Best emotional & audience Quotes | Short & Famous Sayings

“IN PERSIA I SAW that poetry is meant to be set to music & chanted or sung--for one reason alone--because it works.A right combination of image & tune plunges the audience into a hal (something between emotional/aesthetic mood & trance of hyperawareness), outbursts of weeping, fits of dancing--measurable physical response to art. For us the link between poetry & body died with the bardic era--we read under the influence of a cartesian anaesthetic gas.”

Art Reason Body Audience Saws Influence Emotional Fit Died Dancing Response Mood Eras Combination Gas Tunes Poetry Is Links Meant To Be Aesthetic Weeping Plunge Trance Outburst Persia

Author:Hakim

“Ultimately, what we do as musicians, I think of us as a type of emotional engineer. We essential take these sound waves, this sound, and we organize it into emotion, and that's how we connect with our audiences.”

Thinking Sound Emotion Audience Emotional Type Essentials Musician Wave Engineers Organize Sound Waves

Author:Stefon Harris

“First and foremost, I'd say my father, Bert Lahr ... gave me a love of theatre--its kinetic and emotional potential and its raffish backstage fun--and also set an artistic example of the importance of corrupting an audience with pleasure.”

Firsts Father Fun Pleasure Audience Example Emotional Importance Theatre Artistic

Author:John Lahr

“If you can get the audience to talk to the screen, I just thought that was so cool, and I wanted to do that. And I just leaned towards the scary and the thriller. I find it very emotional. I want to make emotional horror. If I can make you cry, than you have a full experience.”

Ifs Want I Can Wanted Audience Cry Emotional Horror Scary Screens Thrillers Make You Cry

Author:Kevin D. Williamson

“The real challenge in acting is in comedy. It's easier to get that gasp in a drama. Not easy, because you still have to find that emotional pitch. And when you do something in drama and you hear that sob from the audience it's so fulfilling. But as a comic actor, when the laugh is supposed to come and you punch in that line and nothing happens it is dreadful. It's horrific and you feel like dying right there.”

Feels Stills Real Happens Actors Easy Challenges Lines Acting Audience Laughing Comedy Dying Emotional Easier Drama Things Happen Comic Fulfilling Horrific Feel Like Dying

Author:George Takei

“Aristotle writes that persuasion is based on three things: the ethos, or personal character of the speaker; the pathos, or getting the audience into the right kind of emotional receptivity; and the logos, or the argument itself, carried out by abbreviated syllogisms, or something like deductive syllogisms, and by the use of example.”

Writing Kind Character Use Three Audience Example Emotional Argument Speakers Persuasion Three Things Ethos Logos Pathos Receptivity Personal Character

Book:Propaganda and the Ethics of Persuasion - Second Edition

Source: Propaganda and the Ethics of Persuasion - Second Edition

“I have a really good idea of who my readers are and always write with a sensitivity to my audience. I use the F word when necessary, but there are words I won't use, mainly because I don't like them. I don't write about body parts when I write about sex. It's not about the physiological, it's more important for teens to read about the emotional aspects. I do think there are times when self-censorship is important.”

Thinking Writing Important Ideas Self Use Body Sex Audience Emotional Reader Aspect Good Ideas Censorship Teens Sensitivity Physiological Self Censorship

Author:Ellen Hopkins

“Starting in music, where I get a chance to connect with the lyrics of a song, I learned so much about performing on stage and connecting to your audience and to what you're singing about. Singing is very emotional. Every song has its own purpose.”

Purpose Song Chance Audience Stage Emotional Singing Starting Performing Connecting Performing On Stage

Author:Naturi Naughton

“When you're writing for the screen you're really thinking all the time of what you have to do to make sure that they have the information that they need, that the emotional thread is not snapped, that the story moves at the right speed, to keep the audience hopefully sitting on the edge of their seats or else weeping or laughing.”

Thinking Needs Writing Stories Moving Audience Laughing Information Emotional Sitting Edges Speed Screens Hopefully Seats Thread Weeping Sitting On The Edge

Author:Salman Rushdie

“I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way.”

“I wanted to make a film that wasn't just a biography. When you watched it, you actually felt that you watched a movie, that you had an emotional reaction. In order to do that, I felt that I had to really keep myself emotionally raw while working on the film. I had to feel myself crying, so the audience could be moved, too.”

Feels Wanted Film Order Felt Audience Cry Emotional Moved Reactions Biographies Emotional Reactions

Author:Tamra Davis

“Writing, for me, is a combination of objective and subjective approach. You take an objective approach at times to get you through things, and you take a subjective approach at other times, and that allows you to find an emotional experience for the audience.”

Writing Audience Emotional Approach Objectives Combination Subjective

Author:Christopher Nolan

“If I'm able to catch the screening, there's a point in the film where, like clockwork, a portion of the audience gets really emotional and begins to cry. And that's very difficult to make happen.”

Ifs Happens Able Film Difficult Audience Cry Emotional Portions Get Real Screening Clockwork

Author:Michael Pitt

“Of all people, children are the ones that really understand when there's a truth there for them - an emotional truth. The characters really have to work. Children, as an audience, are very inspirational for me.”

People Children Character Audience Emotional Very Inspirational

Author:Jan Brett

“My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.”

“Audiences will see what they want to see. Some will come out, hopefully enjoying two hours of action. Some people will find themselves gravitating towards the emotional dilemma that the characters find themselves in. Other people will see that there is some layer of subversions to the storytelling aspect of poking a finger of judgment at certain governments to the idea of foreign invasion, others maybe false pretenses.”

People Want Two Ideas Character Government Action Certain Enjoy Hours Audience Emotional Judgment Aspect Fingers Storytelling Hopefully Layers Invasion Dilemma Pretense Subversion

Author:Colin Farrell

“There's something really emotional about not having any sound. That allows, I think, the audience to participate more actively and kind of imagine what are they talking about there?”

Thinking Kind Sound Talking Audience Imagine Emotional

Author:Pete Docter

“I knew it was going to be important that if I had an audience understand who she was, then all those things had to come from a place that was grounded, as opposed to being tics and manners and twitches. I didn't think it was going to be as rich, perhaps, as if I was going to make it more emotional.”

Ifs Thinking Important Audience Rich Emotional Manners Grounded Tics

Author:Kate Winslet

“But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.”

Ifs Doe Important Real States Would Be Running Order Fall Found Energy Sound Voice Audience Alive Emotional Scene Breaths Flats Usual Animated Sids

Author:John Leguizamo

“As an actor, you want people to see you as a whole person, not just a single facet of your emotional spectrum. And whether it's the audience or the industry, you end up getting pigeonholed as one thing. So for people to see I can be funny and stay in shape is a bit of a weight off my shoulders.”

People Want Persons I Can Ends Whole Actors Bits Audience One Thing Emotional Industry Shapes Weight Shoulders Spectrum Facets Whole Person

Author:Scott Porter

“At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.”

Should Heart Ends Stories Able Film Powerful Attention Audience Successful Middle Emotional Intellectual Narrative Dramatic Capture Viewers Arcs Protagonists Beginning Middle And End

Author:Julia Bacha

“I've been wanting for some time to find a way of stylizing cinema and trying to get closer to the emotional story I was telling and get rid of all the bumph that goes with it and allow the audience a more participatory experience. It was an attempt to do all of those things and to express the idea that all these people were just performing roles in their lives.”

People Way Trying Ideas Stories Roles Audience Emotional Cinema Performing

Author:Joe Wright

“The one thing you can do that the audience can't do - all those smart people online in the chat rooms can't do - is deliver a satisfying emotional journey for a human being, for a character.”

People Humans Character Can Do Human Beings Rooms Audience One Thing Journey Emotional Smart Online Satisfying Smart People

Author:Frank Spotnitz

“The fact that I do place music at the end of my films is not to accentuate the emotion. It serves an opposite purpose which is to remove them from the emotional space and allow them to enter a space of thinking, because I believe that when the audience is watching the film they're watching it with their feelings.”

Thinking Believe Ends Facts Feelings Film Purpose I Believe Space Emotion Audience Emotional Opposites Remove Accentuate

Author:Asghar Farhadi

“Personal stories are the emotional glue that connects your audience to your message.”

Stories Audience Emotional Messages Glue Personal Stories

Author:Nancy Duarte

“Our audience holds us to an incredibly high standard of continuity and emotional authenticity. We don't toy with that, but oftentimes we write stories, in order to spark debate. We're very determined to always give the answer. We don't want to leave a lot of things open to debate, at the end of the day.”

Want Giving Writing Ends Stories Order Answers Audience Emotional Standards Determined Debate Authenticity The End Of The Day Sparks Toys Continuity High Standards

Author:Jeff Pinkner

“I had invited 50 or 60 peers and friends, most of whom were parents, to see the film [Trust], and I asked about the last scene. It was interesting because it was split right down the middle, 50/50. About half the audience wanted it to end with the very emotional scene between Clive and Liana, and that feeling of realization and catharsis. And, the other half were adamant about keeping that last scene.”

Ends Feelings Wanted Lasts Film Parent Interesting Half Audience Middle Emotional Scene Realization Splits Peers Invited Other Half Catharsis Adamant

Author:David Schwimmer

“I do all the things that singer-songwriters do. I introduce the songs, I have a story to tell about everything all the time - I cannot be on stage and have something on my mind without telling the audience. I'm super emotional and expressive and vulnerable in that moment.”

Mind Moments Stories Song Audience Stage Emotional Singers Vulnerable That Moment Introducing Songwriters Singer Songwriters Expressive

Author:India.Arie

“Today the challenge is not visuals, but to be able to tell a riveting emotional story, something that can reach deep down inside the audience's heart and twist it like a toy to make them laugh, cry or jump out of their seats to root for the hero.”

Heart Stories Today Able Challenges Audience Laughing Cry Emotional Hero Roots Visuals Seats Toys Twists Deep Down

Author:Gabriel Campisi

“If the show encourages an audience to ask the question, "Is this character's emotional response to this situation valid?," then that's a really good question to ask.”

Ifs Character Shows Asks Situation Audience Emotional Response Good Questions Emotional Response

Author:Charlie Cox

“It's interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That's what I mean. Also, of course, it means that I'm slightly setting up the audience that there's a bit of fun involved, as well.”

Wells Heart Mean Courses Fun Bits Interesting Audience Emotional Involved Setting Settings Sentimental

Author:Alan Cumming

“Globalisation means indeed everything is global but there are still very specific centres of power, especially when it comes to media and news.Misinformation about some attacks is going to affect how emotionally involved the audience is going to get. In the end, an emotional ranking is artificially created when it comes to casualties.”

Mean Stills Ends Audience Media Emotional Involved News Centre Casualties Misinformation Ranking Globalisation

Author:Tariq Ramadan

“The source of inspiration can be any of the things:deep emotional experiences - say, romantic love or spiritual contemplation.I think such rare moments come only when you have total concentration. You are consumed in and by the music. I guess you could say that it is akin to contemplation. In order to reach this desirable state of mind you have to rise above the environment you're in at that particular time - a bad piano, glaring stage lights, or the attitude of the audience. Sometimes the inspiration of the other musicians you're playing with helps you reach this stage.”

Thinking Mind Sometimes Moments Helping Inspiration Spiritual Attitude Audience Environment Emotional Musician Contemplation Concentration State Of Mind Romantic Love Rise Above

Author:Dave Brubeck

“The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.”

Fun Audience Emotional Ripple

Author:Colin Callender

“'Hoop Dreams' brought us back to our roots in veríté filmmaking. What we saw in the powerful emotional scenes within it - at nearly three hours long and with no star power - was an outreach to a different and more important audiences. There were the similarly involved folks who saw it that were part of the struggle, but there was also a new audience that weren't empathetic or sympathetic to the people we were portraying. They would never watch a film about inner city families, but they watched 'Hoop Dreams.'”

People Long Important Different Dream Film Hours Powerful Audience Struggle Emotional Scene Filmmaking Sympathetic Empathetic Outreach

Author:Gordon Quinn

“In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.”

Thinking Kids Film House Audience Violence Emotional Horror Window Shining Vulnerable Intimacy Halloween Very Deep Horror Film Nicholson Shelley Babysitting

Author:Kimberly Peirce

“If you're doing a musical, you should be out to give the audience something special, emotional, an uplifting feeling, something that stays with them.”

Giving Feelings Audience Special Emotional Musical Uplifting

Author:Robert Lopez

“To achieve the intimacy between performer and audience in storytelling, I feel like I have to let the audience in on my emotional state, not just, "Here's a story I'm going to tell by rote, and you're just going to listen to it, because I'm such a wonderfully entertaining fellow." It's the idea of sharing enough of myself that it's not just all about, "Look at me, look at me." There's an element to it of, "You understand what I'm talking about, right? You've been in this place that I've been in," which makes it a richer experience.”

Enough Audience Achieve Emotional Storytelling Intimacy Look At Me

Author:Paul F. Tompkins

“Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.”

Littles Stills Song Space Audience Special Effects Produce Emotional Depth Pops Artistic Concerts Vocabulary Special Effects Pop Song Catchy Rapport Overkill

Author:Camille Paglia

Emotional Quotes

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Emotional Quotes