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Directors Quotes

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Directors Quotes

“I was lying in bed on a Saturday morning, reading the paper, when my phone went. The caller was Rangers director, Jack Gillespie, and he offered me the manager's job at Ibrox. I was flattered but declined with thanks. John Greig was a good friend of mine and I had no intention of being involved in ousting him.”

“I love acting. I think that's the best job in the world, but I don't really enjoy the career of it so much. You don't have as much control over your life or the material as you do, well, certainly when you're a director or a producer, so while I love acting, I prefer to make my living as a filmmaker, but my rule on acting is if somebody asks me to do a part, I'll do it.”

“Your job, as an actor, is never to just do what you're told. That's boring, and life is too short. It's your job to bring something, and it will either be to other people's taste or your own taste, and you have to try things out. Actors say, "Well, as long as the director's happy," but I don't believe that and I don't agree with that. I want the director to be happy, but if I'm not happy, I won't sleep at night.”

“I think directors can be a little insensitive to how vulnerable an actor is, when he's giving a performance. Part of the job of an actor is to invite scrutiny, but with that, the people around them have to nurture that and put them in an environment where they feel safe and they feel like they can risk something.”

“My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the characters and figure out the components of their look through your own vision. You create a color palette for a film, television or stage medium and discuss it with the director of photography who then lights your colored subjects.”

“There's something with actors in their 40s, I don't know - there's this tendency with these guys, either they're not where they wanted to be, or - I mean, this guy was making good money and working a lot. It's almost like they have a bad conscience about the job, like it's unmanly or something, so they try to compensate by busting the director's balls 24/7.”

“I started as an artist and I had a side job moving some heavy boxes for a publishing company. They had just gotten a Mac for their art department, the department that creates the book covers. I was kind of showing the art director a thing or two about how to use a Mac. And one day everyone went out to lunch and I jumped on the computer and designed a book jacket and slipped it in the pile to go to the review board in New York. They picked my jacket and when the art director got back to Boston, he wanted to know who designed it and I said, "Me." He was like, "The box guy?"”

“All the studios are owned by multinational corporations, which are not usually bastions of the left. So all the actors, writers, and directors - or at least a great majority of them - live in fear because we're all insecure, we all want that next job, we all want to be loved, and we don't want to piss off some studio chief who won't hire us for the next movie.”

“So getting that balance between what is honoring scripture and the Word and also acknowledging the fact that by the virtue of putting it on film there's going to be a variation and adaptation, I mean, it's a fine dance and a balance. Our producers and directors have worked so hard to get that right and I'm really proud. I think it's a pretty good job.”

“A guy friend I was speaking to said he was talking to a group of male producersand he was just shocked that they said, "But if we give women directors a job they're going to take jobs away from the men." I almost fell out of my chair. But when I encounter this kind of thing, what I try to do is give a chiropractic adjustment to the mind, quickly.”