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Decadence Quotes

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Decadence Quotes

“Before us is mighty, so to speak, transformative and preparatory work. From a period which is creative, immediate and elemental, we must proceed to a period which is critical, conscious and cultural. These are the two worlds between which exists the entire abyss. The contemporary generation has the misfortune of being born between these two worlds, before this abyss. Herein is explained its frailty, diseased anxiety, hungry search for new ideals and a certain fateful impotency in all of its efforts. The best youth and vigor of talent is not expended on vital creativity but on an internal destructiveness and struggle with the past, on the passage across the abyss to that land, to that shore, to the frontiers of a free and divine idealism. How many people are perishing in this passage or are losing their strength irrevocably!... ("On The Reasons For The Decline And On The New Tendencies In Contemporary Literature")”

“Mrs. Scamler,’ she said, ‘do you study French, ma'am?’ ‘I do, indeed,’ I said; ‘two hours a day.’ ‘Then, ma’am,’ she says, ‘we call upon you to give it up.’ ‘Give it up!’ I said. ‘Why should I give up what your daughter does?’ for I knew her daughter learnt French at school. ‘Because, ma’am,’ she said, ‘it can’t be for no good end, and if it were people wouldn’t believe it. My daughter learns French at school. But what for? Because it’s an accomplishment that all girls have. They take it like the measles and the chickenpox; but do you suppose they go on having it after they’re done school? No; and if a grown woman takes the measles, it’s bad on her; and if a widow takes to learning French we know what that means.’ ‘It’s a very immoral language,’ said the school-masters wife, for she hadn’t paid the butcher’s bill for six months, as I happened to know. ‘Shocking,’ said the chemist’s wife. ‘I knew a woman who read French, and she ran away from her husband, and died of consumption. For it’s in the language. My husband says its rotten and corrupt, and he ought to know, being a chemist by examination. Mrs. Scamler, you need a pill or a draught or something, for I declare you look quite dissolute already.’ And me only beginning irregular verbs!”

“Day by day, month by month, doubt by doubt, law and order became fascism; education, constraint; work, alienation; revolution, mere sport; leisure, a privilege of class; marijuana, a harmless weed; family, a stifling hothouse; affluence, oppression; success, a social disease; sex, an innocent pastime; youth, a permanent tribunal; maturity, the new senility; discipline, an attack on personality; Christianity... and the West... and white skin...”

“There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?”

“Then Chameroy spoke. 'You always put the blame on opium, but as I see it the case of Freneuse is much more complicated. Him, an invalid? No - a character from the tales of Hoffmann! Have you never taken the trouble to look at him carefully? That pallor of decay; the twitching of his bony hands, more Japanese than chrysanthemums; the arabesque profile; that vampiric emaciation - has all of that never given you cause to reflect? In spite of his supple body and his callow face Freneuse is a hundred thousand years old. That man has lived before, in ancient times under the reigns of Heliogabalus, Alexander IV and the last of the Valois. What am I saying? That man is Henri III himself. I have in my library an edition of Ronsard - a rare edition, bound in pigskin with metal trimmings - which contains a portrait of Henri engraved on vellum. One of these nights I will bring the volume here to show you, and you may judge for yourselves. Apart from the ruff, the doublet and the earrings, you would believe that you were looking at the Due de Freneuse. As far as I'm concerned, his presence here inevitably makes me ill - and so long as he is present, there is such an oppression, such a heaviness...”

“The dense fog manifests ever-living gravestones, the tunes of decadence, the hearts that were doomed to dance alone. Here lies untouched beauty, a brittle dream, an unseen sea-born nightmare, an isolated acheirous harf, fishbones without flesh, a face without letters, the hypnotic power o Apollonian destruction. Ashes kiss the grapefruit essential oil skin, the soul beats with eaten sons and daughters, soaking wet serpents with cuspid tongues lollop for legendary goddesses.”

“Against a set of desolate scenery, amid spectral crags and livid mountains of ash, beneath the funereal daylight of slopes illuminated in blue, she personified the spirit of the witches' sabbat. Morbid and voluptuous, sometimes with extenuated grace and infinite lassitude, she seemed to carry the burden of a criminal beauty, a beauty charged with all the sins cf the multitude. She fell again and again upon her pliant legs, and as she outlined the symbolic gestures of her two beautiful dead arms she seemed to be towing them behind her. Then, the vertigo of the abyss took hold of her again, and like one possessed she stood on point, holding herself fully erect from top to toe, like a spike of flesh and shadows. Her arms, weighed down just a few moments earlier, became menacing, demoniac, and audacious. Twisting like a screw, she whirled around, like a winnowing-machine - no, like a great lily stirred by a storm-wind. Clownish and macabre, a nacreous gleam showed between her lips... oh, that cruel and sardonic smile, and the two deep pools of her terrible eyes! Ize Kranile!”

“Look, de Mazel, you've known him for years - hasn't he been known to sleep for forty hours in two days?' 'Forty hours?' 'Certainly. He awoke at meal times, just to take nourishment, and afterwards fell again into his torpor. And Freneuse had a strange horror of sleep; there was some abnormal phenomenon associated with it, some lesion of the brain or neurotic depression.' 'The troublesome cerebral anaemia which results from excessive debauchery. Another myth! I've never believed, myself, in the supposed debauchery of that poor gentleman. Such a frail chap, with such a delicate complexion! Quite frankly, there was no scope in him for debauchery. 'Pooh! About as much as Lorenzaccio!' 'You associate him with the Medicis! Lorenzaccio was a Florentine impassioned by rancour, a man of energy slowly brooding over his vengeance, caressing it as he might caress the blade of a dagger! There is not the slightest comparison to be drawn between Lorenzaccio and that gall-green, liverish creature Freneuse.”

“Marcelian Piaffus adored the heirloom's macabre biography, she could tell. Strangely enough, he had a disregard for its severity despite his beliefs, especially in the hands of a child, and even though Estefania had always been aware that darkness could latch itself onto objects, having grown up among unspeakable atrocities, she decided her daughter had too much grit to decline into madness.”

“The sun had begun to wink behind the trees, but pockets of other light burst all around. Lanterns hung from tree branches; there was a firepit in the center of the lawn; and in the pond, the silky water shimmered with little full moons floating on the surface. No, not moons--- orbs. Such simple sources of light, but Rose was struck by how they looked like they'd dipped down from the sky, unwilling to miss the festivities. It was a lush, clandestine beauty, mixed with the unsupervised cacophony of the people disrupting it. The word "decadence" came to mind. Rose loved that in the middle of it all Hart seemed oblivious to it, stuck in tour-guide mode. "This is my favorite tree on the property," he said. Rose also loved that he had a favorite tree. Its curlicue branches plumed outward like long hair in water, and in certain spots, its leaves drooped and swept over the ground. "It's a one-hundred-year-old weeping hemlock," Hart said. "One of the oldest hemlocks this side of the Western Hemisphere, and the estate's namesake." They walked beneath the canopy, where string lights and pearly garlands hung like so many gaudy necklaces on a dowager duchess. Rose had never paid much attention to trees, but even she couldn't deny this one's majesty.”

“Wie ich heimschritt bemerkte ich mit einemmal vor mir meinen eigenen Schatten so wie ich den Schatten des anderen Krieges hinter dem jetzigen sah. Er ist durch all diese Zeit nicht mehr von mir gewichen dieser Schatten er überhing jeden meiner Gedanken bei Tag und bei Nacht vielleicht liegt sein dunkler Umriß auch auf manchen Blättern dieses Buches. Aber jeder Schatten ist im letzten doch auch Kind des Lichts und nur wer Helles und Dunkles Krieg und Frieden Aufstieg und Niedergang erfahren nur der hat wahrhaft gelebt.”

“There is an old song which asserts 'the best things in life are free.' Not true! Utterly false! This was the tragic fallacy which brought on the decadence and collapse of the democracies of the twentieth century; those noble experiments failed because the people had been led to believe that they could simply vote for whatever they wanted...and get it without toil, without sweat, without tears. Nothing of value is free. Even the breath of life is purchased at birth only through gasping effort and pain.”

“Nietzsche inveighs against every sort of historical optimism; but he energetically repudiates the ordinary pessimism, which is the result of degenerate or enfeebled instincts of decadence. He preaches with youthful enthusiasm the triumph of a tragic culture, introduced by an intrepid rising generation, in which the spirit of ancient Greece might be born again. He rejects the pessimism of Schopenhauer, for he already abhors all renunciation; but he seeks a pessimism of healthiness, one derived from strength, from exuberant power, and he believes he has found it in the Greeks.”

“Sundance [festival] is all your Hollywood buds and buddies and rolling out and high-fiving and "Hell, yeah. Here comes the movie," and in Venice, it's very elegant, and respectful...It's decadence. It's such a fun way to formalize a movie that is for us a down-and-dirty, gritty movie. And to see it with the red carpet, and rolling up in a Maserati.”

“When a republic's most venerable institutions no longer operate as they were intended, it becomes possible for small cabals to usurp power, and, while keeping the forms, corrupt the function of those institutions for their own ends. Looking at things that way, the George W. Bush presidency has been both result and symptom of the decadence of America's constitutional mechanisms.”

“The inside operation of Congress - the deals, the compromises, the selling out, the co-opting, the unprincipled manipulating, the self-serving career-building - is a story of such monumental decadence that I believe if people find out about it they will demand an end to it.”

“I certainly do not lament the decadence of knight errantry, nor wish to exchange the protection of the laws for that of the doughtiest champion who ever set lance in rest; but I do, in truth, believe that this knightly sensitiveness of honorable feeling is the best antidote to the petty soul-degrading transactions of every-day life, and that the total want of it is one reason why this free-born race care so very little for the vulgar virtue called probity.”

“It is the psychic depression of decadence which has come to this place and time. It is what happens to people who ignore their artists and deny their children. It is a terminal case of involutional melancholia which comes from within and cannot be cured by T.V. or psychotherapy or anything but a creative life, which is hard to come by in a country where it doesn't pay to do anything for yourself.”

“Fundamentalists believe that we don't believe in anything. In their view of the world, they are in possession of absolute certainties, while we are descending into decadence. We will be able to triumph over terrorism not by waging war on it, but through a conscious, fearless way of life.”

“Our institutions, if they do not erode entirely, can survive periods of decadence brought on by our material success, eras when the whole notion of civic militarism seems bothersome, and in which free speech is used to focus on our own imperfections without concern for the ghastly nature of our enemies.”

“We must admit that today conformity is on the Left. To be sure, the Right is not brilliant. But the Left is in complete decadence, a prisoner of words, caught in its own vocabulary, capable merely of stereotyped replies, constantly at a loss when faced with truth, from which it nevertheless claimed to derive its laws. The Left is schizophrenic and needs doctoring through pitiless self-criticism, exercise of the heart, close reasoning, and a little modesty.”