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Dallas Quotes

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Dallas Quotes

“Holding his daughter close with one arm, he pointed toward the distant horizon. "As far as you can see—it all belongs to you, Faith. Someday, I'll take you to the top of a windmill and teach you to dream. When you reach for some of those dreams, you might fall…but your mother and I will be there to catch you because that's what love means: always being there. I love you, little girl." He pressed a kiss to his daughter's cheek. "So much…it hurts. But I reckon that's part of love, too." -Dallas”

“Stay." The strangled word, spoken in anguish, tore at her heart, ripped through her resolve. She swiped at the tears raining over her cheeks and slowly turned, forcing the painful truth past her lips. "I can't stay. I can no longer give you what you want. I can't give you a son." Dallas stepped off the veranda and extended a bouquet of wildflowers toward her. "Then stay and give me what I need." Her heart lurched at the abundance of flowers wilting within his smothering grasp. She shook her head vigorously. "You don't need me. There are a dozen eligible women in Leighton who would happily give you a son and within the month there will be at least a dozen more—" "I'll never love any of them as much as I love you. I know that as surely as I know the sun will come up in the morning." Her breath caught, her trembling increased, words lodged in her throat. He loved her? She watched as he swallowed. "I know I'm not an easy man. I don't expect you to ever love me, but if you'll tolerate me, I give you my word that I'll do whatever it takes to make you happy—" Quickly stepping forward, she pressed her shaking fingers against his warm lips. "My God, don't you know that I love you? Why do you think I'm leaving? I'm leaving because I do love you—so much. Dallas, I want you to have your dream, I want you to have your son." Closing his eyes, he laid his roughened hand over hers where it quivered against his lips and pressed a kiss against the heart of her palm. "I can't promise that I won't have days when I'll look toward the horizon and feel the aching emptiness that comes from knowing we'll never have a child to pass our legacy on to…"Opening his eyes, he captured her gaze. "But I know the emptiness you'll leave behind will eat away at me every minute of every day." -Dallas and Dee”

“What are you doing?" she asked. Grimacing, he considered returning his mouth to hers and kissing her until she forgot the question and his strange behavior, but he had to know the truth. Dammit, he had to know. "Amelia told me that her toes curl when Houston kisses her. I was just trying to see if your toes curl when I kiss you." She turned a lovely shade of rose and rolled her shoulders toward her chin. "My whole body curls when you kiss me." "Your whole body?" She nodded quickly."Every inch." "Well, hell," he said as he settled his mouth greedily over hers with plans to keep her body tightly curled for the remainder of the night. -Dallas and Dee”

“Dallas. The scriptwriters have each of the actresses in the soap opera play the death scene in the swimming pool: they do not know which of them is to die, and hence disappear from the series. The 'soap' becomes their destiny. If they should die in reality, a way is devised for writing them out of the script. If they are sacrificed in the script, their stardom inevitably comes to an end in real life too, since they are identified with the characters they play. It is the same as in a ceremony: outside the ritual, you count for nothing, but the ritual is flexible enough to make use of all the chance happenings of life. Dallas 's secret lies in its closeness to tribal and initiatory stereotypes. That is why there is never any laughter in it: no wit, no humour, no comic episodes, no happy coincidences. It is a closed world in which everything leads inevitably to fatality, perfidy, sentimental incest or magical cannibalism. Such is the tribal law, of which J.R. is the emblem, which gives rise to the desperate efforts on the part of the women to escape from this archaic trap. In its artless cruelty, Dallas is superior to any 'intelligent' critique that can be made of it. That is why intellectual snobbery meets its match here. In a dream I saw the face of servitude. It is the face of a woman with heavy lidded, blue, expressionless eyes. The crescent shapes of her breasts are asymmetrical. She always has a smile for the poorest as she crawls off daintily towards infinity. Boredom is like a pitiless zooming in on the epidermis of time. Every instant is dilated and magnified like the pores of the face.”

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“The models that have been constructed agree that when, as has been predicted, the level of carbon dioxide or its equivalent in other greenhouse gases doubles from pre-Industrial Revolution concentrations, the global average temperature will increase, and that the increase will be 1.5 to 4.5 degrees Celsius or 3 to 8 degrees Fahrenheit... In Dallas, for instance, a doubled level of carbon dioxide and other gases like methane, would increase the number of days a year with temperatures above 100 degrees from 19 to 78 each year.”

“John F. Kennedy, who seized the White House from Richard Nixon in a frenzied campaign that turned a whole generation of young Americans into political junkies, got shot in the head for his efforts, murdered in Dallas by some hapless geek named Oswald who worked for either Castro, the mob, Jimmy Hoffa, the CIA, his dominatrix landlady or the odious, degenerate FBI chief J. Edgar Hoover. The list is long and crazy - maybe Marilyn Monroe's first husband fired those shots from the grassy knoll. Who knows?”

“'Dallas' hit a chord back in the late Seventies and Eighties because it was the age of greed: here you have this unapologetic character who is mean and nasty and ruthless and does it all with an evil grin. I think people related to JR back then because we all have someone we know exactly like him. Everyone in the world knows a JR.”

“I painted the words "GREAT ADVENTURE" in Beijing, Dallas, San Francisco, Copenhagen, and Japan. What it means to me is completely different to everybody else. And that's what I love about random words and phrases taken out of context: everyone applies their own context. If you want to apply something political or meaningful to a word I wrote on the side of the wall, then it's up to you.”

“I'd have to say I'm most proud of my mentoring camp that I do in Dallas every year for one hundred boys from single-parent homes. I was raised by a mother who was a Sunday school teacher and a father who worked hard. Together they taught me to give back.”