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Fashion Quotes

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Fashion Quotes

“In spite of the frightful pogroms which took place, first in Poland and then in unprecedented fashion in the Ukraine, and which cost the lives of thousands of Jews, the Jewish people considered the post-war period as a messianic era. Israel, during those years, 1919-1920, rejoiced in Eastern and Southern Europe, in Northern and Southern Africa, and above all in America.”

“You always hear about fashion's success stories. How a starlet lost an earring one night and by the next morning, the entire country was wearing one earring. Or how sweaters made a comeback in a drugstore, or a First Lady influenced how we dressed during her reign. But what about the losers? The fashions that came and went out the same day? The hopes and dreams of designers that were shattered by the sound of fifty million women ... laughing themselves to death.”

“A person who is anxious to be a leader of the fashion, or one of the first to follow it, will certainly appear in the eyes of judicious men to have nothing better than a frequent change of dress to recommend him to notice.”

“Each man in his life honors, and imitates as well as he can, that god to whose choir he belonged, while he is uncorrupted in his first incarnation here; and in the fashion he has thus learned, he bears himself to his beloved as well as to the rest. So, then, each chooses from among the beautiful a love conforming to his kind, and then, as if his chosen were his god, he sets him up and robes him for worship.”

“Custom is the law of one description of fools, and fashion of another; but the two parties often clash--for precedent is the legislator of the first, and novelty of the last. Custom, therefore, looks to things that are past, and fashion to things that are present.”

“Quite the ugliest face I ever saw was that of a woman whom the world called beautiful. Through its silver veil the evil and ungentle passions looked out, hideous and hateful. On the other hand, there are faces which the multitude, at first glance, pronounce homely, unattractive and such as "Nature fashions by the gross," which I always recognize with a warm heart-thrill. Not for the world would I have one feature changed; they please me as they are; they are hallowed by kind memories, and are beautiful through their associations.”

“Do not talk about giftedness, inborn talents! One can assume great men of all kinds who were very little gifted. They acquired greatness, became “geniuses” (as we put it), through qualities the lack of which no one who knew what they were would boast of: they all possessed that seriousness of the efficient workman which first learns to construct the parts properly before it ventures to fashion a great whole; they allowed themselves time for it, because they took more pleasure in making the little, secondary things well than in the effect of a dazzling whole.”

“There comes a moment during which almost every girl or boy falls into melancholy; they are tormented by a vague inquietude which rests on everything and finds nothing to calm it. They seek solitude; they weep; the silence to be found in cloister attracts them: the image of peace that seems to reign in religious houses seduces them. They mistake the first manifestations of a developing sexual nature for the voice of God calling them to Himself; and it is precisely when nature is inciting them that they embrace a fashion of life contrary to nature's wish.”

“I am excited by this collaboration: this is the first time H&M involves a Fashion Director in a special project. This is the sign of an important evolution in fashion, and I am both thrilled and humbled to be the one chosen to lead it. I wanted to create precious accessories that are impossible to find. As a stylist I know accessorization is essential: it is the personal touch to any outfit. With these pieces everybody can have fun, turning an ordinary day into a fantastic fashion day”

“In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography.”

“There are two things. There was the moral responsibility, and that, first, is creating an atmosphere where the security forces can kill with impunity, where they can turn up at a place, shoot seven people - really at point-blank fashions - and then get away with it and be, in fact, promoted. And then there is the actual responsibility, the governmental responsibility. My aunt's government forbade us, initially, from filing a police report - which is every Pakistani citizen's right under the law.”

“I considered myself liberated long before it became the fashion. First I liberated myself from debilitating habits, and went on to free myself of combative, aggressive thoughts. I have also cast aside any unnecessary possessions. This, I feel, is true liberation.”

“I feel like I've gone through stages with the industry; when I first started showing it was during the time of the recession, the economical situation meant fashion was suffering. But now the fashion business is back and booming, and I think it just encourages me to constantly set myself bigger and bigger challenges and reach new goals.”

“The brain processes meaning before detail. Providing the gist, the core concept, first was like giving a thirsty person a tall glass of water. And the brain likes hierarchy. Starting with general concepts naturally leads to explaining information in a hierarchical fashion. You have to do the general idea first. And then you will see that 40 percent improvement in understanding.”

“At the time I was first writing the stories/essays that appear in Oedipus Wrecked, I was still under the impression that people would be delighted to see their name in print. I overlooked the fact that I was writing about intimate matters, and people are a bit touchy about airing their private lives in such a public fashion. Especially when it's done without their consent.”

“I have to admit, at first, it was really overwhelming and I would get stressed about putting things together. Now, it's like trying to figure out a puzzle piece, and I love that...There are so many things that I don't even know and would love to discover more about. I was so upset I had to leave [Europe] before Paris Fashion Week, but then I was like..."Oh wait, my album is coming out."”

“What many people don't see is that there are abundant examples of phenomenal opacity: It is one of the most interesting features of the human conscious model of reality that, first, it can contain elements that are not experienced as mind-independent, as unequivocally real, as immediately given, and second, that there is a "gradient of realness" in which one and the same content can be experienced transparently or in an opaque fashion.”

“I know I wasn't allowed to go to fashion school; I can't cut a dress like Galliano, right? But I had enough wherewithal to go to that studio on my first collection and bring Kim, [stylist] Christine Centenera, Ian Connor, Theophilus London, Virgil Abloh...they all came down to [Vetements/Balenciaga designer] Demna Gvasalia's studio that night and hung out.”