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“If you look back to the anti-intervention movements, what were they? Let's take the Vietnam War - the biggest crime since the Second World War. You couldn't be opposed to the war for years. The mainstream liberal intellectuals were enthusiastically in support of the war. In Boston, a liberal city where I was, we literally couldn't have a public demonstration without it being violently broken up, with the liberal press applauding, until late 1966.”

“I was talking to a friend of mine who's a teacher in Iowa and, you know, she teaches kids - English is their second language, and they're scared that they're going to get sent home, their family's going to get broken up. Regardless of whether [Donald Trump] does it or not, whether it's true or not, the rhetoric creates a climate of fear and tension, and that's not good for the country.”

“MAD FREE is simply described as "Liberating Conversations with Revolutionary Women about Beauty, Image and Power". It began as a Salon series in NY loft in Brooklyn as a salve to my broken heart after Honey Magazine folded. It was not because of the readership or because the market wasn't there; the company that held it collapsed, which I was the last editor in chief of.”

“For children, the era of mass incarceration has meant a tremendous amount of family separation, broken homes, poverty, and a far, far greater level of hopelessness as they see so many of their loved ones cycling in and out of prison. Children who have incarcerated parents are far more likely themselves to be incarcerated.”

“Philip Glass, like [Virginia] Woolf, is more interested in that which continues than he is in that which begins, climaxes, and ends... Glass and Woolf have both broken out of the traditional realm of the story, whether literary or musical, in favor of something more meditative, less neatly delineated, and more true to life. For me, Glass [finds] in three repeated notes something of [a] rapture of sameness.”

“What sort of love is this love that we have for countries? What sort of country is it that will ever live up to our dreams? What sort of dreams were these that have been broken? Isn't the greatness of great nations directly proportionate to their ability to be ruthless, genocidal? Doesn't the height of a country's 'success' usually also mark the depths of its moral failure?”

“In the fall literally everything is broken. Nothing on this planet works. Every body is broken, none of our bodies works perfectly. Every relationship is broken. The weather is broken. I don't have a problem with hurricanes. Nothing works on this planet. This is not heaven, this is Earth and that is why we are to pray thy will be done on Earth as it is in heaven. Why? Because God's perfect will is done perfectly in heaven. So I am to pray that done here.”

“The Bible portrays God as entering into covenants with people which, when broken, causes him grief and sorrow. The biblical prophet Hosea and God's using him as an illustration of how much Israel's idolatry costs God emotionally points to God's vulnerability. But also the incarnation of God in Jesus Christ who, even as God the Son, suffered for our sins, points to God's vulnerability.”

“[Dario Argento] speaks very broken English - he's Italian, so I'm going to do a very bad Italian impersonation - but he asked me my name, and I told him, and he goes, "Walk across the room." He looked at me, and he said, "Do you want to be in my movie [Two Evil Eyes]?" I was, like, "Yeah! Yeah, I do!"He goes, "Okay! You play Betty!" And I was, like, "Oh, I'm playing an extra named Betty! Great!" So we walked out, thinking that I was playing an extra named Betty, no lines, just background.”

“That is something I try to stress to the wrestlers nowadays - there is an epidemic of spot monkeys in the business. They often are so concerned with the fans' reactions that they're willing to kill themselves, while I am trying to help them move past that. It is not about the move, it's about the moment you create, and that's what I'm doing through my broken brilliance.”

“It always felt like the price of being a writer was that you would - even in the most terrible moments, there was a little phantom version of you sitting on your shoulder with a notebook going, I can use this. OK, look at the way that the light is glinting off the broken plastic on the road next to the blood. You can use this. And it was always a very strange feeling.”

“One of the ongoing crises in America is institutional racism. We have a very broken criminal justice system. We live in a country where there are more people in jail than any other country on Earth. There are some 2.2 million people currently incarcerated and they are disproportionally African American and Hispanic. Unarmed African Americans have been abused and sometimes killed while in police custody. Clearly these are issues that must be dealt with and changed.”

“The great thing about fiction is that I don't have to settle on an answer to any troubling question, or even a solution. I hope that my stories serve as explorations and help show readers how and why real-life women don't always make the "correct" decisions in the face of economic and sexual troubles. We all screw up, but the women I write about don't have back-up plans or money in the back or resources to fix what they have broken.”

“Generally people are afraid. They pretend they aren’t; it’s part of the denial. We’re all part of it. As much as we pretend otherwise, we want what’s comfortable, and we’re afraid of the different. We’re afraid of change. It happened in Los Angeles, too, when the first models of Disney Hall were shown. You should have heard the outcry from the public, critics and press. It was called “broken crockery,” “outlandish” and blah blah blah. Of course now the feeling is different.”

“I've never heard a White House staff say that the president was too stupid or too ill-informed to have broken the law. And that's really what it comes down to. The truth is, he leaked highly classified information that he shouldn't have leaked. It's one thing to say, "Hey, I'm the president. Nobody can punish me for that." It's another thing entirely to just deny that he did it. We know that he did it. And he really ought to own up to it.”

“Trump has not masked who he is. Trump has not behaved like the Democrats do. He does not go out and camouflage. He doesn't present a side of him that isn't real. He doesn't lie to people about what he believes. Although he has broken a serious promise. And he's got some immigration people that voted for him that are a little angry about that. That must be mentioned. But other than that, Trump voters know Trump is who he is. He doesn't act, he doesn't put on a front, he doesn't make up things - as opposed to the Democrats who can't be honest about who they are.”

“When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.”

“Have we not come to such an impasse in the modern world that we must love our enemies - or else? The chain reaction of evil - hate begetting hate, wars producing more wars - must be broken, or else we shall be plunged into the dark abyss of annihilation.”