“The wonderful thing about Food for Thought is that it lets you keep your hand in theater and be in front of a live audience without a commitment of six months, or even three months.” HandsThreeAudienceWonderfulFrontsMonthsSixCommitmentTheaterWonderful ThingsSix MonthsThree Months Author:Treat Williams
“I've never seen a performer create electricity with an audience like James Brown. He's got everybody in his hands and whatever he wants to do with them, he does it. It's amazing. I've always thought he was underrated.” WantDoeHandsAudienceBrownPerformersElectricityUnderrated Author:Michael Jackson
“That the sweetly intoxicating three-four rhythm which took hold of hand & foot, necessarily eclipsed great & serious music & made the audience unfit for any intellectual effort goes without saying.” MadeHandsThreeEffortAudienceFourFeetSeriousIntellectualRhythm Author:Eduard Hanslick
“Lange was hosting a reception at Vogel House for the Chinese politician Hu Yao Bang when the lights went out. Lange immediately asked all the guests to raise their hands because "many hands make light work." The audience complied, and to their amazement the lights immediately came back on. Lange was invited to visit China.” HandsLightHouseAudiencePoliticianRaisesChinaChineseGuestsInvitedBangsAmazementReceptionMany Hands Author:David Lange
“The drama is not a mere copy of nature, not a facsimile. It is the free running hand of genius, under the impression of its liveliest wit or most passionate impulses, a thousand times adorning or feeling all as it goes; and you must read it, as the healthy instinct of audiences almost always does, if the critics will let them alone, with a grain of allowance, and a tendency to go away with as much of it for use as is necessary, and the rest for the luxury of laughter, pity, or poetical admiration.” IfsDoeUseFeelingsHandsRunningAudienceGeniusHealthyDramaThousandLaughterMereInstinctCriticsPassionateWitImpressionPityTendenciesLuxuryImpulseGoing AwayAdmirationCopiesGrainAllowance Author:Leigh Hunt
“I come out before an audience and maybe my house burned down an hour ago, maybe my husband stayed out all night, but I stand there. ... I got them with me, right there in my hand and comfortable. That's my job, to make them comfortable, because if they wanted to be nervous they could have stayed home and added up their bills.” IfsHomeHandsWantedJobsNightHouseHoursAudienceHusbandComfortableBillsNervousMy HusbandBurnedAll Night Author:Fanny Brice
“An audience of twenty thousand, sitting on its hands, could not have produced such an echoing silence.” HandsSilenceAudienceThousandSittingTwenties Book:The Mask of Apollo Source: The Mask of Apollo
“There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counter-balance: the freedom of the press to say that there's anything conceivably damaging in these films - the freedom to analyze their implications. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?” PeopleIfsWantBelieveUseHandsSeemsFilmTalkingAudienceViolenceGoes OnBalanceDirectorsPressesDon't BelieveDenyAssumptionMovieCensorshipOffendedImplicationsBrillianceBrutalityThugFreedom Of The PressDazzling Author:Pauline Kael
“I have a really good idea for a novel and would like to just kind of try my hand at fiction. I'm starting to kind of get a really good body of work going from a literary standpoint. As long as the audience is there, man, I'll keep cranking them out.” MenTryingKindLongIdeasBodyHandsFictionNovelAudienceStartingGood IdeasStandpoint Author:Corey Taylor
“(Five) thinkers since Galileo, each informing his successor of what discoveries his own lifetime had seen achieved, might have passed the torch of science into our hands as we sit here in this room. Indeed, for the matter of that, an audience much smaller than the present one, an audience of some 5 or 6 score people, if each person in it could speak for his own generation, would carry us away to the black unknown of the human species, to days without a document or monument to tell their tale.” PeopleIfsHumansPersonsMatterHandsMightSpeakBlackRoomsAudienceFiveGenerationsDiscoveryLifetimeSpeciesTalesScoreThinkerDocumentsMonumentTorchesSuccessorsHuman SpeciesInforming Book:William James: Essays and Lectures Source: William James: Essays and Lectures
“I can sustain the impetus over the long tours we do is by feeding off the energy that we get back from an audience. That's my fuel. All i've got is this burning energy, especially when i've got a guitar in my hands.” LongI CanHandsEnergyAudienceGuitarBurningFuelGet BackFeedingImpetus Author:Keith Richards
“When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.” WorldWantTryingFirstsKindCharacterHandsFilmDesireThreeProcessNaturalSpaceAudiencePerspectiveWalkingIllusionStorytellingFilmmakingExtensionsAlways TryingBelievable Author:Rob Minkoff
“I love it all. I don't want to go through my career with one hand tied behind my back. I love making kids happy. I love the midnight audience. I like intense dramas. And I like high-adrenaline action films.” WantHandsKidsActionFilmBehindsCareersAudienceDramaIntenseTiedMidnightAdrenalineLove MakingAction FilmsBehind My BackHands Tied Author:Nicolas Cage
“The iPod is clearly a tipping point (and I'm not quite sure it is a wholly positive development), because it is a revolution in the way that we consume creative property, which I would call art. It has radically changed the relationship between the artist and the audience, how money changes hands, and how much money changes hands. Music was the first, and books are coming next. The Kindle or some form of electronic book is clearly inevitable, and it will massively reshape how books are sold, who pays for them, and how they're consumed. It is going to be really fascinating.” WayFirstsArtBookHandsFormArtistNextPayAudienceCreativeChangedRevolutionDevelopmentPropertyInevitableFascinatingConsumedIpodsKindlesTippingTipping Point Author:Malcolm Gladwell
“Obviously the role of comics is changing very fast. On the one hand, comics are widely accepted and taken seriously. On the other hand, the mass media is disintegrating, and audiences are atomizing. I suspect comics will have less widespread cultural impact and make a lot less money.” HandsRolesAudienceTakenMediaMassImpactAcceptedSuspectsMass Media Author:Bill Watterson
“It [moviemaking] is about entertaining audiences with great characters and great stories, you want to make people laugh, you want to make people cry, you want to have great music that is memorable. You want a movie that, as soon as it's over, you want to watch it again, just like that. That's what it is, whether it's live-action, animation, hand drawn, computer, special effects, puppet animation, it doesn't matter. That's the goal of a filmmaker.” PeopleWantMatterCharacterStoriesHandsActionGoalWatchesAudienceLaughingSpecialEffectsCryComputerMemorableFilmmakerOver YouEntertainingAnimationMaking People LaughPuppetsGreat MusicGreat CharacterSpecial Effects Author:John Lasseter
“I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.” TryingFactsHandsAbleEnjoySimpleAbilityRoomsAudienceFrontsSceneLaughterHarderCamerasPartnersFreakTimingDisbeliefEditsSuspensionControl FreakSuspension Of Disbelief Author:Jonathan Groff
“I like confounding expectations. I can expand what it is I am able to do, and hopefully get to do more weird, interesting projects like this. There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone. And how the audience perceives that... It's out of my hands. And I don't get that frustrated by it, because I'm on to the next thing at that point.” WantI CanHandsAbleNextStuffInterestingAudienceComedyComfortProjectsExpectationsHopefullyPerceiveZoneFrustratedComfort ZoneConfounding Author:Patton Oswalt
“Try not to pay attention to those who will try to make life miserable for you. There will be a lot of those-in the official capacity as well as the self-appointed. Suffer them if you can't escape them, but once you have steered clear of them, give them the shortest shrift possible. Above all, try to avoid telling stories about the unjust treatment you received at their hands; avoid it no matter how receptive your audience may be. Tales of this sort extend the existence of your antagonists.” IfsGivingTryingWellsMaySelfMatterStoriesHandsSufferingPayExistenceAttentionAudienceClearCapacityTalesMiserablePay AttentionOfficialsTreatmentUnjustTelling StoriesReceptiveAntagonist Author:Joseph Brodsky
“By nature, an auction is kind of a wholesale beast anyway. You're buying second hand goods, even with the historical, antique or aesthetic value. You look to get the wholesale price and you hope for retail spikes periodically when you get two or three people in the audience that want the same thing.” PeopleWantLooksKindTwoHandsValuesThreeAudienceHistoricalBeastBuyingGoodsAestheticAntiquesRetailSecond HandWholesaleAuctions Author:Paul Brown
“To sing is to praise God and the daffodils, and to praise God is to thank Him, in every note within my small range, and every color in the tones of my voice, with every look into the eyes of my audience, to thank Him. Thank you, God, for letting me be born, for giving me eyes to see the daffodils lean in the wind, all my brothers, all my sisters, for giving me ears to hear crying, legs to come running, hands to smooth damp hair, a voice to laugh with and to sing with...to sing to you and the daffodils.” GivingLooksHandsEyeRunningVoiceBornAudienceLaughingCryColorBrotherWindHairEarsPraiseNotesLegsRangeToneMy BrotherMy SisterSmoothDampPraise GodThank You GodDaffodil Book:DAYBREAK Source: DAYBREAK