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“You know, the primary process itself is very confusing. But in the end, I guess I believe what Winston Churchill said, which is that democracy is the worst form of government except for all the others. And that phrase of his, which I always have previously thought to be kind of acute, more recently I've thought of it in this way, to say well, you know what, he's also saying it's the worst form of government - except for all of the others.”

“You know, the smallest thing can change a life. In the blink of an eye, something happens by chance - and when you least expect it - since we’re on a course that you could have never planned, into a future you never imagined. Where will it take you? That’s the journey of our lives: our search for the light. But sometimes, finding the light means you must past through the deepest darkness.”

“You know, the standard state for people is 'mildly pleasant.' Negative emotions are quite rare, and extremely positive emotions are rare. But people are mildly pleased most of the time, they're mildly tired a lot of the time, and they wish they were somewhere else a substantial part of the time - but mostly they're mildly pleased.”

“You know, the technology was at the right place for us to build this world. The most difficult thing about doing The Croods was no doubt the building of the world. Every single thing in this film is organic. Organic things are tough. Very very labour intensive. And we have no man-made structures. You could argue that everything in this film is really an exterior. Even the interiors of the cave are exteriors. So building this world was the biggest thing of all, and the technology was there to do it.”

“You know, the truth is that right after 9/11, I had a (flag) pin. Shortly after 9/11, particularly because as we're talking about the Iraq war, that became a substitute for, I think, true patriotism, which is speaking out on issues that are of importance to our national security, I decided I won't wear that pin on my chest.”

“You know, there are a lot of directors, like Clint Eastwood (on Changeling) is one where he casts you and you know in many ways that's enough for him and so, you go, ok, well, he saw something. Ok, what is it that he saw? What is it that I brought to this and why am I right for this and not trying to double-guess it and get in your own way and get psyched out, 'cause he trusts so much.”

“You know, there are good reasons to learn how to read. Poetry isn't one of them. I mean, so what if two roads go two ways in a wood? So what? Who cares if it made all that big a difference? What difference? And why should I have to guess what the difference is? Isn't that what he's supposed to say? Why can't poets just say what they want to say and then shut up?”