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Conversation Quotes

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“For most Northerners, Texas is the home of real men. The cowboys, the rednecks, the outspoken self-made right-wing millionaires strike us as either the best or worst examples of American manliness.... The ideal is not an illusion nor is it contemptible, no matter what damage it may have done. Many people who scorn it in conversation want to submit to it in bed. Those who believe machismo reeks of violence alone choose to forget it once stood for honor as well.”

“You know, it’s the same thing as the question of free will and destiny, the question of creativity - you, the artist, you’re not the puppet of the piano, you’re not the puppet of the muse, but you’re not its master, either. It’s a relationship, it’s a conversation, and all it wants is to be treated with respect and dignity - and it will return ten thousand times over.”

“Never invite to dinner: those who won't decide until the last minute; those who come more than half an hour late; those who want to bring along two or three friends; drunks; monologists; those who stay until three o'clock in the morning; those who think that conversation means having an argument; those who take a high moral tone; those who are stupid, ugly, or dull. Enforcement of these rules will enable one to eat alone every night in comfort.”

“The Pavlovian view of women voters - plug the words in, and they will respond - sends a chill down my spine because it sounds like an adaptation of something I have written about communication between the sexes: When a woman tells a man about a problem, she doesn't want him to fix it; she just wants him to listen and let her know he understands. But there's a difference between a private conversation and a presidential election, between what we want from our leaders.”

“Female directors really do need to support each other. Too many times I've been led to believe that my direct competition was other women, as if there can be only a handful of successful female filmmakers a year. That conversation, that perception, needs to change. Women are the people who have helped me make films I love, and I want to be that kind of strength to other women.”

“As we breathe and live, have a conversation, and you look in someone's eyes, and you see a sunset or have an argument or read a book or see a painting or whatever you do, it influences you. And as you live your art, it changes and grows just like you and your soul or whatever you want to call it. For me, it's never-ending, I call it "the organizer of chaos." That's what I do with this and I present it in a way that I dream. So basically, I'm just sharing my dreams with all of you.”

“There's a lot of people that I disagree with that I think I could have interesting conversations with. What I don't want to get into is manufactured conflict. I would much rather talk to someone like Dr. Rhonda Patrick or Randall Carlson and be mesmerized by information. I guess in a way that's selfish, or maybe not objective of me. The older (and hopefully wiser) I get the less interested I am in conflict. I don't mind disagreeing with people in a civil way, but I definitely don't want to go out of my way to have an argument unless it's a really important subject.”

“I think it could be argued that I am not heard, in the broadest sense. That is not my concern. My concern, a question really, is, do I have the courage to speak? If I speak I believe someone will respond. It then becomes my responsibility to listen to that person. And in listening, together we create a space where people can be heard. It's the conversation that I care most deeply about; this is the space I want to honor, respect, and protect. This is my faith in the open space of democracy.”

“To judge sins is the business of one who is sinless, but who is sinless except God? Who ever thinks about the multitude of his own sins in his heart never wants to make the sins of others a topic of conversation. To judge a man who has gone astray is a sign of pride, and God resists the proud. On the other hand, one who every hour prepares himself to give answer for his own sins will not quickly lift up his head to examine the mistakes of others.”

“I update my MySpace every day, I update my Facebook fan page, but that's about the extent of it. I don't want to get into extended conversations with people on MySpace, because there are friends I have extended conversations with every day. I'm on the phone every day. There's like five people I just call and yak with every single day. And that to me is my Internet. You can replace the Internet with five really smart friends.”

“I love the art history ones because it's so little work for me. There's so many paintings that when I look at them, the look on the lady's face is like so clear and her body language and her posture or their physical situation is so immediately recognizable. Anyone who's been in a conversation they didn't want to have, or been getting harangued by a little kid they didn't want to pay attention to or been tired and wanted to go to bed is just like, "Yes, of course."”

“When the Vent begins, you might confuse [it] for a conversation. It's not. It's a Vent. It's a mental release valve and your job is to listen for as long as it takes. Don't problem solve. Don't redirect. Don't comfort. Yet. Your employee is doing mental house cleaning and interrupting this cleaning is missing the point. They don't want a solution, they want to be heard.”

“My first policy move would be to try to get a conversation going in the US about what people stand for and what we really want. Do we want to keep adding people to the world and to our country until we move to a battery-chicken kind of existence and then collapse? Or do we want to think hard about what really is valuable to us, and figure out how many people we can supply that to sustainably?”

“The problem with movies and books is they make evil look glamorous, exciting, when it's no such thing. It's boring and it's depressing and it's stupid. Criminals are all after cheap thrills and easy money, and when they get them, all they want is more of the same, over and over. They're shallow, empty, boring people who couldn't give you five minutes of interesting conversation if you had the piss-poor luck to be at a party full of them. Maybe some can be monkey-clever, some of the time, but they aren't hardly ever smart.”

“I've had frank conversations with theaters who say, 'We love your play, but we've already done a play by another black person this year,' or 'I don't think the kind of people you write about are the ones our audience wants to see'... Up and coming young black female writers are still struggling to have their voices heard and have their plays produced.”

“I don't want comedy to be Bridesmaids 2. I'm not denigrating Bridesmaids but, enough already, let's stop pretending women are incalculably different to us. Seeking out podcasts, listening on headphones, it's like an intimate, specific conversation. People respond if it feels from the heart. I'm as neurotic a human being as lives, and I have my faults. I'm a drunk. But people really like that.”

“With actors and directors, it's a conversation that you have. You have to learn each other's language and learn how to communicate with each other effectively. It's really nice when you can have that communication on a level where they walk up to you and you can see by the expression on their face what they want. You don't even have to talk, it just like, "Got it!" And, you know what they want before they even ask for it.”

“When someone writes something hateful and threatening I respond with something like, "I want to be so much like you; I want to wear your skin." By messing with them in that way you change what they're selling. They won't share it. And it halts the conversation. Or I'll change it to "Jenny, you're like a rose bush that grew a watermelon." They come back pissed off and write, "I didn't say that!"”