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“Then it cleared: farther down the hallway, a door had opened on a flourish of sunlight. Into the light stepped a youth, white and gold, a celestial apparition—the Earl of Southampton. His face was beardless still, the eyes pale blue and with the lashless look of redheads. His auburn tresses, artfully curled, fell almost to his elbows. He was six feet tall and lovely as a waterfall, as pretty as a flowering tree. White silk, white velvet, cloth of gold. A gold filigree earring in one ear. Emilia knew him from her days of attendance on the Queen: an uncanny, androgynous youth with the despotic pout of the beautiful, who can never be sufficiently loved.”

“London was beginning to illuminate herself against the night. Electric lights sizzled and jagged in the main thoroughfares, gas-lamps in the side streets glimmered a canary gold or green. The sky was a crimson battlefield of spring, but London was not afraid. Her smoke mitigated the splendour, and the clouds down Oxford Street were a delicately painted ceiling, which adorned while it did not distract. She has never known the clear-cut armies of the purer air. Leonard hurried through her tinted wonders, very much part of the picture. His was a grey life, and to brighten it he had ruled off a few corners for romance.”

“But Love cannot understand this. He cannot comprehend another's infinity; he is conscious only of his own—flying sunbeam, falling rose, pebble that asks for one quiet plunge below the fretting interplay of space and time. He knows that he will survive at the end of things, and be gathered by Fate as a jewel from the slime, and be handed with admiration round the assembly of the gods.”

“She stood at the edge of a glassy river lined with impossibly tall trees, fanning out their wide emerald leaves among the puffy white clouds. Across the river, a row of crystal castles glittered in the sunlight in a way that would make Walt Disney want to throw rocks at his “Magic Kingdom.” To her right, a golden path led into a sprawling city, where the elaborate domed buildings seemed to be built from brick-size jewels—each structure a different color. Snowcapped mountains surrounded the lush valley, and the crisp, cool air smelled like cinnamon and chocolate and sunshine.”

“In the deep, wet tangled, wild jungle where even natives won't go is a mystical, dangerous river. The river's got no name because naming it would make it real, and no one wanted to believe that river be real. They say you get there only inside a dream-but don't you think of it at bedtime, now, 'cause not everyone who goes there be able to leave! That jungle canopy, it so leafy true daylight can never break in the riverbank, it be wet muck thick with creatures that eat you alive if you stay still too long. To miss that fate, you gots to go into the black water. But the water be heavy as hot tar; once you in, it bind you and pull you along, bit by bit, 'til you come to the end of the land, and then over the water goes in a dark, slow cascade, the highest falls in the history of the world ever. There be demons in that cascading water, and snakes, and wraiths that whisper in your ears. They love you, they say. You should give yourself to them, stay with them, become one of them, they say. 'Isn't it good here?' they say. 'No pain, no trouble.' But also no light and no love and no joy and no ground. You tumble and tumble as you fall, and you try and choose, but your mind be topsy-turvy and maybe you can't think so well, and maybe you can't choose right, and maybe you never wake up. "It felt like that," I tell Tootsie, "even after you got me out and Scott moved me to Highland. I couldn't choose. I couldn't shut out the wraiths...But you would say, 'Hang on, sweetie,' and Scottie would say, 'I miss you, Mama,' and Scott would hold me, just hold me and say nothing at all." Tootsie snorts. "Scott was useless the whole while." "Scott was in the river, too.”

“The nature of atheism merits clarification on two further points which involve less common ideas about theism. The first involves the idea of 'God' which is metaphorical — for example, a theist who believes in 'God' as a principle of conscience or morality. This 'God' exists in a person’s mind and it is not something which atheists will dispute. Atheists agree that gods exist as ideas in people’s minds; the disagreement lies over whether any gods actually exist independently of human beliefs. Those are the gods which atheists disbelieve in or deny. The second type of theism involves gods that exist as physical objects: stones, trees, rivers, or even the universe itself. Believers treat these objects are their gods, but do atheists reject their existence? Of course not — but how do they then remain atheists? The point of disagreement here is whether the label 'god' communicates any information beyond the more common label of 'stone,' 'tree,' or 'universe.' If not, then as far as atheists are concerned, those objects don’t merit the extra label 'god' and they remain atheists.”

“I stumble across the sea of tarmac, finding pavement, concealment and a brick wall. Palms brace against the scrubby surface. My stomach churns and then bubbles over, burning my throat as acrid yellow acid spills from my lips in frothy discomposure. It splatters the pavement like a spray of blood.”

“Mankind has uncovered two extremely efficient theories: one that describes our universe's structure (Einstein's gravity: the theory of general relativity), and one that describes everything our universe contains (quantum field theory), and these two theories won't talk to each other.”

“My mother, who hated what she called his Americanisms, ended up calling him Il cauboi—the cowboy. It started as a putdown and soon enough became an endearment, to go along with her other nickname for him, conferred during his first week, when he came down to the dinner table after showering, his glistening hair combed back. La star, she had said, short for la muvi star.”

“The moon was up now and the trees were dark against it, and he passed the frame houses with their narrow yards, light coming from the shuttered windows; the unpaved alleys, with their double rows of houses; Conch town, where all was starched, well-shuttered, virtue, failure, grit and boiled grunts, under-nourishment, prejudice, righteousness, inter-breeding and the comforts of religion; the open-doored, lighted Cuban boilto houses, shacks whose only romance was their names”

“The Provider Several crows were lined up along the ridge of a quite ordinary house. 'These ridge poles are a good idea,' said a young one. 'Who dreamed it up?' 'This place of rest is a fortuitous gift from the moon,' said a raven who was mixing with the hoi polloi today. 'The moon is a relative of the roc, a distant cousin of mine. Believe me,' he said, stretching his wings out to their full advantage and pushing the crows at the end off balance, so several leaped into the wind and cried, 'caw' . . . 'it depends on your original stock. I've got a piece of the roc.' The moon rose spectral and drained, a gossamer imprint of her nighttime self, a reminder of crystal fracture, the load of swinging primitive stones, the ancient hairy arms with slingshots. A sudden explosion and the sky was defined with flapping and cawing. 'What was that?' cried the young one who was addicted to awe. 'Who knows?' replied the raven. 'Often the moon demands a sacrifice. As a close relative, it is now my duty to go and eat the meat. For it is said, nothing is wasted; nothing is without purpose.' And the raven rose and flew toward the hunters.”

“It’s nearly nightfall, the vast evening sky as resplendent and intricate as that quilt hanging from the wooden knob on the side of Grandma’s dresser. This sky is like the work of a seamstress, sown tangerine-orange, raspberry-pink, and dappled with cream-white clouds for an extra touch, the finished product so lush and vibrant that I could gape at it for hours.”

“He went farther; agonised by the reflection, at the moment when it passed by him, so near and yet so infinitely remote, that, while it was addressed to their ears, it knew them not, he would regret, almost, that it had a meaning of its own, an intrinsic and unalterable beauty, foreign to themselves, just as in the jewels given to us, or even in the letters written to us by a woman with whom we are in love, we find fault with the 'water' of a stone, or with the words of a sentence because they are not fashioned exclusively from the spirit of a fleeting intimacy and of a 'lass unaparalleled.”