these new market-driven social norms can reach beyond your wallet, burrowing deep into your sense of self.”

“The brilliant costume designer Mary Zorphres had done all this research on West Texas in 1980. Every woman looked like that. At a certain age, they would get their hair cut off, let the gray go in, get that permanent, and wear those big glasses. She gave me a beanie bra so my boobs would hang down, and these old dresses. My hat's off to her, because I thought it was perfect for the movie. It was so great to have some comic relief right at that moment. No Country For Old Men is such an intense film.”

“The brilliant creative core of capitalism ... is the story the entrepreneurs and capital investors tell themselves about the future. How they intend to alter it, what they expect to gain in return, where they will raise the capital to accomplish their vision. Many of their stories turn out to be flawed or mistaken, of course, but the capacity to envision a set of future events and then act to fulfill them is a central source of capitalism's strength and its dominance of society.”

“The brisk night had put a good chill into the concrete floor, and Mussolini’s corpse had stayed nice and cool throughout the night. His decomposition state had been arrested, and all the flies had flown away to other places. After two men dug his grave the next morning, they buried Benito Mussolini in the Musocco Cemetery on the north side of town. — Watering Cans”