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Fashion Quotes

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Fashion Quotes

“My favorite type of photography - apart from fashion photography - is journalism, which in a way documents something that exists in a very precise moment, that didnt exist in a moment before and will not exist ever again. This has influenced my work a lot - I usually try to make my images look like they just exist, like no effort was put into it.”

“In retrospect, it's ridiculous that anyone saw me as a fashion icon, since all I was trying to do was to dumb down my middle-class look by messing with my hair. Throughout the eighties I was invariably half-sure and half-confident about whatever it was I wore…Still, I've always believed—still do—that the radical is far more interesting when it looks benign and ordinary on the outside.”

“The red library is Sui's tribute to fashion maven Diana Vreeland, who served as editor for Harper's Bazaar (1939-1962) and Vogue (1963-1961). My most precious collection is my bound Vogue magazines, .. and they're kind of like my Bible. I look at them all the time when I'm trying to inspire myself for a collection.”

“Take risks! That is really what life is about. We must pursue our own happiness. Nobody has ever lived our lives; ther are no guidelines. Trust your instincts. Accept nothing but the best. But then also look for it carefully. Don't allow it to slip between your fingers. Sometimes, good things come to us in a such a quiet fashion. And nothing comes complete. It is what we make of whatever we encounter that determines the outcome. What we choose to see, what we choose to save. And what we choose to remember. Never foget that all the love in your life is there, inside you, always.”

“I don't think the role of style is different for a woman of any age. Style, to me, is about experimenting with what gives you pleasure, a joyous expression of imagination. I emphasize joyous because too much is written about fashion that takes the pleasure away - clothes that make you look thinner or clothes that make you look younger or, horrors, clothes that make other people envy you or that - double horrors - are "age appropriate".”

“Writing those books ['Beauty' and 'Style']was really eye-opening, as you realize just how much goes into beauty and fashion, and also how much I've learned over the years. I think both books are essential, as they don't really teach you one particular look that will go out of style next season, but rather tools and tricks you can use over the years.”

“If I'm wearing jeans all day at work, it's [hard] to slip into a dress and make yourself feel like you were born in it. That sort of thing can really be the difference between a good look and a great look. You can have a great dress, but when you put it on and you feel like it's embodying who you are that day, that's not just fashion, that's style!”

“Human beings are many-layered creatures, and do not succumb to the hegemony of others as easily as historians and politicians sometimes imply. Those Welsh, Scottish and Anglo-Irish individuals who became part of the British Establishment in this period did not in the main sell out in the sense of becoming Anglicised look-alikes. Instead, they became British in a new and intensely profitable fashion, while remaining in their own minds and behavior Welsh, or Scottish, or Irish aswell.”

“I have fashion designers that I definitely respect. After working for a few years in the industry, you want to branch out and do your own thing and I think that's something that has always been important to me is strengthening the brand and just sticking to "this is who we are, this is our identity, this is who we're going to be". I definitely respect other designers but I don't necessarily have one that I look up to.”

“Most brands that are called luxury brands today are not true luxury brands. The globalization of fashion and luxury means you now find the same luxury brands in every city. The stores look the same, the products are the same. It is still a very good quality product but it is now readily available to everyone. It's a kind of mass luxury.”

“Custom is the law of one description of fools, and fashion of another; but the two parties often clash--for precedent is the legislator of the first, and novelty of the last. Custom, therefore, looks to things that are past, and fashion to things that are present.”

“Why, just a couple of economic seasons ago, was idle cash considered an indication of bad management or lazy management? Because it meant that management didn't have this money out at work ... Now look. Presto! A new fashion! Cash is back in! Denigrating liquidity has dropped quicker than hemlines. A management is now saluted if it has some cash, some liquidity, doesn't have to go to the money market at huge interest rates to get the wherewithal to keep going and growing. Along with Ben Franklin, my father and your father would understand and applaud this new economic fashion.”

“I'd rather look ridiculous when everybody else does than plain and sensible all by myself.”

“Maybe it's good a thing that people see me this way [in the documentary film]. They expect to see me with the high heels, the glamour looks, but now they will see me running through an airport with flat shoes! Also, they'll discover that stylists with "names" are in general nicer, sweeter, have a heart, have great relationships with family and friends, and that's important. It shows that people in fashion aren't just freaks.”

“The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood. The clothes are on mannequins, also on hangers and in boxes with a photo of each piece, and there's a Web site where I can go to look through everything. It's too big - I could never sort through it myself! But these garments tell the stories of my life.”