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“Put crudely, one is left with a choice between two unsatisfactory combinations: artistic integrity married to spiritual compromise; and spiritual integrity married to artistic banality-or, worse, art compromised on both counts. Neither one will satisfy those who recognize the fundamental necessity of integrity in both faith and art.”

“The cumulative effect of the Romantic theory of creativity, as played out in the context of belief in the virtue of the avant-garde, is that while the art world has effectively freed itself from the tyranny of artistic tradition and its historic patronage system, it has ended up inhabiting an autonomous but perceived irrelevance.”

“Narcissism and Christianity have little in common, yet the Romantic paradigm of artistic creativity, particularly in light of subsequent Freudian ideas, has tended to foster its share of narcissism. It was the tragic fate of Narcissus that he was so preoccupied with self that he could not appreciate God, nature, or the other.”

“Atrocities are now shown in 30-second bites. Hardcore artistic horror is an expression of hating your neighbour. The gruesome imagination feeds on vanity, lust, self-indulgence and despair, rather than the hope of the Holy Spirit. The Body of Christ needs to look and repent of our own fallenness.... Whatever arena Christians withdraw from goes to hell.”

“In the days before machinery men and women who wanted to amuse themselves were compelled, in their humble way, to be artists. Now they sit still and permit professionals to entertain them by the aid of machinery. It is difficult to believe that general artistic culture can flourish in this atmosphere of passivity.”

“What if it turns out there really are witches and vampires and werewolves living right here alongside us? After all, what better disguise could there be than to get your image enshrined in the culture of the mass media? Anything that's described in artistic terms and shown in the movies stops being frightening and mysterious. For real horror you need the spoken word, you need an old grandpa sitting on a bench, scaring the grandkids in the evening.”

“One of life's intriguing paradoxes is that hierarchical social order makes cheap rents and outré artists' colonies possible. Raffish bohemian neighborhoods flourished in the days of racial segregation; under integration the artistic poor have no safe places in which to create.... If America lacks a vigorous culture it is partly because studios and ateliers have become crack houses.”