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Ears Quotes

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“Every one ought to study the Bible with two ends in view: his own growth in knowledge and grace, and passing it on to others. We ought to have four ears,- two for ourselves, and two for other people. My Bible is worth a good deal to me because I have so many passages marked that, if I am called upon to speak at any time, I am ready. We ought to be prepared to pass around heavenly thoughts and truths, just as we do the coin of the realm.”

“We ourselves, though we're guilty of every sin, are not just a work of God: we're image. Yet we have cut ourselves off from our Creator in both soul and body. Did we get eyes to serve lust, the tongue to speak evil, ears to hear evil, a throat for gluttony, a stomach to be gluttony's ally, hands to do violence, genitals for unchaste excesses, feet for an erring life? Was the soul put in the body to think up traps, fraud, and injustice? I don't think so.”

“Like Karl Kraus [Wittgenstein], was seldom pleased by what he saw of the institutions of men, and the idiom of the passerby mostly offended his ear - particularly when they happened to speak philosophically; and like Karl Kraus, he suspected that the institutions could not but be corrupt if the idiom of the race was confused, presumptuous, and vacuous, a fabric of nonsense, untruth, deception, and self-deception.”

“Is not the real experience of each individual very limited? And, if a writer dwells upon that solely or principally, is he not in danger of repeating himself, and also of becoming an egotist? Then, too, imagination is a strong, restless faculty, which claims to be heard and exercised: are we to be quite deaf to her cry, and insensate to her struggles? When she shows us bright pictures, are we never to look at them, and try to reproduce them? And when she is eloquent, and speaks rapidly and urgently in our ear, are we not to write to her dictation?”

“The question so often asked of modern painting, "What is it?", contains more than the dull skepticism of the man who is not going to have the wool pulled over his eyes. It speaks of a fundamental placement in relation to the work, that of a voyager in the world coming upon a strange object. The reader reconstitutes the work by his active participation, by approaching the object, tapping it, shaking it, holding it to his ear to hear the roaring within. It is characteristic of the object that it does not declare itself all at once, in a rush of pleasant naïveté.”

“The devil is not fighting religion. He's too smart for that. He is producing a counterfeit Christianity, so much like the real one that good Christians are afraid to speak out against it. We are plainly told in the Scriptures that in the last days men will not endure sound doctrine and will depart from the faith and heap to themselves teachers to tickle their ears. We live in an epidemic of this itch, and popular preachers have developed “ear-tickling” into a fine art.”

“And to think of this great country in danger of being dominated by people ignorant enough to take a few ancient Babylonian legends as the canons of modern culture. Our scientific men are paying for their failure to speak out earlier. There is no use now talking evolution to these people. Their ears are stuffed with Genesis.”

“Unless the Holy Ghost blesses the Word, we who preach the gospel are of all men most miserable, for we have attempted a task that is impossible. We have entered on a sphere where nothing but the supernatural will ever avail. If the Holy Spirit does not renew the hearts of our hearers, we cannot do it. If the Holy Ghost does not regenerate them, we cannot. If He does not send the truth home into their souls, we might as well speak into the ear of a corpse.”

“So, think as if your every thought were to be etched in fire across the sky for all and everything to see.For so, in truth, it is.So speak as if the world entire were but a single ear intent on hearing what you say.And so, in truth, it is.Do as if your every deed were to recoil upon your heads.And, so in truth it does.So wish as if you were the wish.And so, in truth, you are.So live as if your God Himself had need of you his life to live.And so, in truth, he does.”

“...boredom speaks the language of time, and it is to teach you the most valuable lesson in your life--...the lesson of your utter insignificance. It is valuable to you, as well as to those you are to rub shoulders with. 'You are finite,' time tells you in a voice of boredom, 'and whatever you do is, from my point of view, futile.' As music to your ears, this, of course, may not count; yet the sense of futility, of limited significance even of your best, most ardent actions is better than the illusion of their consequence and the attendant self-satisfaction.”

“But is it such a bad thing to live like this for just a little while? Just for a few months of one's life, is it so awful to travel through time with no greater ambition than to find the next lovely meal? Or to learn how to speak a language for no higher purpose than that it pleases your ear to hear it? Or to nap in a garden, in a patch of sunlight, in the middle of the day, right next to your favourite fountain? And then to do it again the next day?”

“Tell me the word that will win you, and I will speak it. I will speak the stars of heaven into a crown for your head; I will speak the flowers of the field into a cloak; I will speak the racing stream into a melody for your ears and the voices of a thousand larks to sing it; I will speak the softness of night for your bed and the warmth of summer for your coverlet; I will speak the brightness of flame to light your way and the luster of gold to shine in your smile; I will speak until the hardness in you melts away and your heart is free.”

“You must always look with both of your eyes and listen with both of your ears. He says this is a very big world and there are many many things you could miss if you are not careful. There are remarkable things all the time, right in front of us, but our eyes have like the clouds over the sun and our lives are paler and poorer if we do not see them for what they are. If nobody speaks of remarkable things, how can they be called remarkable?”

“Because they claim to be concerned with the welfare of whole societies, governments arrogate to themselves the right to pass off as mere abstract profit or loss the human unhappiness that their decisions provoke or their negligence permits. It is a duty of an international citizenship to always bring the testimony of people's suffering to the eyes and ears of governments, sufferings for which it's untrue that they are not responsible. The suffering of men must never be a mere silent residue of policy. It grounds an absolute right to stand up and speak to those who hold power.”

“Nature hath given men one tongue but two ears, that we may hear from others twice as much as we speak.”

“For these beings, fall is ever the normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. Such are the autumn people.”

“Speak up,' says Myrna who has a fuzzy white caterpillar of a moustache. 'My hearing's not so good.' 'I WAS SHOT IN THE HEAD.' Liz turns to Thandi. 'I thought you said you didn't remember how you got the hole in your head.' Thandi apologizes. 'I just remembered.' 'Shot in the head!' Florence-scratchy-voice says. 'Oy, that's rough.' 'Aw, it's nothing special. Happens pretty regularly where I'm from,' Thandi says. 'WHAT?' asks Myrna with the moustache. 'Say it toward my left ear, that's the good one.' 'I SAID, "IT'S NOTHING SPECIAL,"' Thandi yells/”

“I have been right, Basil, haven’t I, to take my love out of poetry, and to find my wife in Shakespeare’s plays? Lips that Shakespeare taught to speak have whispered their secret in my ear. I have had the arms of Rosalind around me, and kissed Juliet on the mouth.”

“I stroked Eric's hair, tucking some behind his ear. His eyes on mine were intent, and I knew he was waiting for me to speak. "I wish," I said, "I could save orgasms in a jar for when i need them, because I think I had a few extra." Eric's eyes widened, and all of a sudden he roared with laughter. (Dead to the World)”

“In a world of chance is there a better and a worse? We yield to a stranger's embrace or give ourselves to the waves; for the blink of an eyelid our vigilance relaxes; we are asleep; and when we awake, we have lost the direction of our lives. What are these blinks of an eyelid, against which the only defence is an eternal and inhuman wakefulness? Might they not be the cracks and chinks through which another voice, other voices, speak in our lives? By what right do we close our ears to them? (Susan Barton)”

“Nick could see the gun shaking in Alan's hand now, in tight, terrified spasms. "Last night we put a magician in the river," Alan said, his voice low and intense as if he was making a promise."Maybe we should send you to join him." "You know the rules," the woman whispered. "Don't shoot the messenger." Nick interrupted, leaning down to speak in her ear. "Do they say 'Don't cut the messenger in half with your great big sword'?”

“My pulse whooshed in my ears so fast I could barely hear myself speak. “I only have—” “Two days.” He squeezed my hand. “So what? You can spend them feeling sorry for yourself, or you can let me help make them the best two days of your life, and my afterlife. So what’s it gonna be?” I stared into his eyes, like I’d never seen him before. And I hadn’t—not like this. But he’d obviously seen me, better than anyone else ever had. “Well?” Tod watched me, his hand still warm in mine. In answer, I leaned forward and kissed him again.”

“I can't really believe that it's over. "I'll speak for her." Every face turns to where Sean Kendrick stands a little apart from the crowd, his arms crossed. "This island runs on courage, not blood," he says. His face is turned towards me, but his eyes are on Eaton and his groups. In the hush after he speaks, I can hear my heart thudding in my ears.”

“Again, stepping nearer, he besought her with another tremulous eager call upon her name. 'Margaret!' Still lower went the head; more closely hidden was the face, almost resting on the table before her. He came close to her. He knelt by her side, to bring his face to a level with her ear; and whispered-panted out the words: — 'Take care. — If you do not speak — I shall claim you as my own in some strange presumptuous way.”