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Collaborators Quotes

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Collaborators Quotes

“In the high school classroom you are a drill sergent, a rabbi, a shoulder to cry on, a disciplinarian, a singer, a low-level scholar, a clerk, a referee, a clown, a counselor, a dress-code enforcer, a conductor, an apologist, a philosopher, a collaborator, a tap dancer, a politician, a therapist, a fool, a traffic cop, a priest, a mother-father-brother-sister-uncle-aunt, a bookeeper, a critic, a psychologist, the last straw.”

“Our intellect is not the most subtle, the most powerful, the most appropriate, instrument for revealing the truth. It is life that, little by little, example by example, permits us to see that what is most important to our heart, or to our mind, is learned not by reasoning but through other agencies. Then it is that the intellect, observing their superiority, abdicates its control to them upon reasoned grounds and agrees to become their collaborator and lackey.”

“[Concerning] the usual contempt with which an orthodox analytic group treats all outsiders and strangers ... I urge you to think of the young psychoanalysts as your colleagues, collaborators and partners and not as spies, traitors and wayward children. You can never develop a science that way, only an orthodox church.”

“Now most people do not want an ordinary life in which they do a job well, earn the respect of their collaborators and competitors, bring up a family and have friends. That's not enough any more, and I think that is absolutely tragic - and I'm not exaggerating - that people feel like a decent, ordinary, fun life is no longer enough.”

“British rule depends upon repression and collaboration and the Irish people should recognise that those who collaborate with Britain in exchange for a slice of the cake will implement British policy and remain silent when Irish people are murdered and oppressed. It is they who are responsible for prolonging the war in Ireland. Without the quislings, without the collaborators, we would already have reached freedom.”

“Nonviolence seeks to ‘win’ not by destroying or even by humiliating the adversary, but by convincing [the adversary] that there is a higher and more certain common good than can be attained by bombs and blood. Nonviolence, ideally speaking, does not try to overcome the adversary by winning over [them], but to turn [them] from an adversary into a collaborator by winning [them] over.”

“With the exceptional talent that is Guy Sigsworth as producer and collaborator, we have recorded a collection of original songs that sees me moving away from a generic line up and back into the world of a programmer. Born of reconstructed improvisation I like to think of it as Prog-Pop, but I also like to think of big dogs as small horses. So don’t hang on to that thought long. Unless, of course, you think it astute of me in which case I am right”

“God is at the tip of our scalpels, our screwdrivers, our computer terminals, our dust rags, our vacuum cleaners, our pencils and pens. He is with us in our wheelchairs, or on our hospital beds, when all we can do is sit or lie flat. When we envision Him and His purpose in what we do, then we begin to grow aware of His presence in the middle of it. We are able to engage in our inward conversation with Him as we work, naturally, without strain. He becomes our partner, our collaborator.”

“The last collaborator is your audience ... when the audience comes in, it changes the temperature of what you've written. Things that seem to work well -- work in a sense of carry the story forward and be integral to the piece -- suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.”

“With every script, I write a note to my collaborator that says: 'I write full script. But see it as a guide. You take us where we need to go any way you see fit. I tried to write something specifically for you. If you agree with my choices, fine. If not, you do what you have to do.'”

“A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it.”