Quotessence
Home / Topics / Whitney Quotes

Whitney Quotes

Browse 75 quotes about Whitney.

Related topics

Whitney Quotes

“I'm very proud of my love for Whitney Houston. She really changed my life. She made my life a better life. She was so beautiful in her love for God, her love for her family and her love for music. She truly loved her music. She could do everything! She had flawless rhythm, flawless pitch, flawless feeling, and flawless beauty.”

“Emma took the revelation, on polygamy supposed she had all there was; but Joseph had wisdom enough to take care of it, and he had handed the revelation to Bishop Whitney, and he wrote it all off... She went to the fireplace and put it in, and put a candle under it and burnt it, and she thought that was the end of it, and she will be damned as sure as she is a living woman. Joseph used to say that he would have her hereafter, if he had to go to hell for her, and he will have to go to hell for her as sure as he ever gets her.”

“There's no concession to the fact that Dylan might be a more sophisticated singer than Whitney Houston, that he's probably the most sophisticated singer we've had in a generation. Nobody is identifying our popular singers like a Matisse or Picasso. Dylan's a Picasso - that exuberance, range, and assimilation of the whole history of music.”

“I had an idea for a medical conspiracy thriller. Since it was non-horror, I didn't want the publishers and editors bringing a lot of baggage - my history as a genre writer in the SF and horror fields, for instance - to the novel when they read it. I wanted them to consider the book solely on its own merits. So I called myself Colin Andrews. I was tired of seeing my books at floor level. Not that Herman Wouk and Phyllis Whitney and William Wharton are bad company, but I wanted to be up at eye level for a change, where people with bad backs could get a chance to see my books.”

“Alberto Alessi had asked a dozen architects to design a sterling silver tea service - with a teapot, a coffee pot, sugar, creamer, a spoon, and a tray. Our brief was that it didn't matter if it didn't work and cost wasn't the issue. It was a promotional project, not a commercial enterprise, and was going to be showcased in museums. And the coffee and tea piazza, as mine was called, received a great response. It was wonderful to walk into the Whitney museum and see all these objects on the first floor.”

“I was just so honored to play the role of Cinderella and to just be the first African-American princess, that's just historic for me, that's such a mark in my life and my career and then the bonus of just working with my favorite person in the whole world, Whitney [Houston], like her voice just did something to my spirit.”

“Whitney proved to be a competent manufacturer, but wasn't an original inventor to any important degree. Thomas Blanchard was a true genius: his stock making machine was the daddy of all the industrial profiling machinery, like the 1870s universal milling machine, that was the especial American contribution to machining technology. By that time, the British conceded that machinery innovation had shifted to America.”

“I have to always, always pay homage to a woman I never met but she touched me like she touched so many others with that amazing voice, Whitney Houston. The very first time I heard her voice, I knew I wanted to make people feel that way. Even if I couldn't do all of that that she did, the way she was able to tell my story without even knowing me, the way she could feel what I didn't know how to express, it was spiritual almost.”

“When Whitney Houston died, I felt great sadness. My sadness, of course, was about our collective loss - when you listened to this nightingale sing, your body would drop into a chair, your head would tilt up, a small smile would creep across your face, and inside you knew that there was a higher power somewhere: gifted, beautiful, spiritual.”

“'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun, but it'll leave you only comfortably numb. For starters, it may be the whitest, straightest, most conservative show seen in a New York museum since psychedelia was new.”

“I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.”

“I ought to break your neck!" Clayton interrupted. Too late, Whitney realized that she shouldn't have been standing all this time on her "injured" knee. "Allow me to congratulate you on a fine day's work, Madam," he said sternly. "In less than twelve hours, you've brought Whitticomb to your side and Cuthbert to your feet.”