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Faces Quotes

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Faces Quotes

“Michael [Jackson] reconstructed his face and deconstructed the African features into a spooky European geography of fleshly possibilities, and yet what we couldn't deny, that even as his face got whiter and whiter his music got Blacker and Blacker. His soul got more deeply rooted in the existential agony and the profound social grief that Black people are heir to.”

“When the time of danger comes, all Americans, whatever their social standing, whatever their creed, whatever the training they have received, no matter from what section of the country they have come, stand together as men, as Americans, and are content to face the same fate and do the same duties because fundamentally they all alike have the common purpose to serve the glorious flag of their common country.”

“There is no good reason why we should fear the future, but there is every reason why we should face it seriously, neither hiding from ourselves the gravity of the problems before us nor fearing to approach these problems with the unbending, unflinching purpose to solve them aright.”

“Unless you can muse in a crowd all day On the absent face that fixed you; Unless you can love, as the angels may, With the breadth of heaven betwixt you; Unless you can dream that his faith is fast, Through behoving and unbehoving; Unless you can die when the dream is past — Oh, never call it loving!”

“Everyone goes to the 'Grands-Boulevards' (in Paris, ed.) and let himself loose... ...Do not picture these in costume, they are not for the most part... ...perhaps a clown with a big nose, or two girls with bare necks and short skirts... ...the parade of the queens of the halls (markets) is also one of the events... ...Some are pretty but look awkward in their silk dresses and crowns, particularly as the broad sun displays their defects - perhaps a neck too thin or a painted face which shows ghastley white in the sunlight.”

“Until the Great Depression, most economists clung to a vision of capitalism as a perfect or nearly perfect system. That vision wasn’t sustainable in the face of mass unemployment, but as memories of the Depression faded, economists fell back in love with the old, idealized vision of an economy in which rational individuals interact in perfect markets.”

“Everybody is not going to be squeaky clean. All the guys they are giving these marketing endorsement deals are the ones going out there getting in trouble. That is what is really puzzling to me. They will take a chance on the so call good image guy and they are the ones that go out there and screw it all up. You have not seen my face go across the screen for any off the field problems, period.”

“I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish.”

“Justice is not available to all equally; it is something that many of us must struggle to achieve. As an elected official, I know that fighting for what is just is not always popular but it is necessary; that is the real challenge that public servants face and it is where courage counts the most. Without courage, our action or inaction results in suffering of the few and injustice for all.”

“The powerful have received their share of the world's attention even when their power has been shown as sheer evil. The victim's remain the faceless masses. Numbers. Mass graves. These monsters have fertilized our century with the mass graves of their victims and it is time that the powerless had names and faces -- and voices.”

“Those of us whose parenting style can be described as "a series of reflexes, instincts, and minute-by-minute adjustments," as Julie of A Little Pregnant puts it, rather than as a philosophy, are less invested in our own practices. What we do is often less a matter of conviction than one of convenience. What we need to remember is that there is no need to apologize for that, even in the face of the most red-faced outrage.”

“Every morning I have been looking at CNN to see if there is any reason for hope. I see a few large and impressive peace protests here and there around the world, but mostly I see empty robot faces monotonously reciting the magic incantations, "We must support the President" and "We must support our troops," both of which mean the killing must continue.”

“Friends told me that the latest trend, at least in Europe, is public sex. They showed me some clips, and they're terrifying. A couple enters a streetcar, half-full, simply takes a seat, undresses, and starts to do it. You can see from surprised faces that it's not staged. It's pure working-class suburb. But what's fascinating is that the people all look, and then they politely ignore it. The message is that even if you're together in public with people, it still counts as private space.”

“it is not men that most women worry about when they rise to the defense of the status quo. Their apparent endorsement of male supremacy is, rather, a pathetic striving for self-respect, self-justification, and self-pardon. After fifteen hundred years of subjection to men, Western woman finds it almost unbearable to face the fact that she has been hoodwinked and enslaved by her inferiors - that the master is lesser than the slave.”

“It's not easy to live every moment wholly aware of death. It's like trying to stare the sun in the face: you can stand only so much of it. Because we cannot live frozen in fear, we generate methods to soften death's terror. We project ourselves into the future through our children; we grow rich, famous, ever larger; we develop compulsive protective rituals; or we embrace an impregnable belief in an ultimate rescuer.”

“But to demand that a work be “relatable” expresses a different expectation: that the work itself be somehow accommodating to, or reflective of, the experience of the reader or viewer. The reader or viewer remains passive in the face of the book or movie or play: she expects the work to be done for her. If the concept of identification suggested that an individual experiences a work as a mirror in which he might recognize himself, the notion of relatability implies that the work in question serves like a selfie: a flattering confirmation of an individual's solipsism.”