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Description Quotes

“Why so sad?" Zach queries in fairy-tale tones. "Rachel?" "O my brother Ivanushka," she recites. "A heavy stone is round my throat, silken grass grows through my fingers, yellow sand lies on my breast." "That's perishing gloomy," Zach remarks. "It ends happily though. Gracious! Everything sounds depressing this morning," adds Rachel. "There's a teacher at my school, she's very young, but she goes, Gracious! Just like a dowager. Makes me laugh. Except this morning. I can't help it. I am too depressed. I hate those voices so much. In the Gardens." "Stop listening," Zach scolds and put his hands in her hair—silken grass grows through his fingers.”

DialogueDescriptionFairy TalesAllusionBe My WolffEmma RichlerRussian Fairy Tales
Book:Be My Wolff
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“Little gusts of sunshine blew, strangely bright, and lit up the celandines at the wood's edge, under the hazel-rods, they spangled out bright and yellow. And the wood was still, stiller, but yet gusty with crossing sun. The first windflowers were out, and all the wood seemed pale with the pallor of endless little anemones, sprinkling the shaken floor. 'The world has grown pale with thy breath.' But it was the breath of Persephone, this time; she came out of hell on a cold morning. Cold breaths of wind came, and overhead there was an anger of entangled wind caught among the twigs. It, too, was caught and trying to tear itself free, the wind, like Absalom. How cold the anemones looked, bobbing their naked white shoulders over crinoline skirts of green. But they stood it. A few first bleached little primroses too, by the path, and yellow buds unfolding themselves.”

BeautifulNatureWoodsLovelyDescriptionFlowersAllusionD H LawrenceLady Chatterley S Lover
Book:Lady Chatterley’s Lover
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“A fighter, muses Rachel, is a fighter through and through, consistently irregular, a fighting man on every scale. Fractal, fractious, with a rough complexity! Nothing she can do. A fractal, Papa once told her, is a way of seeing infinity. In Zachariah, she sees infinity. Mandelbrot famously wrote a paper called 'How Long Is the Coast of Britain?,' the answer to which, of course, is that it depends how you look at it. The closer one looks, the larger it is. And more and more intricate, on an infinite scale. There is a template for all things.”

LovePerspectiveFighterDescriptionInfinityIntricateDescriptiveBe My WolffEmma Richler
Book:Be My Wolff
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“It is perfectly scientific,' Lev protests, rising to draw the heavy dining room curtains against the streetlamp light, reducing it to a glow that bleeds amber round the edges and between the panels of plum brocade. Lev turns back into the room but stays by the window a moment to observe the new play of light, the chandelier casting shards of glitter upon mahogany and bold shadows across the high brow and long sharp plains of Katya's timeless face. Oh my wife.”

DescriptionDescriptiveBe My WolffEmma Richler
Book:Be My Wolff
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“The hours stretch out in summer, the evenings go on and on; has he lost track of hours? Where are you, Zachariah? Come home! Rachel stands by the windows again, listening to the thrum in Camden Road and the Gardens behind, everything noisier on long summer afternoons, streets and voices, people speaking louder even face-to-face as if fighting to be heard over the seasonal rush of blood, over the bright light and heightened smells and unusual clamour of days. The city transfigured this year almost overnight and it has not rained in weeks. How the sun shines, how the rain falls, the qualities of light and precipitation, London has a microclimate all its own. London weather has powers of change, change and conjuration.”

SummerLondonDescriptionCityBe My WolffEmma RichlerMicroclimate
Book:Be My Wolff
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“Before him stood a tall bay horse, a very fine hunter, and on it sat the man. He was as large as his voice and, thought Jack, a most peculiar sight: a picture of softened sharpness. He was middle-aged and of a rather fair, but rich colouring, with glinting eyes and ruddy cheeks. He wore colourful clothes, a beautiful embroidered waistcoat of gold and green and pink and red, beneath a riding coat of a familiar shade of green, and bright white breeches with polished black top boots that had lovely brown trim. But there was nothing cheery about these colours, they were strong and shone like metal. Just like a suit of armour, thought Jack.”

HorseDescriptionArmourCharacter DescriptionRiderNobleman
Book:The First Tale of the Tinners' Rabbits
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“It is not enough to say the crow flies purposefully, or heavily, or rowingly, or whatever. There are no words to capture the infinite depth of crowiness in the crow's flight. All we can do is use a word as an indicator, or a whole bunch of words as a general directive. But the ominous thing in the crow's flight, the bare-faced, bandit thing, the tattered beggarly gipsy thing, the caressing and shaping yet slightly clumsy gesture of the down-stroke, as if the wings were both too heavy and too powerful, and the headlong sort of merriment, the macabre pantomime ghoulishness and the undertaker sleekness - you could go on for a very long time with phrases of that sort and still have completely missed your instant, glimpse knowledge of the world of the crow's wingbeat. And a bookload of such descriptions is immediately rubbish when you look up and see the crow flying.”

NatureDescriptionCrowsDescriptive Writing
Book:Poetry in the Making: An Anthology
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“And thus far it was a life: in the void. Wragby was there, the servants . . . but spectral, not really existing. Connie went for walks in the park, and in the woods that joined the park, and enjoyed the solitude and the mystery, kicked the brown leaves of autumn, and picked the primroses of spring. But it was all a dream; or rather it was the simulacrum of reality. The oak-leaves were to her like oak-leaves seen ruffling in a mirror, she herself was a figure somebody had read about, picking primroses that were only shadows or memories, or words. No substance to her or anything . . . no touch, no contact! Only this life with Clifford, this endless spinning of webs of yarn, of the minutiae of consciousness, these stories Sir Malcolm said there was nothing in, and they wouldn't last. Why should there be anything in them, why should they last? Sufficient unto the day is the evil thereof. Sufficient unto the moment is the appearance of reality.”

LifeRealityDescriptionDetachedMeaninglessnessDisassociationD H LawrenceLady Chatterley S LoverRemovedThe Void
Book:Lady Chatterley’s Lover
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“She wasn't dressed like a student. She wore an elaborate burgundy dress with long skirts, a tight waist, and matching burgundy gloves that rose all the way to her elbows. Moving deliberately, she managed to get down off the stool without tangling her feet and made her way over to stand nest to my table. Her blond hair was artfully curled, and her lips were a deeply painted red. I couldn't help wondering what she was doing in a place like Anker's.”

DressesDescriptionBeautiful WomenDescriptive
Book:The Wise Man's Fear
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