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W Quotes

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All W Quotes

“Writing a decade later, in the essay 'Experience and Poverty' of 1933, Benjamin, unsurprisingly, saw the phenomenon differently: 'A generation that had gone to school in horse-drawn streetcars now stood in the open air, amid a landscape in which nothing was the same except the clouds and, at its center, in a force field of destructive torrents and explosions, the tiny, fragile human body. With this tremendous development of technology, a completely new poverty has descended on humankind. And the reverse side of this poverty is the oppressive wealth of ideas that has been spread among people, or rather has swamped them entirely - ideas that have come with the revival of astrology and the wisdom of yoga, Christian Science and chiromancy, vegetarianism and gnosis, scholasticism and spiritualism. For this is not a genuine revival but a galvanization.' If Kracauer maintains the idealist notion that 'concrete communal forms' might arise as the reflection of ideas emanating from a generalized national spirit, Benjamin suggests that the unceasing profusion of this 'wealth of ideas' would actually 'swamp' people - and that a new experiential poverty or constructive divestiture is actually the only appropriate response to the times.”

“Writing a diary every evening before going to bed is a good habit. We can record in the diary how much time we have devoted to our spiritual practice. The diary should be written in a way that helps us see our mistakes and correct them. It should not be a mere document of other peoples' faults or our daily transactions.”

“Writing a film - more precisely, adapting a book into a film - is basically a relentless series of compromises. The skill, the "art," is to make those compromises both artistically valid and essentially your own. . . . It has been said before but is worth reiterating: writing a novel is like swimming in the sea; writing a film is like swimming in the bath.”

“Writing a first draft is like groping one's way into a dark room, or overhearing a faint conversation, or telling a joke whose punchline you've forgotten. As someone said, one writes mainly to rewrite, for rewriting and revising are how one's mind comes to inhabit the material fully.”

“Writing a good song is not mimicry, replication, or pastiche; it is the opposite. It is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult the artist beyond the limits of what they recognize as their known self. This is part of the authentic creative struggle that precedes the invention of a unique lyric of actual value; it is the breathless confrontation with one’s vulnerability, peril, and smallness, pitted against a sense of sudden, shocking discovery. It is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes their own blood, struggle, and suffering in the inner workings of the song.”

“Writing a memoir is a holistic method of learning and healing by placing responsibility for personal transformation on the spiritual authority of the self. Writing a person’s life story is useful to gain a comprehensive understanding regarding a person’s maturation, distinctive stages of personal development, and the influences provided by their family and society. The writing processes also serves as a catharsis for painful personal events that a person seeks to integrate into their transmuting being. Writing our personal story, we discover new dimensions of our being.”

“Writing a novel is a very hard thing to do because it covers so long a space of time, and if you get discouraged it is not a bad sign, but a good one. If you think you are not doing it well, you are thinking the way real novelists do. I never knew one who did not feel greatly discouraged at times, and some get desperate, and I have always found that to be a good symptom.”