“Making this movie as a period piece about a period that was very recent in people's minds. I was in Taiwan [during the 1970s], so I hope I did all right. Otherwise, it could be the biggest embarrassment of my life. Also, the story is not linear, it's patchy, like a cubist painting, and there is always the possibility it will not hold together, it will fall apart. The tone is part satire, part serious drama, part tragedy, all mixed together, and it has to hit an emotional core. That's also very scary.” PeopleMindStoriesTogetherFallPiecesPossibilityEmotionalPaintingSeriousPeriodsDramaTragedyScaryCoreToneSatireFalling ApartEmbarrassmentLinearTaiwan Author:Ang Lee
“I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous. When you change up your pace or your humour level, then the release is welcome... I believe that's my biggest job: tone control, and maintaining enough unity so that it all feels like one movie and all the scenes belong together, and yet diversity so that emotional and narrative interest is maintained.” IfsFeelsBelieveLongEnoughTogetherJobsI BelieveInterestLevelsEmotionalHumourSceneDiversityUnityI Believe InWelcomeReleaseNarrativeToneTensionPaceIntensityMaintainingMonotonous Author:Patricia Rozema
“Very thorough in the rehearsal process but more in terms of just understanding the characters, understanding where the actors are at with discovering those characters for themselves, and just setting an overall emotional tone for the piece as opposed to necessarily getting things up on their feet or staging scenes.” CharacterActorsProcessUnderstandingTermPiecesFeetEmotionalSceneSettingSettingsToneDiscoveringRehearsalThoroughStaging Author:Kate Winslet
“I think the emotion that song carries makes it good. Because you have to produce around something - an emotional attachment and a feeling. The melody itself has a feeling in it. The keys, the tones, frequency, sonics, all of those have feelings in it. Like, it's the ghost within, the music itself. That's what makes the song even have a possibility of being great. The emotional connection. Because if you don't have that, I don't think you really have a song.” IfsThinkingFeelingsSongEmotionPossibilityProduceEmotionalKeysConnectionsGhostToneCarrieAttachmentMelodyFrequencyEmotional Connection Author:The-Dream
“Our limbic system sets the mind's emotional tone and stores our highly charged emotional memories.” MindMemoriesEmotionalStoresTone Author:Tian Dayton
“A formative influence on my undergraduate self was the response of a respected elder statesmen of the Oxford Zoology Department when an American visitor had just publicly disproved his favourite theory. The old man strode to the front of the lecture hall, shook the American warmly by the hand and declared in ringing, emotional tones: "My dear fellow, I wish to thank you. I have been wrong these fifteen years." And we clapped our hands red. Can you imagine a Government Minister being cheered in the House of Commons for a similar admission? "Resign, Resign" is a much more likely response!” MenYearsHas BeensSelfHandsGovernmentHouseWishImagineInfluenceFrontsEmotionalTheoryRedFellowsResponseDearMinistersToneDepartmentHallsOld ManFavouriteFifteenEldersLecturesStatesmenVisitorsOxfordAdmissionFifteen YearsUndergraduateHouse Of CommonsZoology Author:Richard Dawkins
“If tone is granted to be subjected to control, why not line also, which has equal emotional significance? And if line, why not shapes and forms? And if shapes and forms, why not allow elision or emphasis of detail? And if all these things are allowed, what becomes of the record of actuality ?... Sunk without a trace!” IfsFormLinesRecordsEmotionalShapesEqualDetailsGrantedToneSignificanceWhy NotEmphasisActualityWithout A Trace Author:William Mortensen
“Always tell us where we are. And don't just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they're great at this.” WorldLooksCharacterHelpingStoriesUsePayEventsEmotionalSceneNotesMoodOpeningLandscapeToneDescriptionDescribing Author:Janet Fitch
“If you're trying to convey a crucial emotional truth, you have to be in total control of the emotional pacing of the story, and if you can only strike one note in terms of tone then you're going to be quite limited as a writer.” IfsTryingStoriesTermEmotionalNotesStrikesToneCrucialPacing Author:Kevin Keck
“I would say that the emotional content of the film [Swiss Army Man] took me by surprise, and sometimes I would probably want to capture the unique tone of it.” MenWantSometimesFilmEmotionalUniqueArmySurpriseToneCaptureSwiss Author:Paul Dano
“You know, with the film industry crews, there's an odd mix between a very technical and a very artistic approach to the work, and sometimes as a woman you have to be a little bit careful about how things come out because people don't really want to listen if it's in a certain emotional tone or too strong.” PeopleIfsKnowsWantLittlesSometimesFilmCertainStrongBitsEmotionalIndustryApproachLittle BitCarefulArtisticOddToneCrewFilm Industry Author:Kristen Stewart