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“In theater, there's a lot of discipline involved in doing eight shows a week for a year and a half. It's nice to be able to bring some of that bag of tools with you over to the film world, where you don't have the rehearsal, you don't have an audience. You don't have a month of rehearsal to examine these words, and you meet the guy who's going to play your brother the morning that you shoot the scene. So you need a bag of tools.”

“Stage actors are usually much more conscious of speaking up and making sure that everyone can hear in the back of the theatre; a film actor probably thinks of that a little less. Unfortunately, there's a style of acting going round, especially with the younger actors, where they talk without even moving their lip. Maybe it's because my hearing probably isn't what it was 40 years ago but I'm sitting there going "What did they say"?”

“I made a very bad mistake; I miscounted these scraps of information on the record as 92, and in continual homage to this man who had been so influential to me, I began creating or constructing my own films on this so-called "magic" number of 92 ... but when I eventually made a film about John Cage and met him, I explained this to him, and he found it very amusing because there are only 90 stories on the two sides of the record, and I'd based three years of my filmic career on this mathematical error!”

“A few of my books, over the years, have been optioned for film. The subject matter of my books, however, is not exactly conducive to Hollywood film treatment. If and when a 'big-budget' film is ever made based on one of my books, my fans and I will more than likely loathe it because it won't be true to its source. That's almost a given.”

“As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.”

“Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. With the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. In the final analysis, The Curse of Michael Myers is a horrific motion picture just not in the way the film makers intended.”

“Although The Terminator is arguably the more visionary of the first two films, [Terminator 2] is the more visually and viscerally satisfying. It's an exhausting experience and, even 18 years after its release (as I write this review), few films have matched it within the science fiction genre for sheer white-knuckle exhilaration.”

“I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.”

“I think Bergman's films have eternal relevance, because they deal with the difficulty of personal relationships and lack of communication between people and religious aspirations and mortality, existential themes that will be relevant a thousand years from now. When many of the things that are successful and trendy today will have been long relegated to musty-looking antiques, his stuff will still be great.”

“The movies have been so rank the last couple of years that when I see people lining up to buy tickets I sometimes think that the movies aren't drawing an audience - they're inheriting an audience. People just want to go to a movie. They're stung repeatedly, yet their desire for a good movie - for any movie - is so strong that all over the country they keep lining up.”

“I felt as if I was the brunt of some massive joke at my expense: Can you believe this loser can be connected to Marlon Brando and Katharine Hepburn? But through the years I have learned to tolerate and sometimes embrace the idea. People have asked me if I consider it an honour. Well, all it indicates is that I've been in a lot of movies with a lot of people. And besides that there are plenty of other actors that would work.”

“Louis B. Mayer is one of those with a claim to posessing the equation... he began to buy up nickelodeon arcades in the years before the First World War in and around Boston. He had noticed that people liked going into the dark to see the light... the appeal of the movies is beyond the sensible, rational or the hard-working. Going into the dark, afte centuries of progress in which mankind has staggered toward artificial light, smacks of delicious perversity.”

“I understand the feelings of critics asked to come up with the ten best films of any year, who say, Ten? Ten's a lot! - and those more generous spirits whose thumbs grow as long as Pinocchio's nose from overrating a lot of pictures, because they want the medium to do well, and because they'd like to feel good about it.”

“In the first week of the showings of the The Matrix Revolutions, The Godfather and The Godfather Part II played on cable television. I started watching, and I was held; I wanted to go through the process again. Can anyone credit that 30 years from now there will be an audience for the three parts of The Matrix, anywhere? Even if Keanu Reeves is our president by then?”

“I've made a career over the last seventeen years of mostly playing men in uniform, especially cops. The one thing for an actor that is completely death is if you're bored, because that boredom will show in your work. So there was an inherent challenge in trying to keep it fresh, because it's something that I'm familiar with, but the real draw for me was at long last to work with Halle. She and I had come close to working on two other films together prior to this one that unfortunately had fallen apart for various reasons.”

“It's an eclectic film and I think we served the novel really well. And we had a great cast who worked for free. Everyone read it and said, I'm in, from Nick [Nolte] to Albert [Finney] to Omar [Epps] to Barbara [Hershey]. We really had fun and shot it in a very short time. I think the subject matter is more topical today, more to the point, than it was 30 years ago, when it concerned the Vietnam War.”

“One answer to why public interest in men's tennis has been on the wane in recent years is an essential and unpretty thugishness about the power-baseline style that's become dominant on the tour. Watch Agassi closely sometime...he's amazingly absent of finesse, with movements that look more like a heavy-metal musician's than an athlete's...what a top PBer really resembles is film of the old Soviet Union putting down a rebellion. It's awesome, but brutally so, with a grinding, faceless quality about its power that renders that power curiously dull and empty.”

“I just feel that I enjoy the work more than I ever have... or just as much certainly... I enjoy making films behind the camera equally to making them in front of the camera on all those years. I just enjoy it, that's all. I've been lucky enough to work in a profession that I have really liked and so I figured I'd just continue until someone hits me over the head and says "get out".”

“Since I started making films, I've been a nut for dialogue. When I first saw Star Wars when I was 12 years old, I came home and recited all of the lines from it. Before I talked about Death Stars exploding and Tie Fighters I was talking about how funny Princess Leia was and how sarcastic Han Solo was. So to me that's always the most important thing, and I love hearing great actors say great lines.”

“We are shocked and saddened by Bob Casale's passing. He not only was integral in DEVO's sound, he worked over twenty years at Mutato, collaborating with me on sixty or seventy films and television shows, not to mention countless commercials and many video games. Bob was instrumental in creating the sound of projects as varied as Rugrats and Wes Anderson's films. He was a great friend. I will miss him greatly.”

“Every time I go to Europe, I remember that James Dean never saw Europe, but yet I see his face everywhere. There's James Dean, Humphrey Bogart and Marilyn Monroe - windows of the Champs Elysees, discos in the south of Spain, restaurants in Sweden, t-shirts in Moscow. My life was confused and disoriented for years by his passing. My sense of destiny destroyed - the great films he would have directed, the great performances he would have given, the great humanitarian he would have become, and yet, he's the greatest actor and star I have ever known.”