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Comfortable Quotes

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Comfortable Quotes

“The main reason for civilization is that life is more comfortable. In a way, houses are there to protect us from rain, cold, and heat; cars are there to overcome distances. Culture is the exception. Music, art, and all of the different cultural expressions are not going in that direction. They're not about comfort; they're about understanding each other.”

“As a Black lesbian feminist comfortable with the many different ingredients of my identity, and a woman committed to racial and sexual freedom from oppression, I find I am constantly being encouraged to pluck out some one aspect of myself and present this as the meaningful whole, eclipsing or denying the other parts of self. But this is a destructive and fragmenting way to live.”

“When I was overweight and unhappy, I thought about being smaller, I thought about fitting into different clothes and feeling comfortable in any environment or social situation. But I didn't do anything about it. I was letting myself fall victim to not planning, not clarifying steps to reach my goals. Don't go on just wanting something. Start consciously planning where you want to be.”

“Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene its not one-on-one, its a one-on-12. Its very healthy, very comfortable, like a big pot luck supper among old friends.”

“Onstage it was always comfortable for me because that's where I felt at home. Offstage it was a different situation. I was still shy offstage and unfortunately, my shyness and my inability to communicate and really have great conversations or be part of the gang - in inverted commas - led me to the drug addiction, which, you know, blighted my life for 16 years because I thought by doing that it would make me join in.”

“We become comfortable saying that there's nothing new, and then something like Malarky comes along, which is new and old and different and familiar, but ultimately itself, comfortable in its own skin, wise and smart and crazy-sexy or maybe sexy-crazy-well, you just have to read it to understand. It's a novel that sets its own course, sure and steady, even when it seems like it might be about to go over the edge of the world.”

“Sometimes you'll have great actors who aren't comfortable with improvising. Which can get pretty frustrating. But every actor's coming from a different place and they have their own strengths and weaknesses and your job is to sell them as two people in the same world. Some of them have to have their hands held and some I just let loose entirely.”

“It seemed like so much of romantic relationships today have to do when the people are not in the same room. Whether it's texting or emailing or Facebooking, there's a kind of distance between the participants. I think it's sort of shifted the energy of that first romantic meeting, where it's quicker, perhaps more desperate, more energetic, in a whole different way, and it's resulted in a situation where people seem to be sometimes more comfortable having a sexual relationship than an emotional one.”

“I'm character-driven. If it's a great character and something different; because I find that a lot of the times you do get pigeon-holed, you do get the same characters over and over again because that's what producers are comfortable with. They've seen you do it, they know you can do it. I'm kind of getting a little stir crazy.”

“It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.”

“I love taking on challenges. I think one of the funnest things in acting is creating a character - wrapping yourself around a character and bringing him to life. I love a lot of different genres. I'm not a big horror guy by any means but I love the challenge. But the fifties and sixties is where I feel the most comfortable.”

“There is no normal. What my job was a few years ago was completely different than what it is today. As soon as I have it dialed in, the company changes and the team changes and my role changes as a result. What the company needs is always evolving, and I don't get to choose what I want to do as much as I thought I would be now - which is OK. It keeps me in this position of learning new things and keeping me humble. There is always something I don't know, and I'm comfortable with that.”

“Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.”

“I was attracted to the positive outlook on women especially exploring relationships with different people and being confident and comfortable and strong. That was the kind of thing that was appealing to me, because that's what's real, and that's honest, and it's nothing to be ashamed of. That's what single women do.”

“Surrendered people understand that they can’t always change a situation, especially when the door is shut. They don’t try to force it open. Instead, they pay attention to their own behavior, look at the situation at hand, and find a new, different, and creative way to get beyond the obstacles. They are comfortable with uncertainty.”

“The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.”

“We got the goals early in the game and I thought we just got a little too comfortable with things. They started changing their defense, they started going from a zone defense to a man-to-man and doing different things. We got sloppy, and I give them credit for the way they played. We got sloppy and had some turnovers there. We did have some opportunities, one-on-one with the goalie in the second there, but we need to finish things. They found some momentum in their defense and were able to crawl back in.”

“One of the things is that I've been very comfortable in every situation starting ministry in the inner city and ministering in places - Washington, D.C., feeding the homeless, the hurting, going to broken boys and girls. So culturally I understood all different aspects of life - from extremely wealthy to extreme poverty, socioeconomic differences, ethnic differences.”

“I really lucked out with that song ["As Cool As I Am"]. Men were becoming much more comfortable with all the different facets and parts of their identity, including their gentler, funnier, sillier, nurturing parts. They started showing up. There was so much exploration of gender at that time. Women were showing up with the range of ways of being female in the world and men were showing up with the range of being male in the world.”

“We needed to do "Community Project" to feel comfortable doing our own thing, and then "That's It That's All" was this experiment with camera technology and shooting snowboarding a little differently. "Art of Flight" was that dream of "That's it That's All" realized. Then we didn't want to make an "Art of Flight 2," so we stepped back and tried to take a different approach to create a more multi-faceted film. "The Fourth Phase" has more of a storyline, and it was much more personal for me.”