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Ears Quotes

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Ears Quotes

“Even you, who’ve lived inside your body for 64 years, would apparently be unable to recognize your foot in an isolated photograph of that foot, not to think of your ear or one of your eyes or elbow, also familiar to you in the context of the whole, but utterly anonymous when taken piece by piece. We are all aliens to ourselves, and if we have any sense of who we are, it is only because we live inside the eyes of others.”

IfsThinkingYearsWholeBodyEyeTakenPiecesFeetEarsPhotographYour BodyFamiliarAliensWho We AreIsolatedThink Of YouElbows
Author:Paul Auster
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“We can learn to trust ourselves by inquiring within. To practice doing this, sit quietly, close your eyes, and for a minute focus your attention on your breathing. Gently visualize your inner wisdom as a graceful butterfly. Admire her beauty, and encourage your butterfly to sit on your shoulder and whisper her wisdom in your ear. Be still and listen.”

StillsEyeAttentionPracticeFocusMinutesReflectionEarsShouldersAdmireBreathingButterflyHer BeautyInquiring
Book:The Woman's Book of Courage: Meditations for Empowerment and Peace of Mind
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“Looking for the essence of beauty is comprehending and appreciating that quality in an object which is fairer and better than only what our eyes see or our ears hear, whether that be a patch of blue in an overcast sky, the fleeting laughter from a voice we love, or something as unexpected as the rainbow colors in a spot of oil on the driveway.”

EyeVoiceQualityBeautySkyObjectsColorLaughterAppreciateEssenceEarsBlueOilSpotsUnexpectedRainbowFleetingPatchesComprehendingDrivewayOvercastEssence Of Beauty
Book:You Bring the Confetti
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“TELESCOPE, n. A device having a relation to the eye similar to that of the telephone to the ear, enabling distant objects to plague us with a multitude of needless details. Luckily it is unprovided with a bell summoning us to the sacrifice.”

EyeScienceSacrificeObjectsHumourEarsRelationDetailsDevicesBellsMultitudesTelephonesPlagueEnablingTelescopesSummoning
Book:Delphi Complete Works of Ambrose Bierce (Illustrated)
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“Art should be independent of all clap-trap - should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism and the like. All these have no kind of concern with it; and that is why I insist on calling my works 'arrangements' and 'harmonies.”

ShouldKindArtEyeEmotionCallingConcernEarsHarmonyIndependentDevotionPityArtisticAppealsTrapsArrangementsStand AloneConfoundingPity Love
Book:Delphi Complete Works of James McNeill Whistler (Illustrated)
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“Spirituality is about being ready. All the spiritual disciplines of your life - prayer, study, meditation or ritual, religious vows - are there so you can break through to the eternal. Spirituality is about awakening the eyes, the ears, the heart so you can see what's always happening right in front of you.”

HeartEyeSpiritualSpiritualityReligiousPrayerBreakStudyMeditationFrontsReadyDisciplineEternalHappeningsEarsAwakeningRitualRealismVowBreak ThroughSpiritual Disciplines
Author:Richard Rohr
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“Only--but this is rare-- When a beloved hand is laid in ours, When, jaded with the rush and glare Of the interminable hours, Our eyes can in another's eyes read clear, When our world-deafen'd ear Is by the tones of a loved voice caress'd-- A bolt is shot back somewhere in our breast, And a lost pulse of feeling stirs again. The eye sinks inward, and the heart lies plain, And what we mean, we say, and what we would, we know. A man becomes aware of his life's flow, And hears its winding murmur; and he sees The meadows where it glides, the sun, the breeze.”

KnowsMenWorldHeartMeanFeelingsHandsEyeLyingLostVoiceHoursSunClearShotsFlowEarsBelovedToneBreastsOur WorldInwardBreezePulseMeadowsBoltsCaressJadedGlare
Book:Dover Beach and Other Poems
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“The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.”

WorldWritingEyeTodayLanguageFictionResponsibilityVisionPovertyRolesAwarenessEarsIncreaseTongueSensesDeprivedPoorestCripples
Author:Anais Nin
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“We ourselves, though we're guilty of every sin, are not just a work of God: we're image. Yet we have cut ourselves off from our Creator in both soul and body. Did we get eyes to serve lust, the tongue to speak evil, ears to hear evil, a throat for gluttony, a stomach to be gluttony's ally, hands to do violence, genitals for unchaste excesses, feet for an erring life? Was the soul put in the body to think up traps, fraud, and injustice? I don't think so.”

ThinkingSoulBodyHandsEyeEvilSpeakSinCuttingViolenceFeetEarsInjusticeCreatorTongueLustGuiltyThroatStomachAlliesFraudExcessTrapsGluttonySoul And BodyErring
Author:Tertullian
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“My mother took too much, a great deal too much, care of me; she over-educated, over-instructed, over-dosed me with premature lessons of prudence: she was so afraid that I should ever do a foolish thing, or not say a wise one, that she prompted my every word, and guided my every action. So I grew up, seeing with her eyes, hearing with her ears, and judging with her understanding, till, at length, it was found out that I had not eyes, ears or understanding of my own.”

ShouldEyeCareActionMotherFoundUnderstandingMy OwnDealsToo MuchWiseSeeingJudgingGrewLessonsGrew UpEarsHearingFoolishEducatedLengthHer EyesPrudencePremature
Book:Works of Maria Edgeworth: Tales of fashionable life. 1826.- -v. 7. Patronage. 1825
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“Art is a concrete and personal and rather childish thing after all - no matter what people do to graft it into science and make it sociological and psychological; it is no good at all unless it is let alone to be itself - a game of make-believe, or re-production, very exciting and delightful to people who have an ear for it or an eye for it.”

PeopleBelieveArtMatterEyeGamesArt IsEarsExcitingNo Matter WhatProductionsPsychologicalConcreteDelightfulMake BelieveSociologicalChildish Things
Book:Willa Cather on Writing: Critical Studies on Writing as an Art
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“Paris is a city of centralisation--and centralisation and classification are closely allied. In the early times, when centralisation is becoming a fact, its forerunner is classification. All things which are similar or analogous become grouped together, and from the grouping of groups rises one whole or central point. We see radiating many long arms with innumerable tentaculae, and in the centre rises a gigantic head with a comprehensive brain and keen eyes to look on every side and ears sensitive to hear--and a voracious mouth to swallow.”

LooksLongWholeFactsEyeTogetherSidesCitiesBrainGroupsArmsBecomingMouthsAll ThingsEarsParisSensitiveCentreComprehensiveClassificationForerunners
Book:The Burial of the Rats
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“My will enkindled by mine eyes and ears, Two traded pilots 'twixt the dangerous shores Of will and judgment.”

TwoEyeDangerousMinesJudgmentEarsShorePilots
Book:The wisdom and genius of Shakspeare: comprising moral philosophy, delineations of character [&c.] with notes and scriptural references [compiled] by T. Price
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“We accepted a definition of ourselves which confined the self to the source and to the limitations of conscious attention. This definition is miserably insufficient, for in fact we know how to grow brains and eyes, ears and fingers, hearts and bones, in just the same way that we know how to walk and breathe, talk and think - only we can't put it into words. Words are too slow and too clumsy for describing such things, and conscious attention is too narrow for keeping track of all their details.”

ThinkingKnowsWayHeartSelfFactsEyeGrowsWalksAttentionBrainKnow HowSourceConsciousEarsFingersTrackDefinitionsDetailsBonesBreatheAcceptedLimitationConfinedDescribingClumsyInsufficient
Author:Alan Watts
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“The question so often asked of modern painting, "What is it?", contains more than the dull skepticism of the man who is not going to have the wool pulled over his eyes. It speaks of a fundamental placement in relation to the work, that of a voyager in the world coming upon a strange object. The reader reconstitutes the work by his active participation, by approaching the object, tapping it, shaking it, holding it to his ear to hear the roaring within. It is characteristic of the object that it does not declare itself all at once, in a rush of pleasant naïveté.”

MenWorldDoeEyeSpeakModernObjectsStrangeHe ManPaintingReaderEarsRelationFundamentalsActiveCharacteristicsPleasantHis EyesDullSkepticismParticipationShakingRoaringTappingWoolVetsPlacementActive ParticipationShaking It
Author:Donald Barthelme
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