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Fashion Quotes

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Fashion Quotes

“I was also very lucky to be able to work with talented people while I was learning. I didn't actually go to fashion school. I worked with Riccardo Tisci at Givenchy which was a really pivotal experience for me. He taught me a lot about being faithful to your own voice and to really believe in your own voice and that's made a big difference.”

“We're bombarded with liberal propaganda 24/7, from the early morning shows, Hollywood movies, documentaries and sitcoms, all major newspapers, fashion magazines, the sports pages, public schools, college professors and administrators, etcetera, etcetera, etcetera. Unless liberals specifically seek out Ann Coulter books and columns, which I highly recommend, or tune into Fox News or conservative talk radio, they have no idea what conservatives are thinking.”

“Fashion, leader of a chatt'ring train, Whom man for his own hurt permits to reign Who shifts and changes all things but his shape, And would degrade her vot'ry to an ape, The fruitful parent of abuse and wrong, Holds a usurp'd dominion o'er his tongue, There sits and prompts him with his own disgrace, Prescribes the theme, the tone, and the grimace, And when accomplish'd in her wayward school, Calls gentleman whom she has made a fool.”

“I realized that the way I approached architecture was with a somewhat fashion brain. That didn't get me very good marks in school, because everyone thought fashion was lightweight. In architecture they say, "Well, why is the door pink? Where does it go? What does the pink mean? What does it symbolize? All the other doors are beige, why is that one pink?" I was like, "Well, it's pink because it's pretty."”

“How did we lose our culture? Black people used to all do the same thing on Saturdays. We all watched "Soul Train" and "American Bandstand", got our fashion and dance tips, and then we emulated it and bought those records that we heard. Now it seems like there is no culture. The school of fish are all separate. Everybody's just randomized, listening to their own thing in their earbuds, and there's no uniformity. That bothers me.”

“I received a wonderful email after I spoke at a school from a girl who'd lived in a war zone and endured horrors no human being should suffer, let alone a child. This young lady was fortunate to be bought to Britain and seemed to adjust well, but suddenly found herself falling off the rails and sliding into hell when I chatted to her. In her letter, she told me the difference that I'd made. She's now 20 years old and a fashion designer employing staff and she puts her work ethic down purely to talking to me. It's my most treasured letter.”

“I know I wasn't allowed to go to fashion school; I can't cut a dress like Galliano, right? But I had enough wherewithal to go to that studio on my first collection and bring Kim, [stylist] Christine Centenera, Ian Connor, Theophilus London, Virgil Abloh...they all came down to [Vetements/Balenciaga designer] Demna Gvasalia's studio that night and hung out.”

“I didn't do well in high school, but I took photography, and I loved being able to capture moments. It led to more and more photography, and fashion was the angle into photography for me. It was incredible to see photographs by Irving Penn or Helmut Newton. I was really intrigued by that, and that's what led me to New York City.”

“The difference between what designers create are you know they're creating a little world every season, you know head to toe, a full look, shoes bags, dresses, the whole thing whereas street fashion is what people are really wearing. There is an element of new. There is an element of previous seasons. There is your own history, you know your sweatshirt from high school and vintage pieces and it's that kind of combination that I find so much more interesting than just the runway, but you know and I love fashion.”

“One of the things I've probably absorbed when I was in business school - and didn't know I was learning it - was about life cycles, that things begin, and they peak, and then they decline. So whether you look at life cycles of fashion, or you look at life cycles of things that people buy, designs, everything is in a life cycle. Getting out of the apparel businesses and into beauty and lingerie, those were very big bets, but they were very deliberately thought about and tested over time.”

“Well, that's why I really love Diego Della Valle, because he's crazy. Instead of going out to find a top business school graduate, for whom it would have taken five years to see the difference between a ballet shoe and a book, he asked me to revive the label. It's a bit like Balenciaga. Brands like Vivier are pillars - they are monuments of fashion; they are names we don't forget. But the general public doesn't necessarily know that and therefore we had to get the name re-known.”