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Fashion Quotes

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Fashion Quotes

“Every style seems completely appropriate to its epoch. We cannot imagine Madame de Pompadour, or the Empress Josephine, or the early Victorian lady in anything but the clothes she actually wore. Each represents completely the ideals of her time: elegant artificiality or post-Revolutionary morals, or the prudery of the rising middle class.”

“I see a lot of people dressing very similarly, and I see brands being cool because of their name and because of who wears the brands, but that's always been the case. That's kind of the history of fashion. You know, celebrities wear their clothes and people think these celebrities are cool, and then the clothes become valuable. It gives clothes a commodity factor once a certain individual starts wearing that brand. But do I think there's something wrong? I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.”

“I don't think the role of style is different for a woman of any age. Style, to me, is about experimenting with what gives you pleasure, a joyous expression of imagination. I emphasize joyous because too much is written about fashion that takes the pleasure away - clothes that make you look thinner or clothes that make you look younger or, horrors, clothes that make other people envy you or that - double horrors - are "age appropriate".”

“While the fashion industry may, at least at the top end, be thriving, the notion of fashion itself is becoming more and more meaningless. Any discipline in fashion has long since evaporated; the idea of a single fashionable skirt length, or heel height, is incomprehensible. The definition of the fashionable has become so skimpy that it refers not to the mode of dress of everyday people--the clothes that have sufficiently caught the popular imagination to be worn in a widespread manner--but only to the styles that momentarily excite members of the fashion caravan.”

“Characters on stage should be flat, like clothes in a fashion show: what you get should be no more than what you see. Psychological realism is repulsive, because it allows us to escape unpalatable reality by taking shelter in the “luxuriousness” of personality, losing ourselves in the depth of individual character. The writer's task is to block this manoeuvre, to chase us off to a point from which we can view the horror with a dispassionate eye.”

“I'm gonna do clothes, but stuff that kids can afford. I want to get into the high fashion world very soon, but the stuff I want to start out with is the small stuff, for the kids, that anybody can afford the Nikes, or the Jordans, Or let's say they can't afford the big brand name clothes, so I would make a lower end line but still high-quality.”

“A completely indifferent attitude toward clothes in women seems to me to be an admission of inferiority, of perverseness, or of alack of realization of her place in the world as a woman. Or--what is even more hopeless and pathetic--it's an admission that she has given up, that she is beaten, and refuses longer to stand up to the world.”

“The Girl of the Period, sauntering before one down Broadway, is one panorama of awful surprises from top to toe. Her clothes characterize her. She never characterizes her clothes. She is upholstered, not ornamented. She is bundled, not draped. She is puckered, not folded. She struts, she does not sweep. She has not one of the attributes of nature nor of proper art. She neither soothes the eye like a flower, nor pleases it like a picture. She wearies it like a kaleidoscope. She is a meaningless dazzle of broken effects.”