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Ears Quotes

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Ears Quotes

“How soft the music of those village bells, Falling at interval upon the ear In cadence sweet; now dying all away, Now pealing loud again, and louder still, Clear and sonorous, as the gale comes on! With easy force it opens all the cells Where Memory slept.”

“Beside the grand history of the glaciers and their own, the mountain streams sing the history of every avalanche or earthquake and of snow, all easily recognized by the human ear, and every word evoked by the falling leaf and drinking deer, beside a thousand other facts so small and spoken by the stream in so low a voice the human ear cannot hear them.”

“The tears of the compassionate are sweeter than dewdrops falling from roses on the bosom of the earth. Shut not thine ear, therefore, against the cries of the poor, neither harden thine heart against the calamities of the innocent.”

“Prostrate on earth the bleeding warrior lies, And Isr'el's beauty on the mountains dies. How are the mighty fallen! Hush'd be my sorrow, gently fall my tears, Lest my sad tale should reach the alien's ears: Bid Fame be dumb, and tremble to proclaim In heathen Gath, or Ascalon, our shame Lest proud Philistia, lest our haughty foe, With impious scorn insult our solemn woe.”

“Atlas, we read in ancient song, Was so exceeding tall and strong, He bore the skies upon his back, Just as the pedler does his pack; But, as the pedler overpress'd Unloads upon a stall to rest, Or, when he can no longer stand, Desires a friend to lend a hand, So Atlas, lest the ponderous spheres Should sink, and fall about his ears, Got Hercules to bear the pile, That he might sit and rest awhile.”

“Highly technical philosophical arguments of the sort many philosophers favor are absent here. That is because I have a prior problem to deal with. I have learned that arguments, no matter how watertight, often fall on deaf ears. I am myself the author of arguments that I consider rigorous and unanswerable but that are often not such much rebutted or even dismissed as simply ignored.”

“The music of Gavin Bryars falls under no category. It is mongrel, full of sensuality and wit and is deeply moving. He is one of the few composers who can put slapstick and primal emotion alongside each other. He allows you to witness new wonders in the sounds around you by approaching them from a completely new angle. With a third ear maybe.”

“Were a man, whom I know to be honest and opulent, and with whom I live in intimate friendship, to come into my house, where I am surrounded with my servants, I rest assured, that he is not to stab me before he leaves it, in order to rob me of my silver standish; and I no more suspect this event, than the falling of the house itself which is new, and solidly built and founded.--But he may have been seized with a sudden and unknown frenzy.--So may a sudden earthquake arise, and shake and tumble my house about my ears.”

“Consumers cannot think in abstractions. They cannot envision a new concept. They cannot predict their behavior. They can only compare against their current frame of reference. So you need to make the big leap for them. You need to provide them with a reason to buy, a reason to brag to their friends. Expect new-to-the-world ideas to fall on deaf ears. Consumers will, however, change their tune when they can see, touch, and explore.”

“Except for the sound of the rain, on the road, on the roofs, on the umbrella, there was absolute silence: only the dying moan of the sirens continued for a moment or two to vibrate within the ear. It seemed to Scobie later that this was the ultimate border he had reached in happiness: being in darkness, alone, with the rain falling, without love or pity.”

“To evade such temptations is the first duty of the poet. For as the ear is the antechamber to the soul, poetry can adulterate and destroy more surely then lust or gunpowder. The poet's, then, is the highest office of all. His words reach where others fall short. A silly song of Shakespeare's has done more for the poor and the wicked than all the preachers and philanthropists in the world.”

“For these beings, fall is ever the normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. Such are the autumn people.”

“Brimstone: '...I shall smite thee with my fightful blasting wand so that thy teeth shall drop out, thy skin shall wrinkle, thou shalt have boils on thy bottom and be subject to night sweats, ringing in the ears, falling sickness, flaking dandruff, arthritis, lumbago, uncontrollable dribbling, deafness, runny nose, and ingrowing toenails. Amen.”

“It is said that boys fall in love with their eyes, because they can be initially struck to their very core by a girl's mere physical beauty, while girls tend to fall in love with their ears. The outward handsomeness of the lad notwithstanding, a girl most of all likes to hear words of love everlasting, of how he will be kind and gentle with her and protect her from harm and want to always hold her in the highest respect and esteem.”

“It wasn't just that Lucy wanted to help him. She wasn't as selfless as that. She was madly attracted to him. She was attracted to all of the normal things and the weird things, too, like the back of his neck and his thumbs on the edge of his desk and the way his hair stuck out on one side like a little wing over his ear. She caught his smell once, and it made her dizzy. She couldn't fall asleep that night.”

“Say something in Mandarin,” said Tessa, with a smile. Jem said something that sounded like a lot of breathy vowels and consonants run together, his voice rising and falling melodically: “Ni hen piao liang.” “What did you say?” Tessa was curious. “I said your hair is coming undone — here,” he said, and reached out and tucked an escaping curl back behind her ear. Tessa felt the blood spill hot up into her face, and was glad for the dimness of the carriage. “You have to be careful with it,” he said, taking his hand back, slowly, his fingers lingering against her cheek.”

“You will always go into that tent. You will see her scar and wonder where she got it. You will always be amazed at how one woman can have so much black hair. You will always fall in love, and it will always be like having your throat cut, just that fast. You will always run away with her. You will always lose her. You will always be a fool. You will always be dead, in a city of ice, snow falling into your ear. You have already done all of this and will do it again.”

“Theater of Cruelty means a theater difficult and cruel for myself first of all. And, on the level of performance, it is not the cruelty we can exercise upon each other by hacking at each other’s bodies, carving up our personal anatomies, or, like Assyrian emperors, sending parcels of human ears, noses, or neatly detached nostrils through the mail, but the much more terrible and necessary cruelty which things can exercise against us. We are not free. And the sky can still fall on our heads. And the theater has been created to teach us that first of all.”

“Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped in my shirt hem, my heart hammering so hard I was sure he could hear it. when I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one army going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think.”

“I noticed you the first week. Not just because of how pretty you are, though of course, that played into it. It was the way you lean onto your elbows when you 're listening in class, when something catches your interest. And when you laugh, it's never to get attention, it's just-laughter. The way you obssevively tuck your hair behind your ear on the left side, but let the right side fall down like a screen. And when you 're bored, you tap your foot soundlessly and move your fingers on the desktop like you 're playing an instrument. I wanted to sketch you.”

“Right now there’s a man on the street outside my door with outstretched hands full of heartbeats no one can hear. He has cheeks like torn sheet music every tear-broken crescendo falling on deaf ears. At his side there’s a boy with eyes like an anthem no one stands up for.”