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Emotional Quotes

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Emotional Quotes

“Fear-of not being loved, of abandonment, of being thought to be selfish-is the main thing that keeps us vulnerable and bound in the chains of emotional dependence. Therefore, our two most difficult challenges are to truly believe it is okay for us to be ourselves and to learn to live with, move through, and heal our fears.”

“An extremely important part of our work toward emotional growth and change will come from examining our belief systems regarding all areas of life. To gain the courage to be yourself, you need to address the beliefs that are keeping you stuck where you are. What beliefs, assumptions, and attitudes are you holding onto even though they no longer enhance your life? It is possible to free yourself from worn-out beliefs and acquire ones that bring happiness, strength, and self-esteem. What we believe we may become.”

“I am willing to believe that my unobtainable sixty seconds within a sponge or a flatworm might not reveal any mental acuity that I would care to call consciousness. But I am also confident [...] that vultures and sloths, as close evolutionary relatives with the same basic set of organs, lie on our side of any meaningful (and necessarily fuzzy) border and that we are therefore not mistaken when we look them in the eye and see a glimmer of emotional and conceptual affinity.”

“There are going to be a lot of questions, not just in my country, but across the Middle East. Is Israel going to continue to be "Fortress Israel"? Or, as we all hope, become accepted into the neighborhood, which I believe is the only way we can move forward in harmony. And no matter what's happening in the Middle East - the Arab Spring, et cetera, the economic challenges, high rates of unemployment - the emotional, critical issue is always the Israeli-Palestinian one.”

“Through the history of art we can see through the emotional life, and sometimes the financial security of some of the artists, some transformation. And I really believe that it's generally about the same kind of transformation and the same kind of reaction. We are a little bit less individual than we would like to believe or guess we are.”

“We already have the material means to eradicate deep poverty and thereby eradicate hunger. We have the material means to begin the tremendous clean up of the environmental messes we’ve created. We have, I believe, the psychological, emotional and spiritual means to create a world without war. We have the material means to create a world in which unnecessary human suffering has been drastically diminished. My vision for the future is that we do those things. And I think we will.”

“George Orwell was right. There's no greater genius as far as I'm concerned in terms of understanding human nature. I think that a lot of people just believe anything you tell them, and no matter what it is, they just go along with the program. They're perfectly happy to take their pill every day and do what they're told, and work and buy things, and work and buy things, and stay out of any complex emotional situations. And whatever the authorities tell them to do, they do, and whatever the authorities say is the truth, they believe is the truth.”

“I like pacifists and people who have a heavy emotional identification with deathism and war would probably call me a pacifist, but I am a non-invasivist rather than a non-violentist. That is, I believe that an invaded people have the right to defend themselves by any means necessary. This includes putting ground glass or poison in the invaders' food, shooting at them from ambush, sabotage, the general strike, armed revolution, etc. It's up to the invaded to decide which of these techniques they will use. It's not up to some moralist to tell them which techniques are permissible.”

“I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous. When you change up your pace or your humour level, then the release is welcome... I believe that's my biggest job: tone control, and maintaining enough unity so that it all feels like one movie and all the scenes belong together, and yet diversity so that emotional and narrative interest is maintained.”

“There are, however, exceptions to this reliance on feelings as evidence of truth: if, for instance, your feelings lead to disbelief instead of belief, they're apt to be dismissed as some form of denial. This is not a common problem. Usually intellectualism, not feeling reality, is blamed for disbelief. But, some angel experts suggest, there may be emotional as well as intellectual barriers to belief: unwillingness to believe in angels can reflect low self-esteem.”

“Where do whites fit in the New Africa? Nowhere, I'm inclined to sayand I do believe that it is true that even the gentlest and most westernised Africans would like the emotional idea of the continent entirely without the complication of the presence of the white man for a generation or two. But nowhere, as an answer for us whites, is in the same category as remarks like What's the use of living? in the face of the threat of atomic radiation. We are living; we are in Africa.”

“Write what you know. Every guide for the aspiring author advises this. Because I live in a long-settled rural place, I know certain things. I know the feel of a newborn lamb's damp, tight-curled fleece and the sharp sound a well-bucket chain makes as it scrapes on stone. But more than these material things, I know the feelings that flourish in small communities. And I know other kinds of emotional truths that I believe apply across the centuries.”

“We've always told stories through music and rhythm and movement, and what we know as western opera has only been around for a few hundred years and in different forms before that. There is great passion regardless of the fact that it's expensive and people who invest in it are giving money because they believe in it. They're not getting anything back other than satisfaction and enjoyment of hopefully many people having a human, deep, reflective and meditative experience that at its core is incredibly emotional.”

“There is scarcely room for doubt that something in the psychological relation of a mother-in-law to a son-in-law breeds hostility between them and makes it hard for them to live together. But the fact that in civilized societies mothers-in-law are such a favourite subject for jokes seems to me to suggest that the emotional relation involved includes sharply contrasted components. I believe, that is, that this relation is in fact an 'ambivalent' one, composed of conflicting affectionate and hostile impulses.”

“It's so fun to be on a show where we're all on our toes, all the time. We're constantly texting each other and calling each other while we're reading and go, "Oh, my gosh, I can't believe you do that! Holy cow! This is crazy!" Sometimes it's a bit more procedural. Sometimes it's a bit more emotional. We get the best of all genres, in one little package.”

“The artist must operate on the assumption that the public consists in the highest order of individual; that he is civilized, cultured, and highly sensitive both to emotional and intellectual contexts. And while the whole public most certainly does not consist in that sort of individual, still the tendency of art is to create such a public - to lift the level of perceptivity, to increase and enrich the average individual's store of values... I believe that it is in a certain devotion to concepts of truth that we discover values.”

“In the consumer culture of marriage, commitments last as long as the other person is meeting our needs. We still believe in commitment, because we know that committed relationships are good for us, but powerful voices coming from inside and outside tell us that we are suckers if we settle for less than we think we need and deserve in our marriage. Most baby boomers and their offspring carry in our heads the internalized voice of the consumer culture-to encourage us to stop working so hard or to get out of a marriage that is not meeting our current emotional needs.”

“I never thought in a million years that I'd ever sell out back-to-back shows at The Garden. That's not to say, I never expected my career to take off. Still, it was a "Pinch Me, Wake Me Up" moment. I was like, "Wow! I can't believe this. That I'm actually here, and this is actually happening." And in that moment, when I was about to thank my fans for supporting me, I noticed that they were standing up clapping. It was overwhelming, and became a very emotional moment when I tried to thank them.”

“The center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.”

“Most of the people I've been fortunate enough to work with all share the same passion for creativity, for ingenuity, for playing make-believe and really just having fun. It doesn't matter if we're blowing up cars, or shooting an emotional scene in a police station, deep inside we all know our imaginations are at work, and our imaginations are manifesting into reality - at least momentarily for the cameras to capture.”

“I am a very emotional human being and would say that I handle emotional pain in a healthy way by always letting it out and not keeping it in. There is no better feeling than allowing those tears to flow when I am feeling emotionally constricted. Crying feels so good sometimes, and I do it when I'm happy, sad, stressed, scared. I like to believe that tears are my friend.”

“I happen to be a very passionate person, so when I first feel emotional pain, I take it very hard. I'll more than likely have a mild breakdown for a few moments, but I allow myself to feel these emotions, release them, and learn to use that hurt as my strength for change. I believe that you can take all experiences and use them as knowledge and fuel to be a better person.”

“Just because I said lyrics are a sign of the inability to sing doesn't mean....A) I believe that, or B) I don't think they're cool. They are cool. Words are great. I sing along with my favorite songs, but when I am drumming and singing, the words become a note that for me. In the process of playing they have more emotional impact as notes then an actual word.”

“I do my best to choose carefully. If I don’t feel that collaboration is going to happen, I say no. Think about it. These projects can involve a five-to-seven-year partnership. If you don’t feel comfortable with someone, you can’t get rid of them. I just walked away from a job for that reason. Every one of these projects is an emotional investment, like falling in love. You’ve got to believe in it and you’ve got to like the people you work with.”

“I'm always looking for older equipment and ways of recording, but you can't escape the fact that it's all going to be digitized and reduced. I do think music sounds better when it's on tape and more simply recorded. I've been arguing with people for 10 years about tape versus digital, and I believe tape is absolutely essential in getting the sound that's conducive to the enjoyment of music. I wonder if it's going to go back to that. Sometimes I think it has to. As music becomes more computer-based, it's lost some emotional impact.”

“I think a huge part is how we're socialized growing up to see our value and worth as being tied into a relationship and how our culture teaches us a distorted sense of romantic love - can't live without you, can't breathe without you, I'll die without you. As teenage girls we believe that level of emotional intensity and dramatics equates with real love. We're also taught that if we date lots of people, then we're sluts, so at an early age we put all our eggs into one basket, so to speak, and concentrate on "the one".”

“Success means having the courage, the determination, and the will to become the person you believe you were meant to be.”