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Emotion Quotes

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Emotion Quotes

“Women believe -- or at least often pretend to believe -- that all our tenderness for them springs from desire; that we love them when we have not for a time enjoyed them, and dismiss them when we are sated, or to express it more precisely, exhausted. There is no truth in this idea, though it may be made to appear true. When we are rigid with desire, we are apt to pretend a great tenderness in the hope of satisfying that desire; but at no other time are we in fact so liable to treat women brutally, and so unlikely to feel any deep emotion but one.”

“The human brain cannot release enough neurotransmitters to feel emotion a thousand times as strong as the grief of one funeral. A prospective risk going from 10,000,000 deaths to 100,000,000 deaths does not multiply by ten the strength of our determination to stop it. It adds one more zero on paper for our eyes to glaze over.”

“Well, one of the things we're supposed to be able to do as playwrights is write from a place of empathy, get into another character's shoes and experience things both mundane and tragic. And people don't - like me right now - people aren't necessarily the most eloquent when trying to express their emotions. I guess I feel as a playwright that those people deserve a voice, too, a voice that isn't so articulate that they themselves can no longer identify with it.”

“As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.”

“Prejudice ... is a subjective emotion which expresses itself upon others only because of an inner necessity for release. The object is irrelevant and opportune. The person who feels prejudice is the victim of himself and his own unhappiness and dissatisfaction. Life is not what he wants it to be and it has not been what he wishes it had been.”

“... what the artist or creative scientist feels is not anxiety or fear; it is joy. I use the word in contrast to happiness or pleasure. The artist, at the moment of creating, does not experience gratification or satisfaction... Rather, it is joy, joy defined as the emotion that goes with heightened consciousness, the mood that accompanies the experience of actualizing one's own potentialities.”

“It is resignation and contentment that are best calculated to lead us safely through life. Whoever has not sufficient power to endure privations, and even suffering, can never feel that he is armor proof against painful emotions,--nay, he must attribute to himself, or at least to the morbid sensitiveness of his nature, every disagreeable feeling he may suffer.”

“In truth, “Extremely Loud & Incredibly Close” isn't about Sept. 11. It's about the impulse to drain that day of its specificity and turn it into yet another wellspring of generic emotions: sadness, loneliness, happiness. This is how kitsch works. It exploits familiar images, be they puppies or babies - or, as in the case of this movie, the twin towers - and tries to make us feel good, even virtuous, simply about feeling. And, yes, you may cry, but when tears are milked as they are here, the truer response should be rage.”

“We are 'writers,' we are not supposed to be interested in filthy lucre, we are supposed to be starry eyed artistes. ... In Reality Land, we all want to maybe put dinner on the table once in a while, but in Fantasy Land, we are not supposed to be even interested in money because we are so caught up in the emotion of it all. That's an illusion, but people like it and it makes us feel holy or something so we all play along.”

“Honestly, on so many levels, I feel like motherhood has prepared me even better for directing than film school because all it is is troubleshooting and dealing with different personalities and emotions and trying to make everybody happy and at the end of the day reaching your own personal goals and agendas.”

“To allow the fear to come on you and then pass through. If you keep cutting the fear off by intervening - let's say, taking a Xanax to try to cure it - you'll never understand what fear is really for. Fear is part of a survival mechanism. The way you conquer fear is to feel it all the way, and then you'll find out that there's nothing there - it's just emotion.”

“Yes, you have cancer. Yes, your kids are on drugs. Yes, there is an elephant outside your tent. Now the question becomes, What are you going to do about it? Subsequent emotions may not be pleasant, but the hysteria stops. Hysteria accompanies an unwillingness to look at what is really going on; it promotes an unwillingness to look. We feel we are afraid to look, when actually it is not-looking that makes us afraid. The minute we look, we cease being afraid.”

“I want characters to have voices that feel authentic, unique, honest, fresh and original - all at once. Part of that authenticity is evoking genuine emotion across life - the sadness, passion, love, sense of loss, missed opportunities, and confusion even. All of this helps us realize that our choices do impact the lives that we eventually lead.”

“When there's something that impacts a family member or friend, that is difficult for them, you want to do what you can to help. Sometimes you can't do anything and it makes you feel like you're helpless, so those emotions cross a big barometer, but they're a big, broad stroke when it comes to someone who you care about. If you have compassion in your heart, you just care.”

“I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way.”